Welcome to WeeklyWilson.com, where author/film critic Connie (Corcoran) Wilson avoids totally losing her marbles in semi-retirement by writing about film (see the Chicago Film Festival reviews and SXSW), politics and books----her own books and those of other people. You'll also find her diverging frequently to share humorous (or not-so-humorous) anecdotes and concerns. Try it! You'll like it!

Category: Education Page 1 of 7

There are 150 teacher years in Connie’s immediate family and her first book, written for Performance Learning Systems, Inc., in 1989, is entitled “Training the Teacher As A Champion.” In this day of Betsy DeVos, you can expect to hear some comments on how our educational system is being undermined from the top down.

Pillars of Community—Church, Schools—In Decline

destroyed buildings

Madison, Tennessee

Alec McGillis in “The New Yorker” reported on the closing of eleven of Rochester, New York’s forty-five schools this way:

SCHOOLS IN CRISIS

“Four years ago, as the school year started with remote learning in many districts around the country, particularly in Democratic-leaning cities, I reported a piece for ProPublica and “The New Yorker” looking at what Zoom school was really like for disadvantaged students. The piece focused on Shemar, a seventh grader in Baltimore who had grown deeply isolated since schools had closed the previous March, and who only occasionally logged on to his online classes. “That homeschooling is not going to get it,” his grandmother said.

Shemar would not return to in-person schooling until the following year, the end of an almost-eighteen-month hiatus. His struggles to engage since then have been unsurprising, and have been shared by countless other students. I have written several more pieces for The New Yorker and ProPublica on the lingering consequences of the closures, including learning loss and chronic absenteeism.

DEC:LINING SCHOOL ENROLLMENT

Earlier this year, McGillis decided to report on another aftershock: declining enrollment that is forcing districts to close underpopulated schools on an unprecedented scale. Nationwide, public-school rolls have diminished by more than a million students, as many families have opted to leave for private schools or homeschooling. The declines are particularly stark in places where schools stayed closed the longest during the pandemic. (There is also the declining birth rate, which is plaguing many civilized countries. It is only because of the United States’ robust immigration numbers that our population numbers are not declining like those of nearly every other civilized nation in the world.

McGillis focused his reporting on one such city: Rochester, New York, where the district just decided to close eleven of its forty-five schools, a wrenching process that has caused disarray for families and left many neighborhoods without the hubs that sustained them for generations. “It’s like you’re watching institutions decline in real time,” one county legislator told me. “

Anchors of the community are disappearing.” This statement is very true. Placing unqualified people in positions of power, as happened in the first Trump administration, with Betsy DeVos as Secretary of Education and others with no expertise in their field(s) put in charge of those fields is another reason why institutions show decline. Placing the vaccine-denier Robert Kennedy, Jr., in a position in the Department of Health would be another such miscarriage of justice, but has been rumored to be the deal that RFK, Jr., sought in order to endorse Donald Trump.

The piece raises the crucial question: Can American public education survive its downsizing intact, or is there a tipping point beyond which the system starts to unravel?”

DECLINING CHURCH ATTENDANCE

church

church

At the same time that public schools, nationwide, are under attack, the Catholic Church has been consolidating parishes and cutting way, way back.

In St. Louis, Missouri, where my cousin has been active as an organist in a large parish for many decades, she described losing her position when her church was closed. She went on to talk about how difficult it has become for some of the older members of her original parish to make it to the church that remains open but is not nearby,. There was no gold watch or gesture of appreciation for her large and well-regarded choir that had as many as 40 members who participated. People came from other churches just to hear the excellent choir. The priest who made the call to tell the 85-year-old organist that the Diocese had decided it was going to be better to dump the choir and the organ music and have a guitar mass with him playing solo.

Kind of rips at the community fabric that church is supposed to represent, don’t you think?

In East Moline, Illinois, St. Anne’s School closed after many years, following on the heels of St. Mary’s Catholic School just across town that closed 40 years ago.  St. Anne’s was my husband’s childhood school. He went to school there from 1950 through 1958. Now, it is yet another empty building in an area full of empty buildings.

So, why are so many schools and churches closing?

On any given weekend only 3 in 10 U.S. adults attend religious services. This is down from 42% twenty years ago. Church attendance has declined across all U.S. religious groups and will almost certainly decline further in the future, given the fact that younger Americans have a weaker attachment to religion. The percentage of adults who say they never attend church has more than doubled over the past 22 years, going from 13% in 2000 to about 33% in 2023.  The percent of those who attended weekly has declined from 32% to 20% in 2022.

Between 2000 and 2015, the Presbyterian Church USA, the Episcopal Church, and the United Church of Christ lost 40% of their members. An elderly friend of mine who lived in Chicago at the time became an Episcopalian minister and returned to our mutual home town to take over the church that sits just one house from my childhood home. When she returned to take over these duties, the flock had dwindled to only 7 members and the church was in danger of being closed, but the strenuous efforts of my friend saved it from the chopping block. She remains its pastor at age 85 and has had some success in recruiting new members by instituting a weekly humanitarian effort they dub “Hot Dog Friday,” where free hot dogs are distributed to all takers.  She once jumped out of an airplane on her 80th birthday to raise funds to put a new roof on the very old church and St. James Episcopalian Church is much the better for her Herculean efforts to preserve it, even to the point that she was approached to run for Mayor of the town.

MILLENNIALS

“Many Millennials never had strong ties to religion in the first place. They were not brought up in the church in the same numbers as generations prior. This has left them without much connection to the church as they entered adulthood.  Millennials are also reportedly turned off by the high-profile church leadership scandals and the increasing political polarization in many American congregations, causing many to lose trust in churches and religious institutions altogether.” When the Supreme Court appears to have been stacked by a former president and the peaceful transfer of power is in danger of disappearing, distrust of many American institutions is rampant.

Hopeful Signs of Millennial Church Attendance

However, there are some hopeful signs. Thirty-nine percent of Millennials report attending church weekly, up from 21% in 2019. (Barna), Millennials make up the largest surge in returns to church as the pandemic has ended. We are entering crucial life stages that make us open to church as a way to connect and find guidance.

When Catholics are asked about their failure to faithfully attend church services, they have mentioned the Catholic Church’s many scandals. Some of the Catholic Church and school closings nave been tied to the pay-outs the church is making to victims of abuse. Closing a church or a school may be linked as much to money as to declining attendance.

CONCLUSION

Donald Trump

Donald Trump on January 6th

In a country where the schools, the post office, the Supreme Court and churches are under attack, the GOP  candidate for the presidency is the least religious candidate in decades. Trump has no moral center. It is largely because of DJT that the United States Post Office under DeJoy (who owns stock in the private mail delivery services) is on life support. He would cause irreparable harm to our country by appointing even more unqualified people to his administration.

We need to elect the alternative to Donald J. Trump, because DJT is an agent of chaos and we can expect these pillars of our communities to decline further if he is ever anywhere near power again.

Ensuring Legal Rights with the Help of Oklahoma City Divorce Attorneys

Divorce can be an emotionally challenging experience, but beyond the emotional toll lies the crucial need to protect one’s legal rights. Whether it’s the division of assets, child custody arrangements, or spousal support, the legal ramifications of divorce can significantly impact your future. Ensuring these rights are upheld requires more than just awareness—it demands skilled legal guidance.

In Oklahoma City, divorce attorneys play a vital role in safeguarding their clients’ interests. These professionals not only provide expert advice but also offer representation throughout the divorce process, ensuring that all legal aspects are handled with precision and care. By working with a qualified attorney, individuals can navigate the complexities of divorce with confidence, knowing their rights are protected every step of the way.

Understanding Your Legal Rights

gavel

When going through a divorce, it’s essential to understand the key legal rights at stake. For many, the division of assets is a primary concern. This process involves the equitable distribution of property, which can include everything from real estate to retirement accounts. Without a clear understanding of your rights, you risk losing out on assets you’re entitled to.

Child custody is another critical issue. Determining where children will live and how they will be cared for can be one of the most contentious parts of a divorce. Knowing your rights regarding custody ensures that your child’s best interests are prioritized, and that you maintain a meaningful role in their life.

Finally, spousal support, or alimony, is a significant factor for many divorcing couples. Understanding the conditions under which support is granted—and the amount that is fair—is crucial to maintaining financial stability post-divorce. In each of these areas, having a solid grasp of your legal rights is essential for reaching a fair and just outcome.

The Role of Divorce Attorneys

Oklahoma City divorce attorneys play a crucial role in ensuring that their clients’ rights are protected throughout the separation process. Their primary responsibility is to advocate on behalf of their clients, offering legal expertise that helps navigate the intricate legal landscape of divorce. This involves a deep understanding of family law, which is essential for effectively addressing issues such as asset division, child custody, and spousal support.

One of the key ways divorce attorneys safeguard clients’ rights is through their expertise in managing legal complexities. They are adept at interpreting and applying laws to each unique situation, ensuring that all legal requirements are met and that their clients’ interests are represented. This expertise is invaluable during negotiations and court proceedings, where precise legal arguments and documentation can significantly influence the outcome.

scales of justice

Additionally, divorce attorneys are skilled negotiators who work to achieve favorable settlements for their clients. They can help mediate disputes, propose fair solutions, and negotiate terms that align with their clients’ best interests. Their ability to handle such negotiations with professionalism and tact ensures that their clients are not disadvantaged by the legal process.

Choosing the Right Divorce Attorney

Selecting the right divorce attorney is a critical step in ensuring that your legal rights are effectively protected. When choosing an attorney, it’s important to consider several factors to ensure they are well-suited to handle your case.

Experience is a crucial factor. An attorney with substantial experience in family law will have a thorough understanding of the legal system and a track record of handling cases similar to yours. This experience can greatly enhance their ability to address the complexities of your case and navigate potential challenges.

Specialization is another key consideration. Divorce and family law is a distinct area of legal practice, and an attorney who specializes in this field is more likely to be up-to-date with current laws and trends affecting divorce cases. Their specialized knowledge can be a significant advantage in crafting effective strategies and providing sound legal advice.

Finally, compatibility is important. You’ll want to choose an attorney with whom you feel comfortable and whose approach aligns with your needs and preferences. A good attorney will listen to your concerns, understand your goals, and work collaboratively to achieve the best possible outcome for you.

Common Legal Challenges in Divorce

Divorce proceedings can bring about a range of legal challenges, each with its own complexities. One of the most common and emotionally charged issues is child custody. Custody battles can become contentious, particularly when parents have differing views on the child’s best interests or when allegations of unfit parenting arise. These disputes require careful legal handling to ensure that decisions are made based on the child’s well-being and not influenced by personal conflicts.

desk

Another challenge that may arise is the concealment of assets. In some cases, one party may attempt to hide financial resources or undervalue property to avoid a fair division. Addressing these issues requires a thorough investigation and understanding of financial records. Divorce attorneys play a crucial role in uncovering hidden assets and ensuring that all marital property is accurately assessed and divided.

A skilled attorney can help manage these and other challenges by leveraging their expertise and resources. They can provide strategic advice, represent you in negotiations, and advocate for your rights in court. By addressing these issues effectively, an attorney helps ensure that the legal process is fair and that your interests are safeguarded.

Protecting Your Interests Throughout the Process

Staying informed and involved throughout the divorce process is essential to protecting your interests. Regular communication with your attorney is crucial. Keep them updated with any new information or changes in your circumstances, and ask questions whenever you’re unsure about the process or your rights.

It’s also important to be proactive in gathering and organizing relevant documents, such as financial records and personal correspondence. This information can be vital in building your case and ensuring that your attorney has all the necessary details to advocate on your behalf.

Collaboration between you and your attorney is key to achieving the best outcome. Work together to set clear goals, develop strategies, and address any concerns that arise during the process. A strong partnership will enhance the effectiveness of your legal representation and contribute to a more favorable resolution.

Conclusion

attorney

Working with a qualified Oklahoma City divorce attorney is crucial for protecting your legal rights during a divorce. Their expertise in navigating legal complexities, handling disputes, and ensuring fair representation is invaluable. By choosing the right attorney, you can have confidence that your case is in capable hands.

Take proactive steps in selecting an attorney who meets your needs and has the experience to handle your case effectively. Your choice of legal representation can make a significant difference in the outcome of your divorce, so it’s essential to invest time and effort in finding the right professional to support you through this challenging process.

James Bond Exhibit at Chicago’s Museum of Science & Industry

We moseyed over to the Museum of Science & Industry to see the James Bond exhibit, showing us many of the gadgets used in the Bond movies.

Also present were many cars used in the Bond films, most of them Aston Martins (although there was one white car that was different.) There were motorcycles, waterskiing machines, and an assortment of smaller gadgets. I’ve taken quite a few pictures, which will not contain information on who, what, when, where or why because you will probably know these films as well as I do.

After we toured the 2 rooms that contain the James Bond memorabilia, we went through the room that has information about DNA and genetics and heredity. There were also small chicks hatching from eggs in that room.

The pictures tell the story:

I have to admit this made me think of DJT’s gold sneakers and gold toilet.


Aston Martin.

“Plastic People” At SXSW Describes A Harrowing Future

 

Ziya Tong.

Ziya Tong, one of the directors of Canada’s documentary “Plastic People.”

The Canadian documentary “Plastic People,” directed by Ben Addelman and Ziya Tong, had its World Premiere at SXSW on Saturday, March 9th, 2024. It is an absolutely terrifying piece of detective work, investigating how our fixation on plastic came to be and what plastic is doing to us. The synopsis said: “Plastic People is a landmark feature documentary that chronicles humanity’s fraught relationship with plastic and one woman’s mission to expose shocking new revelations about the impact of microplastics on human health.”

Directors of the Canadian documentary are Ben Addelman and Ziya Tong. Producers: Vanessa Dylyn, Stephen Paniccia.  Ben Addelman also wrote the screenplay.The film explores the origins of plastic (petroleum products) and suggests that, “Now we’re realizing that we made some big mistakes…We’re finding them wherever we look in the human body.”

Noting that 83% of tap water has plastic in it, the experts tell us, “We are slowly turning into plastic people.” Among other cheerily prophetic statements are these: “We are poisoning ourselves with our own hands. We are producing poisonous food.” And Christy Tyler, a PhD scientist says, “Every single person is exposed.”

BIG MONEY

Plastic People documentary at SXSW 2024.

“Plastic People” at SXSW 2024.

The income of makers of plastic is mind-boggling. With the efforts to curb the production of vehicles that use gas, the makers of plastic are looking at other ways to push up production and sales. One avenue was to support the single use of plastic, rather than recycling. Furthermore, says the film, the myth that some plastic can be recycled is pretty much that, since less than 10% of plastic, worldwide, gets recycled. (Forget the handy-dandy little recycle symbol.)

The film documents the following money made by big petroleum:

BASF – $65 billion

Exxon obil – $231 billion annual revenue

Dow Chemical – $48 billion

SABIC – $35 billion

Chevron Phillips – $3 billion

Plastic bottles used daily? 1.5 billion. Two million plastic bags are used every minute, amounting to 400 tons a year.

The film asks whether we want “to destroy the world to enrich a few?”

THE VERY BAD

plastic waste that is recyclable?

“Plastic People” at SXSW.

The entire message of the film is depressing. It doesn’t get any better when we see Dr. Celticki performing a brain operation and noting the presence of plastic that has crossed the blood-brain barrier. “If it can go to the brain, it can go everywhere,” he says. His message, “We are living in a synthetic world made mostly of plastic.”

Transferring all of this to an unborn generation means risking losing that entire generation. The effects of all of these chemicals on our bodies may not become clear for decades. What kinds of chemicals are we talking about?

Dibutylphthalate, Bisphonol A, Diethylnexyl phthalate, Decabro modiphenyl ether, hexabromo cyctodecane, perfluoralkyl and polyfluoralkyl nonyl phenol. All of them bad, of course.

All of these chemicals in our modern-day world have led to major increases in breast cancer, prostate cancer, and thyroid cancer. It is well-known that chronic inflammation is a precursor to serious illnesses. Fracking is another example of a very bad idea, health-wise.

In Portland, Texas a local resident talks about how the nearby Gulf Coast Growth Ventures Exxon Mobil plant spews pollution (1.6 tons of ethylene) and burns so brightly that you can come outside and read a newspaper at night.

PREVIOUS FILMS ABOUT POLLUTION

Plastic People documentary at SXSW.

“Plastic People” at SXSW.

Like the movie “Erin Brockovich,” Diane Wilson of San Antonio, who was defending the fishing industry, described taking on 10 chemical plants that were dumping 5 million gallons of toxic waste daily. (“Corporations do not have a conscience.”) She sued Formosa and won a $50 million-dollar settlement.  Her fight reminded me  of that waged against Teflon coating in frying pans by Mark Ruffalo’s character in the 2019 film “Dark Waters” or the 1998 John Travolta film “A Civil Action.”

RESOLUTIONS

Plastic People documentary

“Plastic People” documentary at SXSW 2024.

At film’s end, a Rwanda effort to curb single-use plastics is lauded, but its spokesperson says, “We need big countries to ban the use of single use plastic items.” The watchword is RESTRAIN and REDUCE (but nobody’s doing it).

CONCLUSION

This is not a “happy” film, but it is a necessary one. The scripted line, “Only when the problem becomes too big do we ask the questions” struck home. That sentiment also applies to climate change.  The weird weather anomalies that we are all experiencing now have come about because we have ignored a major problem for much too long.

One small bright spot was how the Philippines has done some clean-up of their extremely polluted shores. It followed right after the news that the big countries export their waste to the small countries, like the Philippines, something referred to as pollution colonialism. The prophetic word spoken to Dustin Hoffman in “The Graduate” (Plastics) has come back to haunt us Big Time.  What we are now seeing is described as “the embodiment of capitalism.”

After watching “Plastic People” I felt like I needed a drink, but straws are out now.

Thoughts On “Killers of the Flower Moon,” Martin Scorsese’s Newest Epic

Martin Scorsese is the winner of multiple awards over the course of his prolific career. With nine nominations for the Academy Award for Best Director, he is tied with Steven Spielberg as the most-nominated living director of all time, second only to William Wyler‘s 12 nominations overall.

Scorsese has won only once, in 2007, for “The Departed.” Spielberg, by contrast, won for “Schindler’s List” (1993) and “Saving Private Ryan” (1998).

Scorsese won the Best Directing Oscar award for his film The Departed in 2007.  That doesn’t seem like enough, when you consider that Scorsese directed nine films that went on to be nominated for the Academy Award for Best PictureTaxi Driver (1976), Raging Bull (1980), Goodfellas (1990), Gangs of New York (2002), The Aviator (2004), The Departed (2006), Hugo (2011), The Wolf of Wall Street (2013), and The Irishman (2019). Of the directors still working, even Spielberg tips his hat to Scorsese. (Scorsese actually taught directors Spike Lee and Oliver Stone in film school in New York City.)

PREDICTION

Lily Gladstone & Leonardo DiCaprio

“Killers of the Flower Moon:” Lily Gladstone and Leonardo DiCaprio.

Given the fact that, despite 9 nominations, Martin Scorsese has only won once, we can assume that “Killers of the Flower Moon” will be Scorsese’s tenth nomination. Given his prominence and how often he has been an “also ran” in the Best Director category, this could well be Lucky Number Ten for Best Director.

The many times that Scorsese was nominated but did not win should weigh heavily when the Academy gets ready to vote this year. Scorsese, born in 1942, is now 81 years old . He is acknowledged as one of the seminal figures in American cinema. Some (most notably the “Wall Street Journal,” which savaged “Killers of the Flower Moon”) may not be as inclined to give the man his due, but I think the picture has a good shot at Best Actress, Best Actor, Best Director, Best Adapted Screenplay, Costuming, Music and possibly Best Supporting Actor. If it snags all of those (and it could lose some acting awards to other contenders like “Oppenheimer”), can Best Picture be far behind ?

Will the Academy reward the legendary Scorsese for his directing of the sprawling tale “Killers of the Flower Moon?” I suspect they will, although there are nay-sayers who have dissed the Master and suggested he is out of touch. (This doesn’t surprise me, given what happened to me this year, my 20th year reviewing at CIFF, but that’s a story for another day.)

THE CAST

Robert DeNiro and Jesse Plemons in “Killers of the Flower Moon.”

“Killers of the Flower Moon” is  a $200,000,000 undertaking that showcases Robert DeNiro, Leonardo DiCaprio and Lily Gladstone. There are many other notable cast members, including John Lithgow, Brendan Fraser and Jesse Plemmons, plus quite a few names in music, who have small roles. Fraser does a not-that-great job, shouting his dialogue unnecessarily, and Lithgow’s part is very small, but the contributions of the actresses who portray Mollie’s sisters and mother more than make up for the underwhelming nature of the Fraser/Lithgow turns. Cara Jade Myers, who plays Mollie’s wild sister Anna Kyle Brown is particularly good (Best Supporting Actress?) and the actress playing Mollie’s mother Lizzie Q (Tantoo Cardinal) and JaNae Collins, who played Rita, are uniformly excellent.

Among the musicians in the film were Pete Yorn, who plays Acie Kirby, the munitions expert. Yorn wrote the score for the 2000 film “Me, Myself & Irene” but had never acted previously. Country singer Sturgill Simpson makes an appearance as Henry Grammer. Jason Isbell, four-time Grammy award winner and former member of the Drive-by Truckers and the 400 Unit plays Bill Smith, the snake-like husband of two of the murdered Osage women. Jack White, winner of 12 Grammies, has appeared in several other films. Charlie Musselwhite portrays Alvin Reynolds, one of the key informants who spills the beans on the conspiracy that DeNiro’s character William King Hale has set in motion.

Critics have lauded Lily Gladstone, but Robert DeNiro is great as the uber-snake William King Hale. I admired DeNiro’s performance more than that of DiCaprio, but it was great fun seeing these two onscreen in a father/son fashion, which hadn’t occurred since 1993’s “This Boy’s Life,” when DiCaprio was only 18 years old. (Released when DiCaprio was 19.)

PLOT

Killers of the Flower Moon

Lily Gladstone and her sisters in “Killers of the Flower Moon.”

“Killers of the Flower Moon” is based on the book of the same name by David Grann.  An impressive amount of research has gone into this labor of love. You can’t help but feel that, like Marlon Brando before him, this is Scorsese’s personal protest against the historic mistreatment of Native Americans. One character with a substantial speaking part, Paul Red Eagle, is played by the current Osage National Minerals Council Chairman, Everett Waller.

Set in 1920s Oklahoma, “Killers of the Flower Moon” focuses on a series of murders of Osage members and relations in the Osage Nation after oil was found on tribal land. Tribal members had retained mineral rights on their reservation. Whites sought to steal the Osage wealth by systematically murdering them.

In “Killers of the Flower Moon,” writer and journalist David Grann offered an intimately detailed account of a little-known but devastating chapter in American history: the Osage Reign of Terror. This period lasted five years from 1921 to 1926 during which upwards of twenty Osage Indians were murdered in cold blood for access to their valuable shares of oil money. There are also references to the Tulsa, Oklahoma murders on Black Wall Street (Juneteenth) and the KKK is depicted onscreen in  fleeting parade scenes.  Principal photography  took place in Osage and Washington counties, Oklahoma, between April and October 2021. Pawhuska, Oklahoma, stood in for  Fairfax in the film.

Leonardo DiCaprio & Lily Gladstone

Leonardo DiCaprio and Lily Gladstone in “Killers of the Flower Moon.”

The scope of “Killers of the Flower Moon” is epic. It covers a lot of history and does so with admirable pacing despite the film’s length. Although it is 206 minutes long, eclipsing even “Oppenheimer,” it did not drag (which “Oppenheimer” sometimes did). The entire project began in 2016, so it was 7 years in the making.

The acting by the three leads (DeNiro, DiCaprio and Lily Gladstone) is outstanding, although there were times when looking at the expression that DiCaprio sports throughout the film reminds the onlooker of looking at a pug bulldog. It’s not a good look. It is meant to show Ernest Burkhart’s venality, weakness and stupidity. Mission accomplished, but leading man reputation as good-looking for Leonardo destroyed. One wonders why Mollie would find him attractive.

It is casting against type for Leonardo DiCaprio, who has usually been quick-witted and attractive in his leading man roles. In this one he is spineless, thick, obsessed with gaining wealth without hard work, and conflicted by his genuine affection for his Osage bride. His wife-to-be refers to him as a coyote. But the very real fact that—doing his evil Uncle’s bidding—he is going to be responsible for the of murder most of Mollie’s family members and even bring Lily, herself, to the brink of death is certainly a good reason to be conflicted. There is ample evidence that Ernest will go whatever way the power wants, including his on-again/off-again decision about whether or not to testify against his powerful uncle.

CINEMATOGRAPHY

In addition to the scenes of tribal rituals, whether weddings or pow wows, I was struck by Rodrigo Prieto’s visual imagery in depicting the figures burning down a neighboring farm as almost Dante-esque. They are shown in the distance, fanning the flames of the farm that Bill Hill  had engineered a $30,000 fire insurance policy on just a month prior. The shot looks like figures dancing in Hell. Since Mollie (Lily Gladstone) is confined to her bed by that point in the film, seriously ill from her husband’s poisoning her insulin shots, we see the pulled window shades glowing red inside from the fire outside.  There are many such impressive visual images. The Osage braves frolicking in the crude oil gushing forth, geyser-like, from the earth. The field of flowers. An explosion is also impressively rendered.

The costuming is also noteworthy and authentic.

THE MUSIC

Robbie Robertson did eleven films with Scorsese. He was also a close personal friend of the director. Robertson died of prostate cancer at age 80 on August 9, 2023. He married his second wife,  Top Chef Canada judge Janet Zuccarini five months before his death. Robertson’s scores for Scorsese films include “Raging Bull” (1980), “The King of Comedy” (1982), “The Color of Money” (1986), “Casino” (1985), “Gangs of New York” (2002), “Shutter Island” (2010), “The Wolf of Wall Street” (2013), “Silence” (2016), “The Irishman” (2019) and “Killers of the Flower Moon” (2023), as well as being a performer and producer on 1978’s “Last Waltz,” the documentary about The Band.

The movie is dedicated to Robertson, who died just months before its release.

INTERESTING INFORMATION (SPOILER ALERT)

Robert DeNiro and Leonardo DiCaprio in “Killers of the Flower Moon.”

 

In researching the genesis of the movie, I found it interesting that, originally, Leonardo DiCaprio was supposed to play the role of FBI agent Tom White that Jesse Plemmons portrayed. Scorsese and co-writer Eric Roth reworked the story because of the interesting conflict that emerged when Leonardo’s character, who loves his wife, is still complicit in murdering almost all of her family and nearly killing her, something she didn’t truly accept until the scene near the end, when she directly asks him what he put in her insulin and he does not answer truthfully (despite just having said that he has confessed all and that it has been a weight off his shoulders). Lily goes forward, then, and, in fact, marries another, dying at age 50, but she is done with Ernest, who is pardoned late in life. Ernest and Byron (his brother, who was complicit in the murder of his wife, Mollie’s sister Anna) lived together in a trailer park at the ends of their lives. Byron was never convicted of anything, which seems unlikely and unfair.

Mollie divorced Ernest after she realized (or finally accepted) the depth of his betrayals. She did not seem to have done so early in his trial, but in the climactic scene between Ernest and Mollie, we see that she is now ready to accept the horrible truth.

At the unusual creative end, when Scorsese uses the old-style radio show based on the FBI to give us the information on what has happened to the principal characters, Scorsese himself reads us Mollie’s obituary, which another writer described as having really impacted Scorsese in a major way. He couldn’t believe that, after everything Mollie had suffered,  her obituary from June 16, 1937, at the age of 50, mentioned nothing of these tumultuous life events.

Killers of the Flower Moon (2023)

Rated R for violence, some grisly images, and language.

206 minutes

Cast

Leonardo DiCaprio as Ernest Burkhart

Robert De Niro as William King Hale

Lily Gladstone as Mollie Burkhart

Jesse Plemons as Tom White

Tantoo Cardinal as Lizzie Q

Cara Jade Myers as Anna Kyle Brown

JaNae Collins as Rita

Jillian Dion as Minnie

William Belleau as Henry Roan

Louis Cancelmi as Kelsie Morrison

Tatanka Means as John Wren

Michael Abbott Jr. as Agent Frank Smith

Pat Healy as Agent John Burger

Scott Shepherd as Bryan Burkhart

Jason Isbell as Bill Smith

Sturgill Simpson as Henry Grammer

John Lithgow as Prosecutor Peter Leaward

Brendan Fraser as W.S. Hamilton

Director

Writer (book)

Writer

Writer

Cinematographer

Editor

Composer

“Another Body” Traces Deep-Fake Porno in Timely Documentary

A timely issue for our time is the use of deep-fake video. It was one of the sticking points during the recent 148-day Hollywood entertainment strike. It is bound to rear its ugly head again during the 2024 presidential race. Porno videos with famous people’s faces super-imposed on the bodies of others are out there. In this documentary, it is a college student who makes the discovery that there is “Another Body,” represented as hers, circulating on the Internet. The supreme irony is that, in able to testify to the damage being done to victims like the fictional Taylor Klein, she had to “deep fake” her own testimony, (which made it all the way to the White House.)

In the timely documentary “Another Body,” directed by Sophie Compton and Reuben Hamlyn (co-written by Isabel Freeman), a college student discovers deep fakes represented as being Taylor, circulating online. Using video diaries, synthetic media, and 2D and 3D animation, the documentary takes you behind the scenes: who did this and why and how can it be stopped and rectified? :”I kept asking myself who would do this and why would they want to do this? I worry that they are going to do something more drastic? I believe that, in his mind, he is getting back at us for rejecting him.”

THE GOOD

I marveled at the expertise that the filmmakers showed in presenting this complicated story to us, using dummy-like automatons to represent the fictional “Mike” (the perpetrator that Taylor and friends track down over time.) It was very impressive in regard to its technical achievements.Bravo!

I empathized with statements like, “I’ve had to deal with all the consequences that he should have had to deal with. I’ve had to leave the fun group, but he hasn’t.” 9,500 porno sites with 14 million hits a month sounds like the death throes of a decadent society. Are sites like PornHub that “normal” in this country’s incel culture that this sort of thing is doubling every six months, as the film says? Do those who use such sites routinely end up on a roof with a gun, shooting at spectators at a Fourth of July Parade in Illinois? What-the-heck is going on? Yes, Trump is the poster boy for such bad behavior, but…really?

I also recognized that the misogyny that today’s women of the MeToo movement are not willing to put up with has been going on for decades. DJT is a throwback to those decades when it truly was “a man’s world” and, as he bragged on video, if you were male you could get away with just about anything, because that is what women were told they had to put up with in order to be “good” female citizens. Women were not supposed to “take a man’s job” and we were supposed to stay barefoot and pregnant in the kitchen, waiting on our man. R-i-i-i-g-h-t. So, I enjoyed seeing the new generation of women take on the male establishment. Maybe the good guys—err girls—will win, this time. I hope so. The request that she be respected for her professional achievements and viewed as “good” is not a pie-in-the-sky goal for the fictional Taylor of this tale; it is what women deserve, but have seldom achieved without a fight.

THE BAD

Like many other documentaries, this one could have been shorter. A half hour trim would not have taken away from the film, which became repetitive. Some of the interactions between Taylor and other victims could have been shortened.

Worst of all, the conclusion that Taylor draws near the end of the film is depressing:  Sometimes the bad guys win.

 

Five False Facts From the August 23, 2023, GOP Debate

  1.  “What the Democrats are trying to do on this issue is wrong, to allow abortion all the way up to the moment of birth.”

(Gov. Ron DeSantis of Florida)

“We cannot let states like California, New York and Illinois have abortions on demand up until the day of birth.”

(Senator Tim Scott)

THIS IS FALSE.

Roe v. Wade was the law of the land for over 20 years and the American public still wants the right to decide their own fate in regards to whether a woman is forced by the GOP  to bear a child to term because religious zealots have made it very difficult to secure an abortion that is safe and medically supervised. The sanest voice in the room seemed to be Nikki Haley—-also the only female—who felt that this should be a matter decided by a woman in consultation with her family and physicians. Abortion has always been about the male desire to retain power by keeping women down and in their place. The Democratic proposal that did not pass the Senate allowed states to ban abortion after fetal viability, roughly 24 weeks, except when the mother’s life was threatened. There are good reasons to allow an abortion, but no one in the Democratic party has lobbied for a late-term abortion. This question was answered by former Vermont Governor Howard Dean in a back yard in Muscatine, Iowa, in 2004, when he was campaigning for the Democratic nomination for president. A physician, he had actually checked records in Vermont and testified that there had never been a documented case of a late-term abortion in Vermont history.

2)  “We will back law enforcement because we remember who we really are.  And that’s also how we address that mental health epidemic in the next generation that is directly leading to violent crime across the country.”

(Vivek Ramiswamy)

This is unsupported by factual evidence. There is no direct correlation between people with serious mental illness and responsibility for violent acts. Ramiswamy had a bad night on the “factual” level, constantly making random remarks that were not supported by any factual evidence. He also voiced the sentiment that Ukraine and Israel should not be supported by the U.S.

3)  “We need to acknowledge the truth, which is that these subsidies are not working.” (Nikki Haley)

THIS IS FALSE.

President Biden in Independence, Iowa on the Fourth of July, 2019.

Early data suggests that President Biden’s subsidies for renewable energy are proving to be more popular with companies and consumers than initially forecast. Job creation and investment have been rising. The possibility that subsidies could spur greater reductions in greenhouse gas emissions than originally estimated have been put forth.  (Governor Doug Burgum).

THIS IS FALSE.

In 2021, the Director of the CIA, William J. Burns, traveled to Moscow, informing Putin about American intelligence concerning Russia’s war plans and cautioning him about the consequences of such an attack.

4)  “The reality is more people are dying of bad climate change policies than they are of actual climate change.” (Vivek Ramaswamy)

THIS IS FALSE.

No deaths have been linked to the growth of renewable energy or to the Biden administration’s attempts to reduce the use of fossil fuels to address global warming.  Between 1970 and 2021, however, according to the United Nations, 2 million people died from extreme weather events. Right now, we are sweltering under a heat wave and rising global temperatures have caused more than 700 deaths, 67,500 emergency room calls and more than 9,200 hospitalizations.

5)  “Joe Biden’s Bidenomics has led to the loss of $10,000 of spending power for the average family.”  (Senator Tim Scott)

THIS IS FALSE.

Economists agree that the $1.9 trillion pandemic rescue package did contribute to inflation, but it was not the sole cause of rising prices. There was also the stimulus passed under Donald J. Trump and the monetary stimulus by the Federal Reserve, along with disruptions to supply chains caused by Covid-19.

 

Trump Is Ineligible to Be President, Say Legal Scholars

According to a recent publication by two Constitutional scholars, Donald J. Trump is ineligible to be President of the United States, because of the Constitutional prohibition under Section 3 of the 14th amendment, which bars anyone from elected office who has “engaged in” or “given aid or comfort” to an “insurrection or rebellion.”

The scholars—William Baude of the University of Chicago and Michael Stokes Paulsen of the University of St. Thomas—argue in a law review article that Trump’s attempted coup d’etat “automatically” disqualifies him.  The scholars say that “every official, state or federal, who oversees elections has the authority to bar Trump from the ballot.

Baude and Paulsen are not Biden-loving partisans, according to Matt Ford in “The New Republic.” They belong to the Federalist Society, the powerful right wing organization that helped stock the Supreme Court with conservatives.

Section 3 addressed the problem of Southern states sending Confederate official to Washington D.C. after the Civil War.  The terms “insurrection” and “rebellion” should apply to “only the most serious of  uprisings against the government.”

Baude and Paulsen’s “powerfully argued” case reaches the “obvious conclusion” that Trump tried mightily in several extra-legal ways to overturn an election he had clearly lost.  Thus, he “engaged in insurrection and rebellion and gave aid and comfort to other who did the same.”

Legally, the argument is “very compelling,” said Zack Beauchamp in “Vox.” However, MAGA Republicans might well react with violence to a Supreme Court that might agree with Article 14, Section 3, making January 6th into a prelude to more disaster.

Underground Independence

“Underground Independence” Takes Us On A Stroll Down Memory Lane in Independence, Iowa on Aug. 19, 2023

Independence, Iowa, was named as the seat of Buchanan County in June of 1847.  A second town, New Haven, and its mill, were located on the west bank of the river.  In 1854, the State Legislature merged the two towns.  Ten years later, in 1864, Independence was incorporated. Quasqueton, then called Quasquetuk, which I wrote about as the location of a Frank Lloyd Wright home, is quite near Independence (located on what is often referred to as the Independence/Quaskie diagonal). Quasqueton was originally the county seat, but that distinction was moved to Independence in 1847 at a time when there were only 15 residents in Independence.

The bridge connecting the East and West banks of the city had become impassable.  Built just above river level, the bridge was at the mercy of floods and frost. A flood in 1865 finally swept the bridge away entirely.  [I’ve heard stories about an elephant falling through the other downtown bridge, while in town for a circus, but I’ve never been able to document that interesting bit of trivia. I will say that, on my visit there for the Mini Reunion on Aug. 11th, we had to use this secondary bridge because the city fathers had blocked off Main Street for something called Music on Main.]

How Underground Independence Came to Be:

It was decided to raise the bridge to make it less vulnerable. In doing so, the level of the street on the East side would also need to be raised, thereby changing the grade of the entire street.  A massive project began. Retaining walls were constructed.  Dirt was hauled from further up the hill to the East to raise the street from the river to beyond 3rd Avenue N.E.  As it progressed, the entrances to stores fell below street level.  A walkway was maintained so that merchants and customers could still do business. I’ve been told that the revelation of this “buried” level of the city was not fully realized until about 2011. I grew up there and knew nothing of it, but the Episcopalian minister of St. James Episcopalian Church, Sue Ann Raymond, whose father owned Raymond Printing Company for years, said she was aware of this subterranean nature of the city, because part of it was located beneath her father’s store.

By 1866, the new bridge was completed.  Samuel Sherwood began to make plans to erect a new, much larger woolen mill, which is now known as the Wapsipinicon Mill. The 1867 mill, now called the Wapsipinicon Mill, was a source of electrical energy from 1915 to 1940. Some structural restoration occurred in recent years, and the mill now functions partly as an historical museum. We visited the Mill, the Loft Chamber of Commerce at 112 1st St. E, the Gedney Bakery at 116 1st St. E, the Sanity Room at 117, 1st St. E, Eschen’s Clothing at 211 1st St. E, and Quilter’s Quarters at 213 1st St. E. Tours are self-guided and stairs are steep: be warned.

A courthouse was built in 1857, on the east side of the town, on a site described at that time as “the highest tract of land in the neighborhood,” which offers “a fine view of the city of Independence, the valley of the Wapsipinicon, and the surrounding Country”. The original courthouse was replaced in 1939 by a Moderne or Art Deco structure. My father was then the Democratic County Treasurer of Buchanan County (partially a fluke, as his Republican opponent died before he could be sworn in, and they offered the post to my father, who was re-elected for a total of four terms. Dad helped lay the cornerstone of the new County Courthouse. He was 37 years old.)

Dad began thinking about establishing a second bank in town as his term was coming to a close, contacting the bank examiners and being put in touch with investors from other parts of the state like Mason City. Security State Bank opened in 1941. I have the first check that cleared the bank framed on the wall of my study. Check Number One is dated October 8, 1941, between the  Federal Reserve Bank of Chicago and Security State Bank in the amount of $971.97.  I learned that what is now called NSB (Northeast Security Bank) now has deposits of $421,617,000 with branches in Independence, Dysart, Fredericksburg, Decorah, Fairbank (my dad’s home town, where he began in banking as a cashier), Sumner, Rowley and Fayette.

In November of 1873, a fire started behind what is now Hartig Drug Store and burned the buildings going East.  Six months later, in May of 1874, a second larger fire began in the middle of the West side of 2nd Avenue, N.E. (my old home street). It burned the entire West side of the street. Everything from the river to what is now the NSB (Northeast Security Bank Corner), formerly the Security State Bank that my father founded in 1941.  A livery, four residences, and a church in the block behind were also burned.

In May of 1874 a second larger fire began in the middle of the West side of 2nd Avenue, consuming the buildings on the north side of 1st St. E to the river. High winds allowed the fire to jump to the south side of the street. Within 10 days of the second fire, merchants and land owners began rebuilding on the existing limestone foundations, leaving underground storefronts as they were.  The devastation led to an opportunity to recreate the downtown with beauty and continuity.  The buildings were crafted in the Italianate architectural style of the day.

The block on the West side of 2nd Avenue burned down again in 1960, something I vividly remember, as a high school student who was viewing the film “Exodus” at the Malek Theater, one short block from my house at 214 2nd Avenue, when the fire broke out. Because sparks were landing on the roof of the theater, we were asked to exit the theater and I began trying to walk home, which was not easy, because fire trucks and firemen were clogging up 2nd Avenue directly in front of the post office. The locker plant across the street was destroyed as were all other buildings on the block.

I finally took the alley behind St. James Episcopal Church back to my house at 214 2nd Avenue N.E., the former railroad station master’s house. My father was out on the front hill with a garden house watering the area down as sparks drifted across the street. I was 15 years old.  I remember it vividly, just as I remember the Independence Senior High School burning down in 1956. (It was just before I was to enter 7th grade in “the new junior high school,” which quickly became the high school/junior high combined. This building, Jefferson High School, was torn down and a new high school was erected in 2013.)

Rush Park: Axtell & Allerton

For a few years in the late 1880s and early 1890s, Independence was a nationally known horse-racing center, and was sometimes referred to as the “Lexington of the North”. This came about as a result of the meteoric financial success of Charles W. Williams. A telegraph operator and creamery owner from nearby Jesup, Iowa, Williams (with no experience in breeding horses) purchased in 1885 two mares, each of which within a year gave birth to a stallion. These two stallions, which Williams named Axtel and Allerton, went on to set world trotting records, with the result that Williams’ earnings enabled him to publish a racing newspaper titled The American Trotter, to build a large three-story hotel and opera house called The Gedney, and to construct a figure-eight kite-shaped race track on the west edge of town, on a large section of land called Rush Park, where he also built a magnificent horse barn and his family mansion. Williams eventually (1889) sold Axtell for $105,000, a record price for any horse at the time. (*Axtell broke down as a 4-year-old and never raced again.)

The grand opening day for the kite track was  August 25, 1890. At least 225 horses valued at over one million dollars were on exhibition for the price of $1.00 at the gate.  Season tickets, admitting the holder to all 5 days, could be purchased for $4. Season tickets for a lady and gentleman cost $7. There was no extra charge for teams or admission to the grandstand.

The burgeoning community was soon home to other mansions, churches, and even a trolley-car service. My mother used to tell me about the Gedney Opera House burning down; I believe that the trolley car came down 2nd Avenue (Chatham Street) to the Gedney, bringing big name horse racing enthusiasts to the races. That street was paved with red brick throughout much of my growing-up years in Independence, and you could hear the Amish buggies clip-clopping down the street to the sale barn on weekends.

The Wapsipinicon Old Mill basement.

The horse races at Rush Park were an effective magnet. The fifty cents admission fee paid by over eight thousand spectators must have delighted Charles W. Williams. Charles W. Williams would have beamed with joy as he saw twenty-five hundred people jammed into his $10,000 amphitheater, happy to pay an additional thirty-five cents for the privilege. Purses totaling $2400 had lured many of the fastest horses in the state to Independence.

Williams went on to raise other record-breaking horses, but he lost much of his fortune in the Panic of 1893. Williams subsequently moved to Galesburg, Illinois, where (among other things) he became acquainted with the young Carl Sandburg (as mentioned in Sandburg’s autobiography, Always the Young Strangers). Today, the location of Williams’ race track (which was the original site of the Buchanan County Fairgrounds) is a corn field. His house is still standing, but, in recent years, the Rush Park barn was demolished by a bulldozer, to make way for a fast food drive-in and an auto parts store. There was a point when two wealthy California natives tried to make an upscale supper club within the famed Rush Park barn, but that, too, ended up being short-lived.

In the years that followed the race track days, the town lost most of its importance when the railroad terminal at Independence was pushed further west to Waterloo, Iowa. Today, the old depot stands on the highway that leads to Oelwein and serves as a visitor center, but it is no longer a functioning depot. I remember my parents taking the train to Chicago and staying at the Palmer House for bankers’ meetings, but that would be impossible today, just as my trips from Iowa City to Chicago would be impossible with the sub-par rail service in Iowa today.

Of additional interest are several other buildings of historic and architectural value. Among these are the Christian Seeland House and Brewery at 1010 4th Street Northeast (1873), an Italianate style mansion and brewery; Saint John’s Roman Catholic Church at 2nd Street and 4th Avenue Northeast (1911); the Munson Building, formerly the Independence Free Public Library, at 210 2nd Street Northeast (1893–95); Saint James Episcopal Church on 2nd Avenue Northeast, just north of 2nd Street (1863, 1873); and the Depression-era United States Post Office Building at 2nd Street and 2nd Avenue Northeast (1934), not for its architecture, but because hanging inside in the lobby is a WPA mural from the 1930s, titled Postman in the Snow, painted by a former Independence resident named Robert Tabor. (*There was another Tabor painting of a small child wearing white galoshes and a pink coat and holding a book up to the librarian to check out. I was told by the librarian that that child was me, then aged about 5, which would have been painted when Mr. Tabor (who did not begin painting until he was 52) was about 68 in 1950, as he was born in 1882. Since I spent all of my free time at the library, I can believe this.)

About 10 miles east of Independence, south of U.S. Highway 20, near Quasqueton, is the Lowell Walter house or Cedar Rock, a state-owned Frank Lloyd Wright house that is open to the public from May through October. (See previous blog article.)

For me, as a St. John’s student from 1950 to 1959, I worshiped weekly at St. John’s Church a block away from my childhood home. I remember when a tornado tore the roof off St. John’s Church (established 1911) and deposited the wreckage in our back yard in about 1947. My father made a playhouse out of the shingles and boards, which my parents referred to as “the hookey.”

The Library mentioned was right down the alley. I made almost daily trips there to read, as we did not purchase a television set until I was a junior in high school in 1962. (My mother’s prescient remark was: “Pictures were never meant to fly through the air;” she had pronounced television to be a fleeting fad.)

St. James Episcopal Church, the oldest continuously operating church in town, is one house away from my childhood home. I remember when my parents hired a Chicago architect to remodel our home in 1957. He was quite smitten with the church with its beautiful stained glass windows, and made frequent trips the 100 yards to tour it on his own.

One of my favorite library stories was when the librarian thought I was too young to check out a book about the Zulu uprising in Africa. She called my mother at home and asked her if she should allow me to check out the book. Mom replied, “Sure. Go ahead.” (Good going, Mom!)

At the 2000 census there were 6,014 people in 2,432 households, including 1,588 families, in the city.

Points of Interest:

Historic Downtown

AXTELL

Year of Birth: 1886
Immortal: Yes
Elected as Immortal: 1955
Year of Death: 1906
Gait: Trotter
Record: t, 2:12
Sire: William L.
Dam: Lou
Mambrino Boy

Axtell was foaled in 1886, son of William L. out of the non-Standard mare Lou. His breeder was C. W. Williams of Independence, Iowa. Axtell was trained and raced by Williams on the famed Independence kite-shaped track. He lowered the two-year-old stallion record to 2:23 and won every race in which he started. As a three-year-old Axtell again won every start and lowered the world’s stallion record to 2:12. In 1889 Williams made history by selling Axtell to a syndicate for $105,000, the highest price ever paid for a horse of any kind at that time. Axtell broke down as a four-year-old and never raced again, but retired to stud. His progeny included the foundation sire Axworthy 2:15 1/2, and he became one of the highest priced sires of his day. His 1891 stud fee was $1,000. Axtell died on August 19, 1906 in Terre Haute, Indiana.

Anti-Semitism on the Rise in the United States

I’m almost caught up from the recently concluded SXSW film festival.

I still have a review of a screened horror film (“Appendage”) and one that is embargoed until April 24th for a drama financed by National Geographic commencing May 1st that will focus on the brave young woman who helped hide Otto Frank and his family in war-torn Amsterdam. Most of us know the story of Anne Frank from her recovered diary and the many spin-off dramatizations that sprang from it. Most of us did not know about Miep Gies, however.

It  was Miep Gies, then a 24-year-old secretary to Otto Frank at his business (a jam factory called Opetka) who agreed to hide Otto Frank (Liev Schreiber) and his family of four (Otto, Edith, Anne and Margot) and five other Dutch Jews from the Nazis during WWII and the occupation of Holland. They lived in hiding for 2 years, until they were turned in.

Only Otto Frank survived the war after the Nazis captured the family, hiding in a hidden annex built above Mr. Frank’s business establishment, Opetka.  He and his family were sent to concentration camps, separated as a family, and only Otto survived Auschwitz and Bergen-Belsen.

Together with her colleague Bep Voskuijl, Miep retrieved Anne Frank’s diary after the family was arrested, and kept the papers safe,  returning the papers to Otto Frank when he came back to Amsterdam from Auschwitz in June of 1945.  Gies had stored Anne Frank’s papers in the hopes of returning them to the girl, but gave them to Otto Frank, instead, who compiled them into a diary first published in June of 1947,

Bel Powley, who portrays Miep Gies in “A Small Light.” (Photo by Connie Wilson)

In collaboration with Alison Leslie Gold, Gies wrote the book Anne Frank Remembered: The Story of the Woman Who Helped to Hide the Frank Family in 1987. Born in 1909, she died just one month shy of her 101st birthday in 2010, which was surprising, considering the fact that she was instrumental in saving many Dutch Jews from the Holocaust. [She denied any involvement in helping hide the Franks when their hiding place was discovered.]

Considering that anti-Semitism is at its highest point since the seventies, the choice to dramatize this story at this time in history is a timely one. The Anti-Defamation League began keeping records of anti-Semitic activity in 1979. In the past 5 years, the incidences of assaults or robberies or other crimes have increased 500%. On college campuses, the incidences have risen 4o% and in Kindergarten through 12th grade schools, the incidences of such wrongdoing are up 50%.

Specifically, incidents of violence against Orthodox Jews are up 67%. Incidents of vandalism are up 51%. General harassment is up 29% and assaults, in general, are up 26%. As the experts have said, “Extremists feel emboldened right now” and various other spokesmen called it a “battleground against bigotry.”

As one CNN expert said, “It may start with the Jews, but it doesn’t end with the Jews.” A super spreader of such hatred would be social media outlets. When social influencers (like Kanye West and Mel Gibson) express hatred for the Jewish people, there are surges in such evil acts. There is a reverberation effect within and among conspiracy groups; the actions condoned by the MAGA hordes are germane.

Signs of people in positions of authority condoning, explicitly or complicitly, man’s inhumanity to man contributes to the deep-seated problem and exposes a sickness in society. Kanye West today tried to dig himself out of the deep hole he had dug for himself with his anti-Semitic rants, saying that watching Jonah Hill in “21 Jump Street” had changed his opinion to one that is more positive. Not only is this a weak defense against his previous bigoted words and actions, but it hardly seems likely to stem the tide of actions like those that took place in Charlottesville, Virginia from August 11th to 12th in 2017.  That Unite the Right rally was a white supremacist rally that seems, now, to have been a watershed moment in giving radical groups permission to act in  uncivil and illegal manners. It is worth noting that it took place during Donald Trump’s presidency.

The focus on the heroic actions of the Miep Gies’ of the world comes at a time that should give the excellent production “A Small Light” a welcome platform. (Review to follow in April).

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