Welcome to WeeklyWilson.com, where author/film critic Connie (Corcoran) Wilson avoids totally losing her marbles in semi-retirement by writing about film (see the Chicago Film Festival reviews and SXSW), politics and books----her own books and those of other people. You'll also find her diverging frequently to share humorous (or not-so-humorous) anecdotes and concerns. Try it! You'll like it!
“Summer 2000: The X-Cetra Story” won the SXSW Jury Award for Best Documentary Feature at SXSW 2026. Directed by Ayden Mayeri, it’s the story of a quartet of childhood friends who made a record when they were junior high school age (11 to 13) and it surfaced as a hit on the website Rate Your Music 24 years later. Said Director Mayeri, “This album being discovered is the weirdest thing that has ever happened to me.
The X-Cetra Story (Photo by Dessie Jackson).
”WRITER/DIRECTOR
Director Ayden Mayeri, who has 58 IMDB credits, has appeared in such films as Paul Feig’s “Jackpot!”, “Mr.Throwback,” “Cora Bora Comedy,” “Spin Me Around,” and is the Writer/Director of this award-winning documentary. After the unexpected fame of their album Et-Cetra, (made in 2000), Mayeri decided to try to get the foursome together again, twenty-four years later. Ayden admitted “I really missed hanging out with them and being carefree. She likened their reunion in Santa Rosa as “Our version of Backstreet’s Back.”
Ayden Mayeri
Ayden admitted that she wanted to recapture the unself-conscious feeling of her pre-teen years. It is captured via extensive videotaping by one of the girl’s mothers from back when the girls were 11 to 13, in 2000. Kudos to Editor Phil Rosanova and Audrey Leach, who drew the task of blending copious amounts of film and to cinematographer Barry Rothbart. The musician mother Robin O’Brien who had ties to the German music provider Akim and produced the girls’ maiden vocal efforts deserves much credit for the album existing at all, also.
Now 36, Mayeri described the era to The Daily Texan as “a journey of me trying to fit in.” She said, “It’s just me and my friends, living our childhood dream, putting our vision out in the world… It was crazy because we made this album in the year 2000 when we were 10 to 12 years old … we were immediately very embarrassed about it. We were like, “Let’s never talk about that again. We’re in junior high. Everything’s embarrassing. (We) don’t want anyone to know we did that.”
CAST
X-Cetra cast
Following “Rolling Stone’s” writing an article on their X-Cetra album of the early 2000s, the quartet of old friends gather in Santa Rosa and even write some new music. The film became a thumbnail character sketch of each of the four girls: Jessica Hall, Janet Kariuki, Mary Washburn and Ayden herself. The intervening years for each girl are related in a way that makes us care about them, especially since we’ve seen them when they were adolescents perched on the verge of high school.
EDGE OF INNOCENCE
The universal truth for all girls that comes throughis that dating and boys and being “cool” will change the relationships between these girls that formed earlier. The self-consciousness of youth will sometimes inhibit even those who are obviously talented at a young age. One of the reasons Ayden gave for making the documentary was this: “I think my greatest dream is that people feel free to be creative for no reason and to really go back and tell their younger selves that they’re great … I really wanted to show what girlhood feels like, and that’s why I’m reading from my diaries, and we’re talking about some kind of messed up stuff, because that’s girlhood”
X-Cetra cast
It was clear early on that Ayden was innately talented. But, as a lyric sung in the documentary asks, “Did I make you feel embarrassed when I’m something to be cherished?” This film allowed the four fast friends of 2000 to revisit and recapture the exuberance of their youth, via X-Cetra.
Jessica, for instance, shares that boys of their class harassed her with the nickname “titless” for a long time, while Mary—the youngest at eleven—was excluded from the group as high school approached because the other three were two years older. Brushes with parental divorce, drugs, relationships gone wrong—all are included and fill in the picture of who these four girls are and who they were in 2000 before life intervened.
DOCUMENTARY RESONATES
X-Cetra cast
The documentary struck a chord with the audience, which voted it the winner of the Audience Award at SXSW 2026. It resonated with me, as I taught junior high school students for eighteen years. I remember my own daughter’s early friendships and creativity when exactly the same age as these girls in 2000. The line, “Are you gonna’ live in that moment for the rest of your life?” was a good one, highlighting that the lives of the foursome have moved in separate directions.
Thanks to the parents who both filmed and recorded the girls at a young age, we can see the arc of their lives from 2000 to 2026. I’m sure their reunion to celebrate the unexpected success of X-Cetra the album was a great one.
This SXSW documentary was a joy for the original members of X-Cetra and it is a joy for the audience.
Steve Carell and the cast of “Rooster,” as well a producers Bill Lawrence and Matt Tarses, spoke at SXSW in Austin on St. Patrick’s Day, March 17 at the J.W. Mariott in downtown Austin. With the producers and their star were castmates Danielle Deadwyler and Charly Clive, who play Dylan Shepherd and Katie, respectively.
The series revolves around Carell’s character of author Greg Russo, who has been summoned to his daughter’s college to help solve a crisis in her life, when her philandering husband, a University professor at the fictional Ludlow College (actually the University of the Pacific in exterior shots) creates a scandal by impregnating a student. That doesn’t do much for his marriage to Carell’s daughter Katie and soon Dad is summoned to help pour oil on troubled waters.
GREG RUSSO
Steve Carell onstage at SXSW on March 17, 2026.
Carell’s character Greg Russo is a successful genre author. Think of someone like Lee Child, the pen name for former television writer Jim Grant who wrote the Jack Reacher series alone until 2020 when he began writing them with his brother Andrew Child. In this fictionalized version of things, the character in the books is Rooster and Steve Carell’s arrival on his daughter Katie’s campus begins to cause some confusion, as his fans among the faculty and students begin to ascribe characteristics of the author’s main character to the author himself, Carell’s character is going to be pressed into service as a university lecturer and other adventures will occur. Written as ten 30-minute episodes, the series had the strongest opening for a comedy series n ten years for HBO and with the recent announcement of $21 million in tax credits for the series and its warm audience reception, chances are very good that it will make the cut and go beyond one season.
CHARLY CLIVE
Steve Carell with daughter Katie (Charly Clive) in “Rooster” on HBO Max.
British actress Charly Clive plays Katie, Carell’s daughter, and her British accent was a bit of a shock to those of us who have seen the first episodes, which she plays with an American accent. Charly starred in a British television series called “Pure” and is a 2014 graduate of the American Academy of Dramatic Art in New York City. This is her first big American role.
MOTIVATION
When asked about why he took the role, Carell joked, “It was mostly money, really.” He then went on to say, “It felt true. I have been experiencing a lot of these life moments with my own daughter. I like parts representative of all parts of life, just experiencing life as it comes.”
APPROACH TO THE CHARACTER
Danielle Deadwyler of “Rooster” cast onstage on March 17, 2026 at SXSW.
Carell said, “I didn’t want Greg to be a Walter Mitty type. He isn’t completely comfortable in that role. Greg didn’t strive to be famous. He just wanted to be a writer.. I think he is shy, but not an introvert. He is married to an impressive woman…I read the pilot and thought it was terrific. A lot of times, you don’t know if something feels authentic until you’re in the moment, but this was an instant feeling of ensemble.: He went on to say “It was very reminiscent of my experience on the office (for 7 years). That’s the sense I get with this.”
DANIELLE DEADWYLER
Steve Carell as Greg Russo and Danielle Deadwyler as Dylan Shepherd in HBO’s “Rooster.”
Danielle Deadwyler, who plays Dylan Shepherd in the piece said of her comic chops, “I don’t have a comedy background. I’m winging it, Baby.” While acknowledging that Carell and Deadwyler come from very different places, Carell added, “The fun is finding the common ground. We had the freedom to start looking for it. There’s so many different directions you cam tale thiss.” Credit for the expert casting was given to Allison Jones, (“Scrubs”) who selected the cast members.
BILL LAWRENCE
Steve Carell onstage at SXSW with the cast of HBO’s “Rooster.”
Producer Bill Lawrence, who has an impressive list of hit shows including “Ted Lasso,” “Scrubs,” “Bad Monkey” and “Shrinking,” referenced some advice he was given by Michael J. Fox on “Spin City,” having to do with timing. The anecdote had to do with NOT changing a scripted “People who need people” line, but milking it with expert comic timing. He and Carell described “Rooster” as “a little push of kindness is needed right now.”
EPISODES
The team replicated a New England college in Los Angeles and Production designer Cabot McMullen, who has worked with Lawrence and Tarses for 30 years, was given credit for the authenticity of the college setting. The students, largely recruited from Stockton, California, were also credited with bringing energy to the piece. (“All the students brought a fantastic energy,” said Deadwyler.)
CONCLUSION
Those who watched the first episode will remember that old pro John McGinley as College Employee Walter Manes is often shirtless and Carell said that, in episode six, “I do some nudity.”
Scott MacArthur from “Breaking Bad,” playing a hockey coach with substance abuse issues opening a beer bottle on part of a helmet worn by one of his players was singled out for his creativity. “If you can create that kind of work environment, it shows up onscreen.”
Steven Spielberg was interviewed onstage at SXSW on Friday the 13th, 2026, in the sixth floor ballroom of the Hilton in Austin. His appearance was the first at SXSW since 2018, when he appeared at the Paramount in support of “Ready, Player, One.” This time, we can assume that his appearance was meant to coincide with the release of “Disclosure Day” in theaters on June 12th.
ORIGIN OF CREATIVITY
Spielberg remembered being taken to Disney films by his parents as a child. They thought taking young Steven to see “Fantasia” as a seven-year-old would be safe. He disagrees. “The least safe thing they could have done was to take me to see Fantasia when I was only about 7 years old. I had this kind of over-dose or over-abundance of imagination, so whenever I saw something I would extrapolate from that. There was this sequence called The Night on Fall Mountain and it just destroyed me. What I wanted to do with my impulse was— when something scares me— I want to create some sort of talisman to protect myself…That’s kind of how the whole thing started with me wanting to find some way to put it up somewhat to take it out of me and put it on something else.”
Since launching his career with 1975’s “Jaws” Spielberg has had 223 wins of various sorts out of 358 nominations and is synonymous with modern American cinema, whether as writer, director or producer. He and Francis Ford Coppola and George Lucas are the subjects of the recent best-seller “The Last Kings of Hollywood,” which I am currently reading. In his sixty minutes onstage, Spielberg, 79, reflected on his remarkable career and on some of the films that instantly summon the American cinema experience.
“E.T.”
Spielberg defined “E.T.” as a demarcation point in his career, making him want to have kids. He said, “I didn’t have much of a home life,” which later was explained more fully in his autobiographical film “The Fabelmans” (which Spielberg described as $40 billion of therapy that Apple and Dreamworks paid for”).
Of making “E.T.” Spielberg explained , “I loved those kids. I didn’t want them to go home.” He even acknowledged that Drew Barrymore never really went home, in the metaphorical sense, after starring in the film about an alien visitor.
He explained that, although it cost $10 million to shoot the film in chronological continuity, that was done so that the young actors and actresses would be saying goodbye to “E.T.,” the alien, in the final scene of the film, rather than the normal way of shooting pieces of the film out of context. He pointed out that this compounded the sadness of separation that all of the cast were feeling as the making of the movie came to a conclusion.
ALIEN MOVIES
With his disclosure that “E.T. made me want to have kids, Spielberg gave credit to wife Kate Capshaw and their 7 children and 6 grandchildren. Of his children, he said, “They keep me relevant and current.” He also absolutely crowed about the recent Obama comment about potential intelligent life beyond human life in the universe, saying, “This is so great for ‘Disclosure Day!’. That film comes out in June. Spielberg admitted that the recent New York Times series of articles on UFOs (now known as UAPs) “rekindled my interest in this subject matter.”
HISTORY
Spielberg onstage at SXSW on March 13, 2026.
Spielberg said that, “I’m drawn like a magnet to history. I just found so much richness in stories about the past.” He praised this year’s “Train Dreams” for covering an entire life over 75 years, since, “films move so fast.” He mentioned influences such as TikTok, and Instagram, while saying he is not on Instagram because of the “missing time dilemma.”
Question: “How do you do what you do?”
Spielberg’s answer was that he storyboards if there are a lot of special effects, but also noted that there were none on “Saving Private Ryan” or “Schindler’s List”. “I know the page count I need to cover. If you cast your film right, you get a person with a deep understanding of how film works.” He shared that he and Tom Cruise were both early arrivals on the set of “Minority Report” and said, “Your instincts and intuition are your best friends. I just need the cast to trust me” and advised would-be filmmakers to “learn from your heroes from before.”
SPIELBERG’S NIGHTMARES
A poster for the 1975 American film ‘Jaws’, directed by Steven Spielberg for Universal Studios. (Photo by Movie Poster Image Art/Getty Images)
Spielberg said, “Even the happy ones (movies) come from my nightmares.” He said the audience is the most important barometer for a film and admitted that the “Jaws” team “didn’t know what we had until the ‘Jaws’ premiere at the Medallion Theater in Dallas,” adding, “I have previewed all my films in Texas.”
His story of an audience member leaving the theater during “Jaws” to vomit, but then returning was a great, if amusing, tribute to his storytelling ability.
HUMILITY
Saying that his worst nightmare would be “not to get to do what I do” Spielberg expressed great admiration for David Lean’s “Lawrence of Arabia.” He and Martin Scorsese worked together to restore parts of the film that had been removed by studio heads saying, “You will never be as good as David Lean. It keeps me humble.” He described watching the film so many times that a silver object in the sand caught his attention and is still a mystery.
The acclaimed director also remarked, “I was riding high in 1978. My next movie ‘1941’ came out and I was humbled.” He also said, “Every film is different. Every film is a birth, a life, and a death. I don’t judge my accomplishments based on one film. I always fear that if I looked back too much I’d not move forward.”
FAVORITE PERFORMERS’ SCENES IN HIS FILMS
Spielberg mentioned scenes from “Amistad and Tom Hanks crying in the crater and Daniel Day Lewis as Abrahan Lincoln. Two shots. Four minutes. One cut to David Straithorn. The scene had to do with the need to pass the 13th amendment, which made slavery illegal. “I was in the other room crying. Daniel Day Lewis asked, ‘Where’s the skipper?’ Then he came back, put his arms around me and hugged me.”
UNDER-APPRECIATED SPIELBERG FILMS
One humorous anecdote that came from the question about his under-appreciated films was the story that, when he was single, he had a criteria for a second date. “I used to show girlfriends “A Guy Named Joe” (Spencer Tracy, Irene Dunne) or “Always”—Audrey Hepburn’s last film, Richard Dreyfuss, Holly Hunter. “It was the film I used to show girlfriends. Them and ‘Two for the Road.’ If they didn’t cray at the end, I wouldn’t go out with them again.’
MOVIES AS COMMUNITY
When asked about the community and communication that happen in a theater (“The real experience comes from gathering audiences tougher at movies or concerts.”) Spielberg remarked that “Theaters like IMAX have committed to you.” He was asked what he can do to preserve the movie-making experience as it has existed for decades, given streaming and the tremendous convenience of portable communication devices like the IPhone. His response was, “All I can do with Ambling Entertainment and my parent company is make movies that people want to see.”
He admitted that he remains current, saying, “I see it all because it’s kind of a rush to see them all. I see everything I possibly could see.” With A.I. turning 25 this year he remarked that he is still very integrated with the writing process and said “I haven’t used A.I. in any of my films. I am not for A.I. if it replaces a creative individual,” which brought a round of applause.
When asked what film of his he would suggest if aliens wanted to see a film that was about human history, Spielberg suggested “E.T.” rather than “Close Encounters of the Third Kind.” He also expressed great admiration for Frank Capra’s “It’s A Wonderful Life,” calling it “the kindest film I’ve ever seen” and vowed that his next film will be a Western that will “kick ass.”
“Phoenix Jones: The Rise and Fall of a Real-Life Superhero” at SXSW.
Director Bayan Joonam appeared with the documentary “Phoenix Jones: The Rise and Fall of a Real-Life Superhero” at SXSW and shared the six-year project with an audience that, for the most part, has grown up on/with social media. Bayan is best known for partnering with actor Rainn Wilson to translate SoulPancake’s mission into digital video on sites such as YouTube.
As Head of Production for SoulPancake between 2012 – 2018, Bayan led the development and creation of award-winning original programming such as SoulPancake on OWN, Kid President, and My Last Days, which led to nearly a billion views, multi-season television franchises, and acquisition by Participant Media in 2016.
SYNOPSIS
With “Phoenix Jones,” Joonam tells us the story of Ben Fodor, born 5/25/1988, who, according to Director Joonam, as Superheroes go, “Phoenix Jones, to me, is the most legit of them all.””In 2010, reports began surfacing of a masked vigilante in a black-and-gold Superhero costume stopping crime on the streets of Seattle. His name was Phoenix Jones. Armed with pepper spray, a taser, and a team of costumed crime fighters, Phoenix Jones quickly became an international media sensation. But when his true identity was exposed by the Seattle Police Department, the heroic image began to unravel and his team abandoned him.
During the Q&A following the film, Joonam acknowledged that he learned about Ben Fodor’s Phoenix Jones persona through Rainn Wilson, who starred in the 2010 superhero movie “Super.”Rainn portrayed a self-anointed vigilante known as the Crimson Bolt in the film. (“Super” did not do well financially, grossing only $593,933 against a budget of $2.5 million but it has since become a cult classic, particularly among fans who appreciate its subversive and unconventional approach to the superhero genre.) Rainn Wilson makes a brief appearance in the documentary to state, “I don’t think it’s a good idea to put on a costume and jump into a dangerous situation.”
STORY ORIGIN
Bayan Joonam, Director of “Phoenix Jones: The Rise and Fall of a Real-Life Superhero” at SXSW.
It is clear that Joonam, who learned of Phoenix Jones when working for Rainn Wilson (“The Office”) has given a lot of thought to creating this in-depth portrait of a troubled young man, whose biological parents gave him up for adoption. How much of his “abandoned at birth” story is real and how much is manufactured for effect is up for discussion.
What struck me was the charisma that Ben Fodor exudes could have taken him to the top of so many endeavors. He was adopted soon after birth by two loving Moms, Margaret and Susan, who adopted other troubled youths. Ben created an alternate version of his early life in which he spent 11 years in an orphanage. Director Joonam has also worked for Jay Z. It is not beyond the realm of the possible to think of a young man like Ben Fodor with such charisma utilizing it in a similar fashion as Jay-Z and becoming a shooting, rather than a falling, star,
His older (adopted) brother Caros Fodor quickly shot down Ben’s untruth about spending 11 years in an orphanage, and also physically fought him (and beat him) in an MMA cage match for money. Ben Fodor in costume is an imposing presence, but this documentary makes it clear that he is a very troubled one, despite his charm and charisma.
FREEDOM FODOR
Perhaps the most sane and well-adjusted person to appear onscreen is Ben’s young son Freedom, whom Ben obviously loves very much. Freedom says, of his father, “My dad is a person who really cares and is really damaged, and I saw that. Ben Fodor has extreme trauma.”
Son Freedom traced some of his father’s more recent trauma to the death of a young woman from a drive-by shooting that Phoenix Jones and his rag-tag band of vigilantes were attempting to police. They had gathered to fight crime in the streets of Seattle, headed to 5th and Spring, the old federal courthouse, to “confront what was going on,,” when Nicole was shot. Phoenix said, “We just stood there and watched her die.”
The cinematographer documenting the superheroes fighting against crime, Ryan McNamell, filmed the exploits of Phoenix and his band of crime-fighters from 2011 to 2012 and called the death of the young woman “fucking terrifying.” (The film is dedicated to Ryan, who recently died.)
SUPERHEROES
The list of people—-“dorks all” according to one of them who called himself “crime interventionist, Midnight Jack” (“I’m one step away from homeless”)—who have donned costumes and turned out to fight crime is lengthy: The Watchman, Mr. Sticky, Knights of the Night (“The Office’s” Dwayne Schroot’s namefor one), El Caballero, Purple Reign (who was married to Phoenix at one point) and L.A.’s Rock Hard. The list of superheroes—or poseurs pretending to be superheroes—would fill a novel; their stories are complicated and suggestive of severe, persistent mental illness.
Phoenix says, “I was fine before I did this. I’m not fine now.” He also admits “I think my life is just sort of out-of control.”
DENOUEMENT
Ben Fodor became the subject of an undercover police drug investigation on November 5, 2019, which led to his arrest for selling Molly and cocaine (2 lbs.) to an undercover agent at the Silver Cloud Hotel.
Phoenix’s supporters from “the old days” of 2010-2013 are struck by the ultimate hypocrisy of his arrest, since Phoenix Jones frequently railed against drug dealers and drug dealing. On January 29, 2020, Fodor pleaded guilty in a Seattle court and was fined $500 and time served. He retired from crime-fighting and announced that he was going to go to college to study criminal justice and business and then run for Mayor of Seattle. He did ask his attorney about the consequences if he didn’t pay the $500 fine.
His progress towards those lofty goals may be hindered by the fact that there are currently two warrants out for his arrest, for driving without a license and not paying the $500 fine handed down during the (furtively filmed) drug sentencing.
Director Bayan Joonam at midnight during the Q&A following the showing of “Phoenix Jones: The Rise and Fall of a Real-Life Superhero” at SXSW on March 17, 2026.
This was a very thorough and thought-provoking film that made me aware, once again that some people are much better liars than others. (See “Chili Finger” review.) I couldn’t help but think of the wasted potential of a personality as magnetic as Ben Fodor’s. How much of his crime-fighting was about sincere love for his community and how much was just someone desperately the limelight? Was it all just a focus on self-mythologizing and enjoying the spotlight that social media provides?
At this point, as reporter Jason Rentz said of Phoenix Jones, “People clearly do not trust you,” so there goes the political career—or does it? There are some personalities who lie repeatedly and their actions clearly contradict their words, yet devoted fans sycophantically continue to sing their praises in the face of overwhelming evidence to the contrary. You won’t have to think very long or very hard to come up with a list that goes all the way to the top.
CONCLUSION
A thoroughly enjoyable 105-minute look at modern social media’s effects and the messed-up folks who live and die by it, as well as a thoughtful look at vigilante justice and the societal problems it presents.
“Chili Finger” at SXSW with Sean Astin and Judy Greer. (Photo by Cristina Dunlap).
Directors Edd Benda and Stephen Helstad brought the indie film “Chili Finger” to SXSW, which premiered on March 14 at the Zach Theater. I broke a tradition of decades of watching the Oscars “live” to journey to the Alamo Drafthouse on South Lamar on March 15th to see it. It was not the World Premiere, which took place May 14th, but it was only the second screening of this thought-provoking movie. It was worth stepping away from our annual Traveling Trophy for Oscar Predicting, which I am nominally in charge of (and, yes, there IS a real Oscar trophy—of sorts.)
This 100 minute character study starred Judy Greer, Sean Astin, Bryan Cranston and John Goodman, along with new-comers Madeline Wise, Paul Stanko, Sarah Herrman and Sara Sevigny. Writer/Directors Benda and Helstad are partners heading up Beyond the Porch productions, blending their Michigan roots and their shared USC educations to create independent films. “Chili Finger” was shot in Champaign, Illinois, in the heat of summer. It involves a fictional Wisconsin fast food chain, Blake Junior’s (they filmed in an old Hardee’s restaurant), to bring us a story based on reality.
“Chili Finger” cast members Madeline Wise and Paul Stanko during the Q&A for “Chili Finger” on March 15, 2026 at SXSW.
TRUTH TO FICTION
In March 2005, Anna Ayala falsely claimed to find a severed human finger in her Wendy’s chili in San Jose, California, creating an international scandal that cost the chain over $21 million in lost sales. Investigations revealed the finger was a hoax, traced to a colleague of Ayala’s husband who lost it in a workplace accident. Ayala was sentenced to nine years in prison for the scam. At the beginning of the film we are told: “Some of the events depicted in this film actually happened. Some did not.”
DOES THE FILM FLIP THE FACTS?
I had not read this synopsis: “When Jessica Lipki discovers a severed human finger in her bowl of chili, she recognizes an opportunity to seize control of her stagnating life. Jess blackmails the regionally-beloved fast food chain for $100,000 in return for Jessica and her blissfully ignorant husband Ron (Sean Astin) remaining quiet about the incident.”
When I entered the theater—abandoning the 98th Oscar ceremony “live” for the first time since 1955–I had been too busy working as press at SXSW to read extensively about the film beyond its theme-revealing title. I realized it had its original inspiration based on the Wendy’s true incident, but I honestly did not remember what the outcome of the original chili finger discovery had been. Did the original diner who perpetrated fraud do prison time? Did not know. Am glad I did not know, going in, who was guilty of what—or if Judy Greer’s character was an innocent accused of something she would never do.
CAST
Writer/Director Steven Helstad of “Chili Finger” at SXSW. (Photo by Megan bailey).
I recognized going in, however, that this cast would be dynamite, and they were. (Questions about how they came to be hired abound.) Madeline Wise as Blake Junior and Paul Stanko as Trevor Stempor, two of the newbies, were also spot-on in their roles. The two Sarahs (Sarah Herrman as the pregnant girlfriend of Trevor and Sara Sevigny as Jackie, the server) were also good. Having a good script and good actors: a good start. Add to that the storyboarding, especially of the character Dave Pendleton (Bryan Cranston), and Cinematography by Cristina Dunlap, editing by Todd Zelin, sound design by Peter Bawiec and original music from Dan Deacon: Voila! Chili Finger: Fantastic Film.
Q&A
Paul/Trevor during the “Chili Finger” Q&A.
Paul Stanko told us, in the Q&A following the screening what it was like acting with John Goodman and Bryan Cranston. He said he was “so intimidated.” Paul added, “They were all wonderful people. They were all there to support. They elevated my performance. All I had to do was be there and say my lines.” He described the experience as “surreal” and “amazing.”
The shooting site, Champaign, Illinois, in June can be very hot and muggy. (No shock there.I live in Illinois half the year and grew up in Iowa.) Sara Herrman, who had to wear a pregnant belly on the first day of shooting, inside a trailer that was stiflingly hot and swampy, on a day when rain was pouring down, repeated her words from that first day of shooting [in a very small voice]: “It’s just so hot.”
Writer Stephen Helstad said he wrote the script during the pandemic; there were numerous drafts. What set the script above other scripts were the twists that come, one after another, as we invest in Judy Greer’s character of Jessica Lipki.
By the end of the film I began to wonder if Jessica would be able to live with herself—and with her husband Ron—after everything that has happened. Like Amy Madigan’s Oscar-winning character in “Weapons,” I almost feel as though there should be a follow-up film that focuses on how Jessica’s life plays out from the final frame forward.
JESSICA
Edd Benda and Stephen Helstad of “Chili Finger” on March 15, 2026, at SXSW.
Jessica is a small-town divorce attorney who seems too good-hearted a person to be a con artist responsible for trying to scam anyone. At various plot points Jessica demonstrates that she is not a “bad” person. She literally saves Dave Pendleton’s (Bryan Cranston in ascenery-chewing turn) life. Is this woman a con artist or not? That question lingered, for me, for quite some time. (*Remember: I’ve been attending late-night films and, also, fairly early films. I passed out in the lobby of the Paramount last year on Opening Night,after covering 3 Red Carpets from 4 p,m, until 2 a.m. Bear with me. I also had great empathy for the poor beer bottling employee who lost the finger in opening scenes after ripping my right thumbnail off at the Austin airport—an “avulsion”— in a bizzare luggage rack incident. These things only happen to me and made me the perfect audience for “Chili Finger.”)
Jessica demonstrates angst over the departure of her daughter for college (the dreaded “empty nest” that I avoided by having two children born 19 years apart. Family motto: “Every 20 years, whether you need to or not.”) It becomes clear that husband Ron is much more enamored of fast food at the local café than Jessica is. There may well be more cracks in the relationship as other truths surface. Ron is “in” to WWII and dancing the polka. Jessica seems less thrilled about these mid-life couple activities. There are musings about the supposed “joy(s)” of having children. Since the U.S. birth rate is at an all-time low (and most births occurring are to women over 30) that statistic percolated in the back of my brain (and also in the sub-text of the dialogue.)
AFFORDABILITY
Director Edd Benda of “Chili Finger” at SXSW 2026. (Photo by Ben Winchell).
The constant refrain of finances being tight comes to the surface over and over for all concerned. I couldn’t help but wonder if $400 to fly to visit their daughter in Philadelphia was enough. (Not right now, certainly). I wanted to ask what Ron was doing at “the mill.” Whatever it was, the smell lingers on the workers’ hands long after they leave work. Did he also work at the beer bottling plant? I noticed that Jessica is carrying an old-fashioned paper boarding pass at one point and thought, “Well, THOSE are on the way out!” (Because they are.)
GUILTY OR INNOCENT
Once again, I was grateful, going in, l that I didn’t know whether Jessica was guilty of being a con artist or not for a long time. Do yourselves a favor and don’t read the IMDB snippet before watching the film. How much more interesting the film becomes when you, as an audience member, are trying to judge whether a woman who seems as basically decent as Jessica could have tried to perpetrate fraud. Did she or didn’t she?
Edd Benda, Director of “Chili Finger”.
TRUTHS
Two truths that were underscored by this film, for me: 1) Some people are much better liars than others. (2) The “affordability” crisis that the majority of Americans are feeling right now is real. Since American voters were conned by a master con-man we now find ourselves facing an affordability crisis not unlike the one we faced during President Carter’s years in office.
To quote A.I.: “During Jimmy Carter’s presidency (1977–1981), gas prices in the U.S. more than doubled, surging from roughly 61 cents to over $1.25 per gallon by 1980. Triggered by the 1979 Iranian Revolution and subsequent oil supply shocks, consumers faced severe shortages, gas lines, and high inflation, resulting in a “crisis of confidence.”
Does any of that sound familiar? Probably not, if you are young. Trust me. It was brutal. A teacher of junior high schoolers at the time, the administration screwed our thermostats down to 60 degrees to save money. In Illinois. In winter. I was sick with strep throat for months. Having lived that gas shortage of 46 years ago, I sent the spouse to fill up my Prius tank here in Austin immediately. I remember what came next. (*Side note: one of my friends, Mary Beth Koob, was an Iranian embassy hostage freed by Carter after being held prisoner for 444 days. Ronald Reagan took all credit for Carter’s diplomacy in getting the hostages out alive.)
CONCLUSION
Believe me when I say that “Chili Finger” is a wonderful indie film that shows great promise. I’m looking forward to future films from these two filmmakers. As a former business owner in Bettendorf, Iowa (home to Scott Beck and Bryan Woods of “A Quiet Place” fame) let me heartily recommend that fans check out this film.
To the young filmmakers, if you’re still in town after “Chili Finger” finishes screening, I’d love to ask you some additional questions before you depart [or send them to you via e-mail.] Drop me a line. I’m here through May 15 (when Bruno Mars beckons at Soldier Field, Chicago.) I did not want to distract you tonight from fully enjoying a night of Triumph among True fans who turned out on Oscar night (3/15/2026).
Side-note: I did get a chance to (a) meet Edd’s Uncle (b) congratulate Director Edd Benda on “Chili Finger” (c) Tell Edd he resembled Seann William Scott of 1999’s “American Pie” vintage, which will date me even further(d)Talk to Hannah Shealy about her TV pilot “Birth Is for P*ssies.” (Excuse the rambling; repeated 3 a.m. write-ups are taking their toll.)
I hope that the filmmakers find this semi-review on my blog and drop me a line so I am able to send some additional questions their way and find out about their upcoming projects. Stay tuned for further developments (if any). Keep checking www.TheMovieBlog.com for a more “professional” approach to reviewing whenever I/we get around to it.
I also hope they fix the elevator in the parking garage, but that’s a very faint hope.
“Perfect” is a 94-minute film directed by British director Millicent Hailes which had its World Premiere on March 14th in the Visions section of the SXSW film festival. “Perfect” attempts to break new cinematic ground by using sound in a most unconventional way, Someone decided that repetitive dialogue—super-imposing the same line over the dialogue being spoken at that moment in a sort of echo chamber effect— was a good idea.
It was not.
It came across as auditory assault. The dialogue (scripted by Kendra Miller and Hailes), when finally deciphered, was banal. “You’re going to be all right” was the oft repeated sentiment. That line, based on the plot events, seems inaccurate.
By film’s end the lead character (Ashley Moore as Kai) is far from “okay.”
She has lost at love more than once and is burning her car—the car in which she had been living. Her romance with a mysterious pregnant woman ( Julia Fox of“Uncut Gems” who alsoexecutive produced) has crashed and burned. Kai is stranded in the middle of nowhere
SYNOPSIS
Julie Fox as Mallory in “Perfect” at SXSW film festival Visions section on March 14, 2026.
The plot: “In a world devastated by a contaminated water supply, Kai, a lost soul, finds herself living out of her car after a bad breakup. Each day is a struggle until fate leads her to a hidden utopian lake where the water is pure and life flourishes.” A ragtag group of outsiders — Sonny (Lio Mehiel), Pinksy (Ryder McLaughlin), Nik (Micaela Wittman), Cal (Creed Bratton), and Emil (Sergio Lane) — have carved out a fragile community there. At the lake, Kai meets Mallory, a wealthy and mysterious pregnant woman running from her past. They fall into a passionate romance, but as Kai becomes more attached, she begins to see the cracks in Mallory’s story.
Moore and Fox are striking onscreen, and their fragmented love scenes are filmed with an eye for beauty. Director of Photography Ksusha Genenfeld makes the most of their chemistry — there’s plenty of skin, and film editor Amber Bansak has composed a romantic pastiche of sensual erotic images. Viewers here for the sex scenes will be pleased. Beyond that, the plot doesn’t offer much. It’s surprising to hear lines like “fucking faggot” and “Is this giving gay?” used casually, tossed off nonchalantly by a queer director who founded a magazine (yves 2c) for under-represented genders.
BACKGROUND
Director Hailes studied fashion in London and has a degree in photography. The film has been picked up by Visit. Hailes said, “We’re absolutely thrilled to be partnering with Visit Films… we’re honored to join their slate and look forward to bringing the film to audiences worldwide.” Visit’s president, Ryan Kampe, added: “Perfect is the perfect film for our times… a smart and provocative film that weaves together a potential apocalyptic future with the needs and desires of the human body.”
THE “MORAL”
Ashley Moore as Kai in “Perfect” at SXSW on March 14, 2026.
If there’s a message, it’s obscured beneath the sound effects — including, near the end, a sped‑up voice that sounds like a cartoon character. The score by Wynne Bennett, however, is genuinely good and elevates the romantic scenes with lyrics like, “I was on the edge of something greater than before.”
CONCLUSION
Sexy, stylish, but saddled with an almost unlistenable sound design, the apocalyptic water‑crisis backdrop is oddly minimized, and the protagonist’s journey rarely makes much sense. Viewers who want more than the beautifully photographed sex scenes, including coherent storytelling or a satisfying ending, will need to look elsewhere.
Vince Gilligan and crew at SXSW panel onAlbuquerque Aftermath: From Breaking Bad to Pluribus with Rhea Seehorn, Vince Gilligan, and Key Creatives.(Photo by Paul Thanasack).
Gilligan, creator of “Breaking Bad,””Better Call Saul” and, now, “Pluribus” came to SXSW on Saturday, March 14th,with Rhea Seehorn (Pluribus’ Carol and Better Call Saul’s Kim) as well as composer Dave Porter, costume designer Jennifer Bryan, and producer Trina Siopy. The conversation explored the collaborative process, Albequerque’s role as the anchor city, and the close creative partnerships nurtured over more than a decade.
MEANING OF PLURIBUS
A lot of the questions seemed to revolve around, “What is Pluribus about?” It seems to be about an alien virus that threatens to take over the world as we knew it. Everyone is happy, but the inhabitants seem to almost have become as alike as drones in a bee hive…worker bees all. Happy little fellows. Everything is wonderful. Or is it? Carol seems to want to “save” the human race with all of its imperfections. Gilligan mentioned he had helped write that story when he writing for “The X-Files” (“The second best jjob I ever had.”)
GILLIGAN’S EXPLANATION of “PLURIBUS”
Vince Gilligan and Rhea Seehorn at SXSW 2026.
Or is Pluribus about something else? One questioner threw out the idea that the entire series is a metaphor for grief and depression. The answer we got on Saturday, March 14th from Gilligan, himself, referenced a conversation he had many years prior with Director Michael Mann.
Michael Mann asked Gilligan (who was then writing for “The X-Files”): ‘What are we really trying to say here? What’s the message? What’s the theme? What’s the this? What’s that? And he looked at me and I will never forget, he said, ‘We have to tell that story. We have to tell a story about characters and the things they do. They face interesting obstacles, unique obstacles, and the way they surmount them or don’t. That’s what we’re doing here. There’s nothing much more to it than that…It is for other people to tell us sometimes what our shows and movies are about.’”
RHEA’S RESPONSE
The Question: “How long did it take for you to understand what Pluribus was all about, Rhea?” brought this answer, “I’m still trying to figure it out. Here’s the thing. It’s really wonderful that I’m playing a character that doesn’t understand what’s going on. Therefore, I don’t have to. I don’t know.” Seehorn went on to say, “It’s about human nature, but it’s also about what it means to be human and redefining what the pursuit of happiness is. That’s the end-all and be-all. How do you define success and how do you define love and relationships?” After some praise of co-star Carolina Weaver’s acting as character (Zosia) Rhea added, “I don’t know. The answer is, I don’t know. I don’t know what the show is about, and I love it.”
She reminisced about all the press she did for “Breaking Bad’ and added, laughing, “What if it means, for God’s sake, just be more Sphinx-like and that I have to shut up! There’s a lot of other people figuring out what it means.”
TRUST
Vince Gilligan at SXSW. (Photo by Paul Thanasack.)
Seehorn added, “But there’s this thing that Vince does where he trusts the audience. I have to say, it also involves the key trust of the performers. And it isn’t that I don’t take direction. We try it a million different ways and I very much enjoy that process, but I trust his ideas. And one of the great gifts he’s given me is that he trusts mine. But when we trust the audience, he alleviates or rids me of the onus to make sure the audience knows exactly what I’m thinking. I just have to think the thoughts and make sure that I’m being true to the character. But I don’t have to telegraph these things, and it really frees me up to do a much more complex and nuanced performance, which a performer is not always allowed to do.”
RHEA ON “PLURIBUS’” POPULARITY:
“Of course we were all trying to make the best show we could, and it was a show that I would be a fan of and it was so awesomely weird. I have not been able to guess where I was going to go…It’s like, hopefully, obviously, we find an audience that gets it, but is it this very niche thing? Is this going to be a very unique sort of cultish thing? The broad conversation and broad audience reception blew me away. It isn’t that I didn’t expect this, but I am blown away by it really touching some kind of nerve in people to want to really talk about it… the popularity of it and its critical reception. For critics and fans to like the same show. You don’t always win that lottery and that’s been amazing.”’
ONE WOMAN SHOW?
Interviewer, Vince Gilligan, Rhea Seehorn at SXSW. (Photo by Paul Thanasack.)
Much of the show centers on Seehorn, sometimes solely on her, by herself. Rhea answered, “I only got just one at a time, which is always the way we do it, so it wasn’t like I saw the breadth of the whole thing and understood, ‘Oh, I’ll be doing an episode with almost no dialogue. Oh, I’ll be doing episodes almost by myself.” She added, “I’m not as excited about that, because, for me, it’s the same work as if there was dialogue. I’m still feeling out what is happening in the story. What’s the character thinking?..And there are days where I would read something that’s tomorrow’s and think, ‘Oh, today’s the day they find out that I am not very good or that I was not very good.”
SOUND & MUSIC
(From composer Dave Porter)
“All those years that we’ve been together, this was a mandate to be different and to make this show distinct from the others that we’ve done. So, to break all those rules, to take our creative process and really re-analyze al the lessons we learned, the ways that we use music. Coming out the other side gave us a freedom to do exactly that and to take all of our favorite lessons and really explore new territory…I think the most important role for the score is to be an assistant in storytelling. Whatever I can do, I’ll do, which includes making things more powerful and more emotional, but, at the same time, open to interpretation as much as possible to lead. To open those doors for everyone to have their own viewpoints is a gift that you don’t get to work on for so many shows.”
Dave Porter on the music: “You can feel the human touch. You can feel that. There’s no comparison between something that a computer can do or something sound-wise or performance wise…The orchestra is another thing we had never done before. So it was a learning experience for us to work on that. And part of that is mentioned is that before you go and spend large sums of money on recording, you do demo versions, which is a new experience for Vince…Everybody took a leap of faith with me to know that the power of orchestra, especially on a show like this, is going to be value added many times over and be progress. And for anyone who hasn’t had the experience going to the symphony or standing in front of an orchestra as composer and people playing the music you wrote. It is inspiring and a blessing that we get to do that.”
Downtown Austin during SXSW 2026.
Costume designer Jennifer Bryan went on at great lengths about how she came up with the clothes for the show (brown was the color) and talked at great length about the yellow jacket and ordering the yellow leather pelts from France and having the jacket made. I watch the show. I never noticed the yellow jacket, so make what you will of her remarks. For me, the rather lengthy analysis of “the Albuquerque jacket look” versus whatever look the show currently has was much like a novelist who inserts massive amounts of description when what you really want is dialogue and action. Essentially, the message seemed to be that the clothing is essentially for protection from the elements and the costume designer also had to give some thought to the specific action in a scene, such as when Carol has to lift Helen’s corpse into the car.
WHY ALBUQUERQUE AGAIN?
The answer to this question essentially came down to the clouds, the collaborative crew, and the expense.
CAROL’S LIKABILITY
The question was asked, “What’s the secret to have an audience root for an unlikable character?” Seehorn answered this with a feminist slant: “The term likable I think has gotten misused or overused concerning female characters, because how people have been defining what’s likable in a woman is very, very restrictive. I think it’s more important that a character be accessible in some way, especially if I am the conduit to take the audience’s hand and take them down this rabbit hole. And for me, behaving truthfully and honestly in a moment when people would say, ‘Wow! She’s really not polite when they (the aliens) bring her things.’ They killed my wife. My career is gone. I might die alone watching Golden Girls. I’m sorry I wasn’t chirpy…Also, I’m going to suppress my anger until eczema comes out all over my body? I very much enjoyed exploring that Carol’s anger over her wife was her entire way of even behaving halfway normal out in the world…She’s allowed to display the full spectrum of human behavior and now she’s being asked to suppress that? It was really fun trying to figure out what are her other tools. She’s just grasping at straws. I find her complex and difficult and challenging, but I find her honest and truthful and real..”
CAROL AND GRIEF
Downtown Austin during SXSW 2026.
Seehorn further commented on Carol’s loss of her wife and the grief and depression she felt. “No, I’ve never had an alien virus take over the planet. But as you do, as actors, what is something I can draw from? What kind of tool do you lose in those moments.? And, for any of us and most of us this happens through grief. Terrible grief. Getting up off the floor the next morning is heroic by itself. And so I just felt like, really, all bets are off. She’s allowed to be as upset and angry as anybody would be. I hope that ultimately that makes her accessible and watchable instead of likable….She’s holding nothing back.”
The cast of “Drag” at its World Premiere on March 13, 2026 at SXSW.
‘Drag,” scripted and directed by Raviv Ullman and Greg Yagolnitz, made its World Premiere as a Midnight entry at SXSW on March 13, 2026, with stars Lizzy Caplan (“Masters of Sex,” 2013-2016), John Stamos and Lucy DeVito onstage after the screening. Lucy DeVito, asked why the film succeeded, correctly analyzed the appeal: “It’s in the writing. It’s on the page.”
Danny DeVito at SXSW on March 13, 2026.
The DeVito family was there in force, with father Danny joining son Jake and daughter Lucy, its co-star, onstage. The plot involves “two sisters with a contentious relationship who decide to rob a rural home in upstate New York. The simple robbery turns into a nightmare when one of them throws out her back and becomes immobilized on the second floor. The night spirals out of control as they embark on a painful journey to make it out before the homeowner returns.”
Danny DeVito spoke to his desire to support new talent, saying, “We’ve always tried to support new filmmakers with passion. These guys are the best.” His first reaction to reading the script was “Holy shitballs.” He added, “The nail got me.”
GENESIS
Writer/Directors Raviv Ullman and Greg Yagolnitz of “Drag” at SXSW.
The writer/directors, Raviv Ullman and Greg Yagolnitz shared, during the Q&A following the screening that the idea of a would-be robber being immobilized by back pain sprang from their own back ailments. They also admitted that having television pilots that were stalled in development hell gave them time to think about writing, preparing and shooting a low-budget indie film. So, they did. The film succeeded where many others have failed.
LIZZY CAPLAN
Lizzy Caplan was asked about how she prepared to believably portray a woman with severe back pain, who is dragged around inside a serial killer’s mansion for hours. Her answer? “Show up and pretend your back hurts.” She answered the question straightforwardly, but even the answer was funny.
Caplan is a veteran actress (73 roles) with comedic and horror chops. I enjoyed Caplan in “Masters of Sex” for 46 episodes from 2013-2016. She also appeared in 2018’s “Cloverfield.”
“Drag” was shot in Albany in the winter in 21 days but, as co-star Lucy Devito said, “The whole thing should have been a pain in the ass, but every moment was a delight. Playing Lizzie’s sister was the best Everyone believed in the film.”
SOUND
Lucy DeVito, co-star of “Drag.”
The sound design (Patrick Stump) was great at helping build tension. Make-up, special effects and stunts—all story-boarded—worked well. This low budget indie film more than held its own in the laughs department. The acting by Lizzy Caplan and Lucy DeVito was top-notch. Ben Goodman, the Director of Photography, did a creative job. The physical side of staging all the mayhem was choreographed, storyboarded and successful.
“Drag” entertained and amused while also introducing a whole new side of John Stamos to the world, figuratively and literally. He plays a psychotic serial killer who fancies himself a pathological Picasso. I could see him moving in that direction with snake-like smarminess, giving audiences another “American Psycho.”
CONCLUSION
As the only working critic who, somehow, managed to rip her right thumbnail off at the Austin airport while merely getting a luggage cart ( an “avulsion”) and a one-time active voting member of HWA, the movie amused me mightily. I think it will amuse you, as well. Plus, the ending is not predictable, which audiences appreciate.
“Margo’s Got Money Troubles” opened the SXSW Film Festival at the Paramount Theater on Thursday, March 12th. We were treated to three episodes of the new series and the remarks of most of the principal cast members after they screened. Showrunner David E. Kelley, husband of Michelle Pfeiffer and originator of so many hit television series, came onstage and insisted that the woman who wrote the book on which the characters were based, Rufi Thorpe, stand up in the audience and take a bow. Writers are often treated as prophets without honor in their own land, so that was refreshing. Of course, Kelley is a writer, so he knows the often seen lack-of-attribution-for-the-creator issue firsthand.
SYNOPSIS
The synopsis for the series, which starts on Apple on April 15th says: “Margo’s Got Money Troubles” is a bold, heart-warming and comedic family drama following recent college dropout and aspiring writer, Margo (Elle Fanning), the daughter of an ex-Hooter’s waitress Shayanne (Michelle Pfeiffer) and an ex-pro wrestler, Jinx, with drug abuse issues, played by Nick Offerman. Margo is forced to make her way forward with a new baby, a mounting pile of bills, and a dwindling amount of ways to pay them.”
The opening set-up features Margo being groomed by her Literature instructor at Fullerton College. According to Professor Gable, who impregnates the young Margo and then retreats to his wife and two children, Margo is practically the next Shakespeare. That works. Margo is soon with child.
First, Professor Gable seems to suggest that Margo get rid of the child and that she could well be the next Rufi Thorpe (the authorwho wrote the 2024 best selling novel on which the characters are based.) He mentions Harvard for Margo rather than Fullerton. The young, impressionable Margo falls victim to one of the oldest plays in the book.
PREGNANCY
Showrunner David E. Kelly after the Opening Night showing of “Margo’s Got Money Troubles” at SXSW 2026 on March 12, 2026.
There is no mention of why Margo isn’t on the pill or why condoms don’t enter the picture. That would definitely have stopped this plot at inception. Or conception.
Margo, for reasons that she can’t fully articulate, decides that she wants to keep this child, repeating the pattern of single motherhood that her own mother lived. Mom is not happy about it. At one point, following a neat film segue from Margo screaming in a parking lot (while Mom Michelle Pfeiffer screamsinside the car) we move directly to screaming in labor and Bodhi Millet is born. [Cinematographers Carl Herse and Tari Segal get props for the neat juxtaposition.]
As the mother of two, I appreciated the reality of motherhood being depicted with all of the less-than-glamorous spit-up, feces, breast milk and paraphernalia. This version of motherhood reminded me of Marielle Heller’s film “Nightbitch” starring Amy Adams, which also told it like it is—(except for the part about turning into a dog.)
CAST & DIRECTOR
Elle Fanning and Michelle Pfeiffer (Margo & Shayanne) after the showing of “Margo’s Got Money Troubles” at SXSW on Opening Night (March 12, 2026.)
Present this night was Director Dearbhla Walsh, who has won an IFTA award for ‘Fargo” and directed episodes of “The Handmaid’s Tale.” Kate Herron also directs and was onstage. The writing and directing take an excellent script by Kelley and, from there, the cast is an All Star ensemble, with Elle Fanning (a producer along with her sister Dakota) giving a terrific performance in the first three episodes we were shown. The others in the cast include Greg Kinnear as Kenny, Marcia Gay Harden, Nicole Kidman (who did not appear in episodes one through three) and those already mentioned.
CONCLUSION
This one is going on my ‘must see” list. It appears that Dad (Nick Offerman–who we were told did his own wrestling stunts) is going to stay on as Margo’s roommate. Margo is going to start making some quick money on OnlyFans, since she is unemployed. Mom Shayanne (Michelle Pfeiffer)–who is really not cut out to be the Grandmother who babysits— is engaged to uber Christian Kenny (Greg Kinnear) and the cosplaying roommate has not jumped ship, but is going to continue to be a shoulder for Margo to cry on.
Irish director Dearbhla Walsh addresses the crowd from the stage of the Paramount Theater after the showing of “Margo’s Got Money Troubles” on Opening Night of SXSW 2026 March12, 2026.
I look forward to the mother/daughter dynamic, which promises to be a big part of the story.As Director Dearbhla Walsh (in the brightlycolored coat) said in her Irish accent, “If it’s not one thing, it’s your mother.”
The series is billed as being about bravery, courage, optimism, the lengths we will go to for our loved ones and controlling your own destiny in life. As someone with two children (born 19 years apart) who has lived parts of this story, I heartily recommend checking this one out when it premieres April 15th.
On Saturday, February 28th, 2026, we journeyed to San Antonio to watch granddaughter Elise play in a volleyball tournament. The tournament featured the CTX (Central Texas) team, not the school team, but the short snip of Elise playing with her Valor School team at the bottom of the page will give you an idea of what the past three years have meant for her as volleyball player/Captain of her school team (and for us as spectators and fans). We really enjoy seeing her play. I’m so lucky that volleyball was the game of choice, as my enthusiasm for soccer, hockey, et. al., is not nearly as high.
As senior year approaches, we will miss watching Elise do so well as a team member of two volleyball teams. She played very well again on Feb. 28, 2026. I’m sure she will benefit from everything she has learned about teamwork during these last three years. Another tournament in Reno beckons in May.
View from our Mariott AC hotel in downtown San Antonio.
San Antonio is about an hour’s drive away. The location of the tournament was quite a long way from the downtown Alamo tourist spots. After the last two games ended, (which Elise’s team won), we checked into a Mariott downtown with the name AC (which instantly made me think of Air Conditioning).
As my husband went to check us in, he left me in the car with the window open. I was sitting there minding my own business on this balmy night when a woman with a group of passers-by began telling me “Jesus loves you.” I responded, “Good.”
A few more of the group began “chatting” (if that is the right term) with me through the open window ( I am IN the car, waiting forthe spouse to check in; the group of 10 is on the sidewalk). I was not in any way indicating that I wanted or needed a sermon right from the streets of San Antonio, but that is what I got.
After the religious talk ceased slightly, I suggested that the members of this random group vote in the March 3rd primary election (They seemed harmless, but later that night, in Austin, a gunman shot and killed 2 people on 6th Street and wounded 14 others, so...). James Talarico is squaring off against Jasmine Crockett to see who runs against a GOP opponent in November. The MAGA crowd is much more concerned about a male opponent than a Black female friend of Kamala Harris’s. Likely MAGA candidate will be incumbent John Cornyn, so we may be witnessing another Beto O’Rourke moment. Or not. Who knows?
Dining along the Riverwalk.
If Texas continues to attract voters from other states because of its beautiful winter weather and its reasonable cost of living, could it represent ALL Texans, including new ones from other states? [Assuming we have fair elections that aren’t rigged and that aren’t called off because of apower grab from the top.]
Maybe some day we could have a few Democrats in office other than just GOP Trump-friendly folk? Is it time to loosen the GOP stranglehold on this very red state? Maybe we could have a different governor than Abbott, who has been in a wheelchair for years from a long-ago accident when a tree fell on him while he was jogging.
Abbott brags about how he went to work every day with the sole purpose of lodging lawsuits against Barack Obama during Obama’s two terms. There seems to be a lot of anger that we elected a Black President who did a good job, tried to help the average citizen with a Healthcare program, and whom most people liked. A God-fearing happily married husband and father who represented us articulately abroad, but was castigated for not wearing a flag pin on a tan suit, as though that were grounds for impeachment. And please get rid of Texas’s Kenneth Paxton. His own party seems to have disowned him. His whistleblower staff outed him. His wife divorced him. (Etc., etc., etc.)
Riverwalk.
Maybe don’t vote for the guy who brags that he has voted with DJT “99% of the time.” (Cornyn) Maybe don’t vote for the guy who puts MAGA in the middle of his campaign slogan (Middleton) and is totally down with things going on in places like Minneapolis or Venezuela. (I did not say “Or Iran” because we can debate Iran’s nuclear ambitions and their stated national goals, but now we’ve martyred their 37-year leader at a time when the experts say there was no “imminent” danger of nuclear weapons being feasible. How popular will we be with Iran’s devoutly religious average citizen whose cities we are busy blowing up?)
It seems that the goal for the incumbent 47th President is to leave a huge mark on the U.S.—and an equally huge mark on the world scene— by throwing U.S. military weight around as bullies and barbarians at the gate, an image that we spent over 60 years trying to undo. ($20 million a day just to float around off the coast of Iran; the need for an excuse to cancel elections and distract from the Epstein files really loomed large.) Plus, there’s the tacky gold redecorating and the proposed Arch de Triomphe that would dwarf the Lincoln Monument (not to mention the embarrassing pleas for trophies and the Nobel Peace Prize and that FIFA monstrosity.)
DJT seems to be arbitrarily instigating decades of war to re-emerge, despite such world wars in Europe involving the U.S. being dormant (because of NATO and negotiating and diplomacy) since 1945 (Remember: Now it’s not the Secretary of DEFENSE; it’s the Secretary of WAR. And it’s not the Gulf of Mexico, either, if you want to rewrite history. Which seems like the goal here.) Putin is pleased that, as a nation, we are repeatedly shooting ourselves in the feet.
Tearing everything down was always the goal of the corrupt Steve Bannon (guilty of fraud) and his interview with Errol Morris should be required viewing if you love our democratic norms and the Constitution that DJT tramples on daily. [2018 Steve Bannon interview “American Dharma”] It’s the blueprint of Project 2025, which DJT always claimed he knew nothing about—until he began following it to the letter.
A good Christian candidate in the Democratic primary March 3rd for Senator is Democrat James Talarico, who is studying to be a Presbyterian minister. His grandfather was a Baptist minister. If Jesus/God loves us (me, anyway, according to the woman on thesidewalk) why did She let the current occupant of the White House wrest power back in 2024? [THAT was a bad move!] Why select a convicted malignant narcissist racist misogynistic felon with pedophile tendencies who has appointed only incompetents and enriches his friends and family while doing little for the rest of us? As another huckster (P.T. Barnum) once said, “There’s a sucker born every minute.”
DJT has appointed Cabinet members like Howard Lutnick, Secretary of Commerce. Lutnick was also linked to Jeffrey Epstein and admitted to having lunch with Epstein on his island (and he took his wife and kids!). And THAT guy is still around and showing up in international negotiations, sadly. Or RFK, Jr., who is bringing back measles and whooping cough and shutting down research on mrNA vaccines and childhood cancer. Or the woman who shot her dog (Ice Barbie, Krsti Noem, former Governor of South Dakota) who is now supervising the group (ICE) that is shooting citizens in places like Minneapolis. Or Crazy Eyes Kash Patel, widely considered an incompetent buffoon within the FBI/CIA ranks–with good reason. The list goes on and on.
Trump’s kakistocracy (look it up) doesn’t inspire confidence. Makes me less positive about the Deity’s judgment, but nevermind. Talarico believes in the separation of church and state and so do I. I also believe in the Constitution, which is being completely trampled on at the moment on so many levels.
I’m not cool with alienating all of our allies and bombing boats and countries, even if the countries, themselves, as Lindsey Graham has long believed, needed a good old-fashioned bombing. Cutting off the oil to Cuba and China sounds good until you realize that China, if it seizes Taiwan, will be controlling all of the high-end computer chips that our technology must have to function. (We have ignored thiswarning for years about Taiwan making 90% of the high end computer chips.) And what if the Chinese were to start in on our currency situation, as Michael Moore warned about in his 2009 documentary “Capitalism: A Love Story.” I suggest you watch it, too. (Too many documentaries; too little time.)
Downtown San Antonio from our hotel.
The bombing of Iran will not only keep MAGA from continuing to ask those pesky questions about DJT’s best friend, Jeffrey Epstein (orso he hopes) but will probably cause Trump to try to suspend mid-terms for a “national emergency” that he totally created, since there is data to support the position that Iran was already tottering on its damaged feet and incapable of using nukes against us (too far away). I’m okay with bombing the nuclear sites, but didn’t DJT tell us they were “completely obliterated” quite a while ago? Apparently not, if you need a distraction from the Epstein files.
And let’s not forget: anything to seize power and install friends and family in positions of leadership if you’re Donald John Trump. You want a pardon? Hit him up—for a fee. How about the money Melania pocketed for her quasi-fashion-documentary? (No corruption here—right? And I haven’t even mentioned the Qatar jet plane.) And now the GOP faithful, falling into line behind DJT and spending pots of money, has set their sights on buying up media (CBS, etc.) and distorting our ability to receive real news, just like in Russia, where Putin set about putting the media under his thumb to seize and keep power. (*Note to Fox fans: when lawsuits were underway recently, Fox News claimed to be an entertainment channel, not a news channel, as a defense.) We have already seen Stephen Colbert bite the dust and the Washington Post is dying in broad daylight, rather than in darkness. Can Jimmy Kimmel and Seth Meyer be far behind?
Soon we may have WWF wrestling on the lawn of the White House to celebrate the years since 1976 to 2026, our Semiquincentennial (250th birthday). Trump’s already ruined the Kennedy Center, so there goes any U.S. claim to culture [with more downgrades to come.] Remember when Pablo Casals played at the White House, November 13, 1961? No? Well, I do. Casals played in the East wing (now torn down by Trump without any permission and with LOTS of money pouring into Trump’s hands from “donors” to build—the wall?). I was 16 years old and JFK’s time in office was the epitome of class and culture for the Presidents I have known, which go back to Truman. And Donald James Trump represents the tackiest and least competent President—even eclipsing “W” of all time. (Which is going some!)
Under Trump, for culture, you have to content yourself with a third-rate country singer or Kid Rock or KISS–except that one of them recently died and KISS retired but got the Medal of Honor along with hate-monger Rush Limbaugh— so, yes, DJT is old, as well, and hardly “cutting edge” regarding culture in the U.S.
We may well have Vince McMahon of the WWE putting on a wrestling tournament on the White House lawn, instead. After all, Trump has already appointed McMahon’s wife, Linda, to be in charge of the SBA (Small Business Administration.) Linda McMahon: another member of the kakistocracy. (How very presidential of DJT.)
Netanyahu and Trump are a lot alike in continued clinging to power and favoritism (and pardons) for their cronies. Yes, the avowed Iranian post-Shah mantras were (1) Death to America (2) Death to Israel (3) Women must wear head garb and never have a say in government. So, not waiting until the already 86-year old died of natural causes probably looked like a good idea (especially since there were many more like him to come), but will the Iranian people agree? It isn’t as though this administration, which unleashed DOGE on us, surgically figured out a way, Maduro-like, to off the Ayatollah. Not at all–thanks to the influence of the Lindsey Grahams and the Benjamin Netanyahus, we are still bombing Iran.
Reza Pahlavi, the Shah of Iran’s oldest son, in 2025.
It appears that the Shah’s son—long gone from Iran after Shah Mohammad Reza Pahlavi’s overthrow in 1979—may be being groomed to return to Iran and rule. In a “60 Minutes” interview tonight the Shah’s son denied any desire to be a King or a President. He just wants to be a “transitional leader,”since 48 Iranian leaders were killed in the very recent bombing. Of course, the Shah’s now-grown son also admits to consulting with the White House and being in touch with Congress. Hmmmmm…
Meanwhile, San Antonio beckoned. Good idea to get away.
We had a lovely meal at an outdoor venue, enjoying the eighty-degree weather. It’s hard to believe that we are going to have weather this warm for the next two weeks with nothing lower than seventy degrees. And yet when I turn on my television, I see blizzards in the Northeast, temperatures in the single digits in places like Minneapolis (the “nice” neighbors in Minnesota who are standing up for their Constitutional rights while they still have them), and not-very-warm readings in cities and towns like Cedar Rapids, Des Moines, and Independence (Iowa). But the worst of the weather has been the massive amount of snow in places like Central Park (NYC) and Massachusetts and even the cold temperatures in Florida. (“But there’s no global warming,and all of the brakes on carbon emissions have been kicked to the curb.”)
So, enjoy volleyball while we all wait for the other shoe (or bomb) to drop. Here are my two lovely 17-year-old twin granddaughters, Elise (blonde, left) and Ava (brunette, right) eating ice cream on the Riverwalk.
