Weekly Wilson - Blog of Author Connie C. Wilson

Welcome to WeeklyWilson.com, where author/film critic Connie (Corcoran) Wilson avoids totally losing her marbles in semi-retirement by writing about film (see the Chicago Film Festival reviews and SXSW), politics and books----her own books and those of other people. You'll also find her diverging frequently to share humorous (or not-so-humorous) anecdotes and concerns. Try it! You'll like it!

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Bank of America, Ghostly Tales of Route 66 & Me: Installment #3

Bank of America 

Going to my Bank of America outlet in Chicago at Roosevelt Road and Canal Street requires a 7-hour drive—3 and ½ hours up and 3 and ½ hours back. Why don’t we have a Bank of America outlet in the Quad Cities?

I don’t know. Do you?

POPE LEO & ME

I went through a “verification” process similar to that described by Pope Leo (Installment #2)  and it ended with me making a trip in, in person, to meet with a representative (supposed to be Caesar Hernandez, but I got Felipe) on Saturday, June 13th. I took the 2 forms of ID, although, when I was told I needed my Social Security card (a passport would not do), I think I responded that I had not seen my Social Security card since I was sixteen. It did cause me to search for it, however, and—voila!—I found it! (Will wonders never cease?)

However, since the entire goal of “verification” seems to be to make things as obtuse and as computer-dependent as possible, I was told that the employees could not get to my page unless I gave them the specific amounts and dates of deposits from Amazon. Since I lost access to my Amazon account about the same time as  I last saw my Social Security card, this turned out to be an impossible task. After the trouble with advertising “BEE GONE” and the directive that my cover had to be “changed,” things descended into the Stephen Colbert Canyon of Censorship. There didn’t seem to be much urgency about cracking the code on how to get back into my Amazon account to “write long”, once I tip-toed over to blogging full-time on WeeklyWilson.com and resumed reviewing movies on www.TheMovieBlog.com,  I’ve been reviewing non-stop since 1970. Since Rex Reed and Gene Shalit recently shuffled off this mortal coil, I can try to lay claim to being the longest continuously-reviewing film critic in the U.S. (whether it’s true or not…and it might be.)

SOLUTION?

I don’t know the head of the Bank of America, so I didn’t have the route that Pope Leo took to get things fixed and updated in my literary account, where a REAL LIVE HUMAN  might assist me in “fixing” and updating things without me having to drive 14 (fourteen) hours. (I know I said 7 hours, earlier, but this story goes on in installments, remember. This third installment only takes us through the first in-person meeting at the Roosevelt Road and Canal Street with Felipe. There is more).

FELIPE

Felipe was the one bright spot in the Bank of America verification process. Felipe is good. I will excuse him for asking if my granddaughter was “in the room” to help me during a recent phone call. No, Felipe, the granddaughters are in Texas. I’m in Illinois, talking to a bot most of the time.  For hours. Becoming very aggravated. Wondering why I never got any reports on my literary account for over 7 years.

Felipe got stuck with me when Caesar got stuck with somebody else. There were lines of people queuing up at the cashier’s window at noon that Saturday (June13). They close at 2 p.m. I can vouch for the fact that it took all of the 2 hours to figure out how to recover my literary account. I still don’t know why I did not receive any “reports” or updates on that account since 2019. I received paper reports on my personal account, but my literary account seemed to reside only in my head and in the form of the checks I have that are supposed to allow me to use it. Both seem to be in limbo.

On June 13th my personal account seemed to be chugging along okay, paying bills via auto-pay. However, that may have changed, as “suspicious” activity was noted because I went to the cashier’s cage, on June 13th, IN PERSON, and moved cash from my personal account to the literary account. Let me repeat that: I did this IN PERSON, IN THE BANK. Yet this caused my account to have difficulties  noted as suspicious thereafter. (This story isn’t over—yet.) My teacher’s pension is deposited in this account (a princely sum, as you can imagine, since I did not hit the Magic 20 number one must reach in order to actually be able to live on that money in retirement).

For years (and years and years) one-half of all Social Security payments made to government employees (i.e., teachers and firemen, etc.) was taken from us because we were public employees. It was patently unfair and resulted in years of legal wrangling until, quite recently, that one-half was restored. However, Social Security is not deposited into this account. It goes into the TBK less-well-known bank in the Quad Cities which has not yet made me come in twice in person to “fix” errors which cause bots to try to send verification codes to land lines and take over 6 weeks to “fix.” (Yes, I still have a land line. Deal with it.)  

I always got PAPER reports on my personal account, although I did not get them for my literary account. As far as I am aware, I did not get e-mail reports, either, although I admit to moving from Einnoc10@Aol.com to Einnoc9876@gmail.com some years back. For almost 10 years, the state of Illinois has hovered over my literary account, eagerly suggesting it was “abandoned” and only too willing to take whatever pittance might reside in it. “Seized” is the chief goal of the state of Illinois with failing authors’ accounts, apparently. (I actually have a close friend who says she once worked on the “seize abandoned accounts” team in the state of Minnesota. Sheesh.)

A still from Seized by Sharon Liese, an official selection of the 2026 Sundance Film Festival. Courtesy of Sundance Institute | photo by Jackson Montemayor.

Each of the three times I received written notices that the state of Illinois was hovering once again, hoping to “seize”my money, I wrote and explained that it was NOT an “abandoned” account. I was merely an unsuccessful (monetarily-speaking) author who didn’t have masses of eager fans gobbling up her books. The account, via Amazon, had its moments. Most of those moments can be laid at the feet of “Ghostly Tales of Route 66,” so kudos to Bruce Carlson for figuring out that ghosts were a guaranteed best-seller.

I did not  intend to write only ghost books for my entire literary life. I wrote what interested me at that moment in time, whether politics, children’s books, horror stories, movie and television reviews—short and long—or one random book containing previously published columns and poetry. One can’t accuse me of not taking on a range of topics. Or, as one snarky guest writer at a QC Writers’ events once said, “You’ve ruined your platform.” (And then he went on ad nauseum to talk about writers’ platforms, ignoring the variety of things that a Stephen King, for example, might write about, aside from things that go bump in the night).

So, on June 13th, I thought Felipe had “updated” all of the phone numbers (etc.) in my two BoA accounts. I even bit on the new Bank of America credit card, which sounded like a pretty good deal.  I think Felipe was Top-Notch and whatever is now happening, to prevent me from being able to authenticate that credit card, is probably not his fault. It’s probably an inherent flaw in the BoA system and I’ve been victimized by it to the tune of a 14-hour driving trip. CEO of BoA: take note.

Me applying for a brand new BoA credit card was where things ended after my FIRST 7-hour “in person” trip to the Bank of America with everything “fixed”—or so I thought.

But, of course, things were not settled at all.

The bot was not finished with me.

Pope Leo, His Chicago Bank & Installment #2 In My Banking Life

Pope Leo XIV greets the faithful at the Papal summer residence in Castel Gandolfo, near Rome, July 13, 2025. Editorial Stock Photo
The viral story about the Pope and his bank involves Pope Leo XIV getting hung up on by a Chicago customer service representative who assumed his call was a prank. The amusing incident went viral after being shared publicly by the Pope’s longtime friend, the Reverend Tom McCarthy.
📞 The Call
Two months after Chicago-born Cardinal Robert Francis Prevost was elected Pope Leo XIV, he personally called his local bank branch in South Chicago from the Vatican to update his address and phone number. [1, 2]
  • The Verification: He initially identified himself by his birth name, Robert Prevost, and correctly answered several security questions, providing his Social Security number and formal address. [1, 2]
  • The Bureaucracy: Despite answering perfectly, the representative informed him that bank policy strictly required him to complete account changes by visiting a branch in person. [1, 2]
  • The Climax: The Pope explained that traveling to Chicago would be very difficult since he was now living out of town. He finally asked, “Would it matter to you if I told you I’m Pope Leo?” [1, 2]
  • The Hang-Up: Believing it to be a prank call, the customer service representative immediately hung up on the leader of the Catholic Church. [1, 2]
💼 How It Was Resolved
The Pope did not let his papal authority stop him from needing to fix his banking records. He reached out to another fellow Augustinian priest in Chicago, Father Bernie Sienna, who happened to have connections to local banking executives.
Word quickly traveled up to the bank’s president. When the bank initially tried to cite standard protocol, the Pope’s intermediaries politely hinted that the Holy Father was fully prepared to move his money to a different institution. Eager to avoid losing the historic account of the first American Pope, the bank quickly bypassed the rules and updated his information manually. [1, 2]
📰 The Public Reaction
The story, heavily detailed by The New York Times and shared across networks like CNN, resonated widely with the public. Commenters and Catholic leaders praised the anecdote, noting it offered a remarkably humble, human look at a Pope dealing with the exact same automated, frustrating customer service hurdles that everyday people face.

Bank of America, Ghostly Tales and Me

I have been involved in a now-long-running attempt to reclaim a bank account I established at the Bank of America in Chicago in 2003. I needed to have a bank to “close” on a condo there that was going to be my daughter’s residence while she attended DePaul for College. The year was 2003. I do not remember why I selected the Bank of America. Perhaps it was the proximity of the branch  on West Roosevelt and Canal.

Later, I opened a literary account with them, as well, one for which I got no reports for 7 years. Of course, it is possible that reports were sent to my old AOL account, but there are 375,000 pieces of unread e-mails in that one, while I have been using Gmail for at least the past ten years. The state of Illinois has circled, vulture-like, on 3 occasions, trying to take the funds in my literary account, declaring it “abandoned.” On each occasion I have written them a REAL letter saying the account was NOT abandoned, but that I was merely blogging these days and no longer writing “long.”

David Morrell (yes, THE David Morrell, creator of “Rambo”) told me during a one-on-one conversation at a Writers for New Orleans conference many years ago that I should establish a separate bank account for my literary earnings. I hoped this meant that he saw promise for me as a writer. I have revised that opinion downward. It was probably very good advice—-if you’re David Morrell.

For me, it has set up a cumbersome set of aggravating interactions with the Bank of America that make the Pope’s experiences in trying to arrange for a transfer of funds from a Chicago bank an object lesson in  questionable customer service. It’s lengthy and frustrating and almost impossible to explain, but I shall try in some installments.

But first let me share with you the story of the Pope trying to gain access to HIS Chicago money and being told that he, too, had to come in, in person, with 2 forms of ID.

Pope Leo explained that he was out of the country and would not be able to come in in person. He asked, “Would it help if I told you I was the Pope?:

The bank hung up on him.

THE BEGINNING

I made three trips, on foot, from my condominium  to the Roosevelt Road location to set up direct transfer of funds from my Amazon account to this literary account. Most of it had to do with e-books. It is at least a mile if you walk it. I walked it in those first days after retirement, giving me some much-needed exercise after I wrote all night long in my writer’s lair.

From 2003 to 2019 I was productive, at least, once writing through the worst blizzards in Chicago history and watching the sun come up over the Field Museum building across the street from me. I remember these two blizzards well, as I wrote through them and never left the building while motorists abandoned their vehicles on Lake Shore Drive, which I could see from my window:

January 31-February 2, 2011, 21.2″

19.3″January 21-February 2, 2015

I had hoped that David Morrell recognized dormant talent when he suggested I open a literary account.Ran into him again as a panelist at the last Hawaii Writers’ Conference.Think he selected one cover illustration over another when I asked his opinion. Got a blurb from a complete stranger who wrote “Flashback” (very nice guy). Did not get any help for my effort(s) from “Rambo’s” father. But I did have that special “literary” account, awaiting riches beyond my wildest dreams.

I did my best, advertising using Amazon and Facebook. Videos were made for various books (“The Color of Evil,” “Hellfire & Damnation”). Most videos are still up on YouTube and the e-books, at least, survive. Some videos are now making a belated appearance on Instagram and TikTok. (I hope the Chinese don’t sell all my contact information).

Alas, the flow of riches that Morrell experienced in his legendary career did not flow to Yours Truly. My account had  brief moments of solvency. But, in 2019 when DJT was running for office the first time, neither Amazon nor Facebook would allow me to advertise the “BEE GONE” satirical take-down of Trump’s contest with Hillary Clinton UNLESS I CHANGED THE COVER. I refused.

Things took a dark turn. I became one of DJT’s first victims of retribution for the crime of making light of Donald J. Trump. In that regard, I was and am in good company. If only the Seth Meyers-es and the Jimmy Kimmels would mention my little book, which has admirers amongst those who think  Trump is absolutely awful, [like Senator Chris Murphy of Connecticut, who recently gave us the video detailing “500 Days of Corruption.”]

The MAGA threats on Amazon increased and even a few relatives bought into Trump’s always-changing lies and distortions at that early point in time. For my part, I think the dangers the small book pointed out were right on target. I’m still very proud of it, especially of the great illustrations from Gary McCluskey. And I hope the relatives have realized the error of their vote(s).

I quickly leoarned that mocking DJT, even very gently, was not well-received in MAGA-land. In addition to negative and violent attacks on my fairly gentle take-down of the Orange One, I’ve only come that close to death threats during the presidential run of 2008, blogging for Associated Content, when Yahoo named me its Content Producer of the Year for Politics and got me inside the DNC in Denver. People who had read my prediction that Obama would carry Iowa would say things like, “I’m going to come back and make you eat those words.”

Only they did not. Because I  tip-toed off to review film for The Movie Blog and did not look back. Until the phone call fro Quixote Books while wintering in Texas.

It was one of the single greatest political nights of my life when Obama won, not only in Iowa, but secured the Democratic nomination and the presidency. That was then; this is now. It was a different country, then, with hope and optimism and “Yes, we can” vibes. What are we now?

Before I move on from this story of how I was a precursor of Stephen Colbert, told I could not advertise “BEE GONE” on my normal channels (Facebook, Amazon) unless I changed the cover (which I refused to do), let me relate a true story. The thin-skinned DJT apparently did not like the depiction of himself as a bumblebee (a drone) intent on taking over the hive from the Queen Bee. Killer illustrations and prescient observations (made in 2019) like:

“So, the hive lost its honey,

Its queen, and its money.

It was really a mess,

And that isn’t funny.”

My Bank of America personal account that I set up for auto-pay things (HOA dues, electricity, gas, etc.) remained active, but I tip-toed away from the literary account, leaving it to whatever  e-book sales might occur. I also quit bothering to check on my Amazon dashboard, which means that I soon lost my ability to remember the password. Why bother? I was done writing “long,” as I called it.

Or was I?

GHOSTLY TALES REVISITED

While I was sitting out the winter in sunny Austin, I received a call from Iowa’s largest publishing concern, Quixote Press. They wanted to revive and redo Volume One of “Ghostly Tales of Route 66,” which they had first published in 2012, because it was the 100th anniversary of the opening of Route 66.

Some changes were to be made, including new material, but the “Resurrection Mary” story that I slaved over in 2007, [which was one of the winners of a Chicago “Tribune” scary story competition 5 years before the book came out], was omitted. There still is a “Resurrection Mary” story that I sleuthed out with my daughter-in-law in tow many years later, but the explanation of how the myth of Resurrection Mary came to be was spelled out more fully in earlier books pictured.

But the first Volume One had a very bad cover (IMHO) and some very short stories that were not up-to-par. It also was never “proofed” prior to publication, for reasons that I cannot explain. I handed it in and the next thing I knew, it was “out there.” It had no pictures, unlike volumes 2 and 3, which depict my travels along the road from Chicago to Santa Monica.

Normally, I  might not have bitten on the project, but the publication site for Quixote Books had moved from Wever, Iowa, near Burlington to my old hometown of Independence, Iowa. Bruce and Marilyn Carlson sold the business to Shari Hartkmeyer and, subsequently. Sadly, Bruce died in March of 2026, having sold over two million books. I always told Bruce that I was looking for a ghost that could cook, since he had cornered the market on ghost books and cookbooks. I’m still searching for that Culinary Casper.

It must be a sign from above that the new home of Quixote Books (and the Hearts and Tummies cookbooks) was Independence, Iowa. Now we could properly proof the stories I had written and put on a better cover. Also, we could remove the clip art, but that didn’t happen. Still, it is a collection of tales told me on the long journey from Illinois to California. I  investigated to the best of my ability, unlike someone sitting in their living room (without the Internet) making up extremely short stories with no story “arc .”

If you want to read the lengthier backgrounding that I undertook for the story of Resurrection Mary, you might need to purchase the older books, too, but that’s completely up to you. I won’t be taking them to future Printers’ Row outings, because the reprint is much more error-free and has new material and a better cover.

Now comes the part about my dealings with the Bank of America  that I will have to serialize, since it is an ongoing struggle the likes of which anyone who has ever attempted to do something by phone with a bot on the othr end can relate to.

End of Installment One

“Last Picture House” Movie Trivia Night: June 22, 2026

Movie Music Trivia Night at the Last Picture House, Davenport, Iowa on June 22nd, 2026.

I journeyed over to the Last Picture House in Davenport, Iowa, to play movie trivia tonight, but I misunderstood the extent of the task. I thought a snippet of music would be played and all I had to do was name the movie the song came from.

Wrong, Snore-Snout! This was only one of 3 things that I needed to be prepared to do. Rather than matching the music with a movie, you had to name the song, give the artist, and THEN name the movie the song was featured in.

Welllllll. This would have been 3 tasks per entry on Round One (15 points). I knew I needed daughter Stacey once it became clear that I was going to have to dredge up THREE things, rather than just one. There were 5 questions (worth 15 points) on the first round and there appeared to be 8 rounds with 5 questions each  that were going to be asked of about 30 teams. Some teams had 8 people or more and many were foursomes. Seats were at a premium.

ARRIVE EARLY

Movie Trivia Night, June 22, 2026, The Last Picture House, Davenport, Iowa.

I did not get there early enough to get a seat but, thanks to Cathy and Carrie, I got a backless footstool, which was both good and bad. It was good to meet Cathy and Carrie, who let me sit with them, but the lack of a back sent me packing after I scored  9 points out of the first 15 possible in Round One. (This, to be clear, was not a “good” score, but it was also not the worst of all of the teams.)

I also had not eaten and it was getting to be close to 8 p.m., my back hurt, and, in round 2, the first song was a rap song. Yeahh…I wrote down L.L. Cool Jay, (which will date me and him), had no idea what the song might be, and had even less of an idea what movie utilized that song. (I use the term song loosely, being Old School…and just plain old).

MEA CULPE

But the biggest sign of my incompetence was knowing that Bette Midler sang this song in “Beaches” and also having once sung this song on a ship cruise (during amateur hour.) And my beautiful daughter-in-law once sang “Wind Beneath My Wings” in a beauty competition, which she won. However, did I remember the name ‘Wind Beneath My Wings?”

I did not. And that was some pretty dismal forgetting, when you think of my history with the song. (AAARRGGHHH.)

The original notice of the movie trivia event said it was to last from 7 to 8 p.m.

It was already 8 p.m. and we had not (yet) heard the results of Round 2. When you have close to 30 teams…..(finish that thought).

I had now consumed half a bag of popcorn, some Junior Mints, and a Diet Coke, but I had had no real food. You know that feeling you get in the pit of your stomach when you go to the movies and eat a bunch of movie junk food without having had a meal? It’s kind of a sick-to-your-stomach sickening feeling that requires a real meal to remedy it.

I knew that, back home, my golf-playing better half was going to be picking up Subway sandwiches, my back hurt, and my score, so far, was 9 points (of 15) which was not going to set the world on fire (or win this lengthy game)

The 100 or so participants at The Last Picture House in Davenport, Iowa, were doing well, and I learned a valuable lesson about going early enough to get a chair with a back—although the young folk pictured were doing just fine, seated on the floor playing Solitaire.

Ah, yes. I remember those days of floor-sitting.

Solitaire game in progress at Movie Trivia Night by floor sitters at The Last Picture Housel

As a team of one—and not one who paid much attention to the names of songs—I was at a distinct disadvantage.

Now I know I need daughter Stacey to make Team #17 have even a ghost of a chance—although I do want it on my record that, as a team of one, scoring 9 of 15 was not the worst score in the joint. But it looked like it was going to be downhill for me from then on without the assistance of daughter Stacey, who would have known every song and the name of every performer.

Next time.

“Wild Bill & the Bruisers” On Tour in Chicago on June 12, 2026

Took in Wild Bill & the Bruisers show tonight in Chicago at the Broken Hearts Bar on Lake & Randolph. It was a fantastic high-energy, low-impact evening—except for when I nearly ripped poor Louis’s shirt off while dancing the two-step. (Something I have only done once before in my life. The dancing; not the ripping. I may have done the ripping previously a time or two. Louis is the white-haired gentleman who can be seen dancing, if YouTube will let me upload the clip, which is always dicey. Otherwise, use your imagination. Lewis is probably very happy that I am not a full-time local resident who might seek out his instruction. Also dicey.)

Louis (Lewis?) is a dance instructor somewhere nearby and a regular customer at Broken Hearts Chicago.  Lewis, when asking me to dance,  knew my first name.  (I think Reily, who works at Broken Hearts Chicago,  told Lewis my name and that I wanted to dance. I failed to get a picture of  darling Reily, sadly. I may have captured Lewis in action, but, again, will YouTube let me make the video into a post? Always a question. If so,I’ll add it tomorrow and you can enjoy Lewis before I unintentionally attacked his shirt.)

I also didn’t get a picture of 25-year-old Atticus from California, who said he had an NDA that prevented him from having his picture taken. Atticus complimented me on my “great memory.” I think he was just surprised that someone as old as me could remember her own name, let alone the names of several of the bar’s patrons.

Lewis apparently thought I knew what the basic “two step” was prior to the dance invitation A: no.At one point, my little finger got caught in the snap closings of Louis’s shirt. (He was twirling me, at the time.) Not good for Louis’s shirt, and I definitely need better instructions for future two-step outings.

KATE

Kate & husband, from Wicker Park.

Kate and her husband of 10 years live in Wicker Park. She was seated near the photo booth and they were very congenial and said they had (originally) seen Wild Bill & the Bruisers in Nashville and knew they were very good.  She mentioned other times that she and her husband had come out to hear Wild Bill & the Bruisers play.  Wild Bill, the talented group lead, mentioned from the stage that the sound at tonight’s show (the trio has been on tour in New York, Ohio and elsewhere) was the best sound of the venues they have played while on tour.

BRIE

Brie was getting married in the morning. She looked very happy and Brandon, 23, was in town from Missouri for the wedding. I made Brandon take a turn on the dance floor, although he claimed to not know how to dance. My advice: “fake it till you make it.” So, we did, and, later he brought over a very pretty girl whom he described as the World’s Greatest Taylor Swift fan.

Also stopping by our table was the groom, Chosen, and Jason, the Best Man. Jason also sells cars in the Chicago area. He said he was planning on dancing with me, but the group then left to hit other bars in the area, so that didn’t happen. (After Lewis’s shirt incident, wise move on Jason’s part.)

The bride, Brie, on June 12, 2026, the night before her wedding,at Broken Heart Bar in Chicago. The groom, Chosen, and Best Man, Jason, smile for the camera.

Swiftie, Brie (the bride-to-be) and Brandon, at the Broken Hearts Bar in Chicago on Friday, June 26, 2026.

Wild Bill (Will) Allison of Wild Bill & the Bruisers on tour in Chicago on June 12, 2026.

Brandon Pickering, Connie Wilson, and Joshua Bailey at The Last Picture House on June 2, 2026.

“Stolen Kingdom” Doc Depicts Disney Black Market: Davenport (IA) Showing

Joshua Bailey and Brandon Pickering, appeared in Davenport, Iowa, at The Last Picture House on Tuesday, June 2, 2026, with their film about Black Market Disney merchandise, “Stolen Kingdom.”

Writer-Director Josh Bailey is 31. Producer/Cinematographer Brandon Pickering partnered with Bailey in Austin, Texas. where both have day jobs in television. They worked on “Stolen Kingdom” for 5 years. Bailey and Pickering are on a 13-city tour with the film that opened the Florida Film Festival (both are Florida natives).  “Stolen Kingdom” has done well on the film festival circuit. It was also well-received by an enthusiastic crowd at this stylish boutique theater in the Quad Cities. Chicago native Shane Simmons, a fellow actor/writer/director joined the duo as  moderator for the evening.

The “Stolen Kingdom” team included Joshua Bailey (Writer/Director), Producer/Cinematographer Brandon Pickering, Sam Fraser, and Fugazi drummer Brendan Canty (who wrote the score). They have created a well-paced, visually-interesting, absorbing documentary about  obsessive behavior that caused one film subject to say of himself, “You look like a psychopath!”

FLORIDA ROOTS

Both Bailey and Pickering are originally from Florida (Tampa). Both worked at Disney (or Universal) theme parks as youths. Pickering mentioned Halloween Horror Night at Universal. He  volunteered the information that he was fired. “We both dropped out of the same film school.” (Valencia College in Tampa, Florida). This in-depth knowledge of the Disney World was invaluable to the project. I hope it is not the only subject the two filmmakers are this dedicated to, because it demonstrated real creativity with good pacing, great photography and comedic verve. The entire project also represented a lot of time and effort. Just organizing the material must have been a Herculean task! And now they are on a 13-city tour to cities they have probably never visited, like Davenport, Iowa. (Welcome to the Quad Cities! I’ll see you in Austin.)

Some photography of shadowy figures was impressive artistically and finding Richard McGuire (AKA Southern Pirate), who throws out the batshit theory that Disney is running a “torture prison” on its abandoned island attraction, was Cinematic Gold. (Yikes!)As Bailey told interviewer Simon Thompson in a February 14, 2025 Forbes magazine interview:”I had grown up consuming this content, made by people like Adam The Woo and Leonard Kinsey, some of the previous generation of creators, so when it started up again, we were really intrigued by it.”

However, as Bailey said, “If we don’t have Patrick (Spikes), we don’t have a movie.” He also said, “We were determined to break this barrier of anonymity with Patrick. We met with him one night and gave him fake names.” (The meeting took place at a 7-Eleven behind the Customer Member Parking at the Magic Kingdom in August of 2018.) “We had thought about trying to do this ourselves as urban explorers at Disney against our better judgment, so we created all of these social accounts, and I think that gave him some kind of trust in us. I think we were the first people to meet up with him, figure out who he was, and be boots on the ground with him.

“Patrick told us, ‘I have this and that celebrity’s phone number on speed dial. I call them and say, ‘Hey, I have this prop if you want to buy it.’ So we got in his car and drove around the property. There are a bunch of public roads behind Magic Kingdom, office buildings, and other things, and we found the redhead animatronic that had recently been removed from the Pirates of the Caribbean ride. He’s making calls, frantically texting people, and trying to make a deal. We don’t really know what was going on in his head. We left at about four in the morning, went home, and we were like, ‘This needs to be a documentary.'”

Brandon Pickering, Connie Wilson, and Joshua Bailey at The Last Picture House on June 2, 2026.

Patrick, himself, said, “I was the heart of the Black Market for a while.” He rattled on about being offered $75,000 for the Redhead from Pirates of the Caribbean  and mentioned being offered $70,000 to steal Buzzy (which, later, he changed to $50,000, claiming he did not steal the animatronic figure). The off-the-wall scenes with the police interviewing Patrick and confiscating his phone and Patrick subsequently faking illness so he might be able to use a hospital phone: priceless black humor, The scenes are inter- woven skillfully,  moving on to true tragedy as we learn of the death of Ed “Chief” Barlow, who died from malignant melanoma.

Hoot (real name – Dave Ensign) Gibson met Ed in 1986 and the two loved Disney’s parks, thinking that their jobs there  would be a relief from high school bullies and teen age unhappiness. After signing on as Disney employees,  however, they realized,”It’s basically high school in a different place.” Still, the two went adventuring in the abandoned attractions many times and became best friends. Dave’s grief at Ed’s passing is palpable. [The focus on these obsessed fans of abandoned sites was treated in a 2005 novel by David Morrell entitled “Creepers.” “Scavenger” in 2007 was the sequel. It’s a whole other world, Folks.] Hoot described himself as grief-stricken after Ed’s death. “I think I’m done being Hoot Gibson for a while. I just don’t care any more.”

We see Hoot scattering the Chief’s ashes at a Disney park.That  is not a completely easy task for Dave. He was banned from Disney. Dave/Hoot’s take on stealing from the park is totally different from Patrick’s. Hoot/Dave spoke of stealing costumes and other expensive items as wrong; he  seemed to consider it almost sacrilegious. He was genuinely touched and touching when he teared up while remembering his old friend Ed.

The film about a bizarre sub-set of people who obsess about visiting Disney and owning Disney memorabilia reminded me of another great documentary, “Secret Mall Apartment,” which was a hit at SXSW in 2024. https://www.themovieblog.com/2024/03/secret-mall-apartment-is-a-hit-sxsw-2024/

TRENDS TODAY

(L toR) Brandon Pickering, Shane Simmons and Joshua Bailey at the showing of “Stolen Kingdom” at the Last Picture House in Davenport, Iowa, on June 2, 2026.

According to Pickering, they used cameras from their day jobs in Austin television to keep cost(s) down. The film was made on a shoestring—less than $150,000. Currently, two films that are leading the box office on June 2, 2026, were also low-budget movies. “Obsession,” one of the two, rackedup $5.3 million, while the Big Budget film “Star Wars: The Mandalorian” took in only $2.2 million. Working your way up via YouTube is becoming one way for a filmmaker to make it in the industry. Another is to win big on the film festival circuit (Slamdance, Big Sky,et. al. qualify “Stolen Kingdom”). As ABC reported today, Generation Z may just save cinema; going to the movies is becoming fashionable again (along with buying at thrift stores.)

Jake Williams got a shout-out from the duo tonight and assisted some with the making of the film. He runs a YouTube channel (since age 17) that covers bankrupt and abandoned businesses. The two Florida natives —who said “we just found each other” (in Austin)— began their documentary about obsessive Disney fans (known as Pixie Dusters) in 2018, before the theft of Buzzy.

Buzzy had been sitting inside the shuttered attraction Cranium Command for eleven years before the 600-pound theme park remnant disappeared.

What happened to Buzzy?

That is a question that has other YouTube videos debating it. One of the filmmakers this night said, “It’s like the O.J. Simpson thing. There is literally no other suspect” (besides Patrick Spikes). Of course, any number of famous celebrity buyers could have purchased Buzzy via BackDoorDisney.We see Neil Patrick Harris describing a bit of Disney memorabilia that he bid on. Indirectly, Harris called out Jeff Bezos as another top bidder for a piece of Disney history. John Stamos admitted his own desire to own a piece of Disney history (his wife looked less thrilled with Stamos’ passion.)

DENOUEMENT

One famous purchaser who bought a bit of Buzzy’s clothing from Patrick was NBA basketball star Robin Lopez. Lopez was actually to be repaid $10,700 according to the 2020 court sentencing for Patrick Spike and his cousin. The duo was arrested in 2019 and the sentencing in 2020 (no contest) dictated $25,308 in restitution, including the Lopez refund and $6,703 to Disney. Patrick was also sentenced to 10 years of probation and 250 hours of community service.

The film will be rentable by August 1st and is available through Waterbox Video Store.

Bruno Mars Continues

Bruno Mars’ Romantic Tour, his first since 2014, goes on the list of Top Three Live Concerts, for me—and I started my life of live concerts with the Beatles at the San Francisco Cow Palace in 1965. This May 15thconcert was spectacular and lived up to the excellent Chicago Tribune review. A truly Top-Notch Experience.

Other memorable live concerts include Steel Wheels in Ames (the Rolling Stones), and I’ve seen the Rolling Stones 10 to 12 times, including in Indianapolis at the Indianapolis Speedway on the Fourth of July, in Minneapolis, Chicago, Ames and at the University of Northern Iowa in Cedar Falls, Iowa. Saw Paul McCartney at the United Center and have seen him three times, including with Wings and solo at Wrigley. And then there were U2 concerts, including the one with the colossally large central stage and the one where Bono ran around on a heart-shaped stage, in Chicago. Bravo  Bruno!

Bruno Mars, May 15, 2026, Soldier Field

Time to post some pictures of the Bruno Mars Romantic Tour that played Soldier Field on May 15 and 16th.

Bruno Mars & the Hooligans on Saturday, May 15, 2026.

 

Daughter Stacey and good friend Amanda and I first began the weekend with dinner at Giordino’s, all while wearing our Main Street Pizza matching shirts.

 

 

 

David Letterman Guests on Stephen Colbert’s “The Late Show:” May 14, 2026

David Letterman and Stephen Colbert atop the roof of the Ed Sullivan Theater on May 14, 2026.

Tonight, May 14th, 2026, Stephen Colbert—approaching the beginning of his last week in what was  David Letterman’s late night television show—had Letterman, himself, as one of his final guests. Dave showed up with the unattractive Father Christmas long white beard he has worn since leaving the air. (Lose the beard, Dave.)

It was a night of nostalgia, with Colbert paying tribute to Dave’s  stewardship of The Late Show 33 years prior. Now, thanks to a president of the United States who is so thin-skinned that he cannot stand any criticism or mockery, The Late Show with Stephen Colbert is going to be replaced with the late night comedians who previously followed in the wee hours (and were never that funny).

It’s a loss to late night show fans, whether you preferred Stephen  Colbert, Jimmy Fallon, Jimmy Kimmel, Seth Meyer or John Oliver (some might include Jon Stewart) and may signal the demise of late night shows, in general, as unscripted reality shows or late night comedians perfecting their routines is  cheaper to put on the air. And we, the audience, are the losers, while DJT gets to further boost his extremely fragile narcissistic ego by killing one of the shows calling him out on his undemocratic and unpatriotic actions as president. [God help us all!]

Dave displayed photos of his new puppy, Doc, mentioned his son (who is graduating from college) and, after inquiring about the blue chair on which he sat, asked who owned the furniture. Stephen, of course, acknowledged that the chair Dave sat upon (and a duplicate blue one) were CBS property, as was Stephen’s own chair, which was an Eames. The Eames classic chair is “extraordinarly expensive” and vintage versions of the chair go for well over $10,000. “It is an expensive chair,” said the originator, who compared it to a well-worn baseball glove.

David Letterman and Stephen Colbert tossing watermelons off the roof of the Ed Sullivan Theater on May 14, 2026.

 

Viewers got to see David Letterman and Stephen Colbert toss the two blue chairs and Stephen’s Eames classic host’s chair off the roof of the Ed Sullivan studio in New York City. They also tossed watermelons and Dave saluted Stephen, thanking him for all he was doing for the country in pointing out the gap between reality and fantasy that the current administration tries to foist on the public daily. (Remember: it’s not a war, it’s an “excursion”—which is probably a misuse of the term “incursion” by the dunderhead using it.)

LATE NIGHT WIth DAVID LETTERMAN

Many years ago I was in New York City for one of the Thrillerfest conventions. This was so long ago that Letterman was still sitting in the host’s seat. I did not have tickets purchased in advance. In fact, I had given no thought at all to attending a taping of “The Late Show,” but I wandered out of the formerly owned Trump hotel that is attached to Grand Central Station to take a walk in NYC.

At a traffic intersection I was approached by someone who wanted to know if I watched David Letterman’s The Late Show, and when I answered in the affirmative, I was told that—if I could answer a question correctly—I could attend that night’s show. The question was for me to give the name of the deli owner whom Dave frequently visited in person. Although my mind went temporarily blank regarding Rupert’s Deli, I was given so many helpful hints that I ended up queued up in the lobby entryway of the  studio, being grilled on how to demonstrate appropriate enthusiasm when the host and guests appeared. This went on for a good half hour while we all patiently stood in the long queue, not much different than approaching the TSA agents at the airport.

A memento of my visit The Late Show with David Letterman (cursor pad).

My seat turned out to be about 10 rows from the left front portion of the theater–not too far from where Letterman and Colbert came to rest tonight in the audience, after 6 men removed all of the guest and host chairs to the roof. The night I attended, the guest  was Eva Longoria, who tottered out on very high heels. I don’t remember much about the rest of the program, except that the studio was chilly, as has  been pointed out. We were warned not to go downstairs to the women’s rest rooms that were  located there, because the building was  old and dipalidated and the plumbing might not be up to snuff.

From the remarks that Colbert made to Letterman while they were seated in the audience, that last bit of information is out-dated, because Stephen explained how ALL of the audience seats were replaced when he took over The Late Show in 2015. They widened the seats from nineteen inches to twenty-four inches. I would speculate that the downstairs rest rooms also received a facelift, because, as Letterman pointed out, the theater ceiling also had an extensive make-over, which Dave compared to the very ornate Bellagio ceilings.

I’m  going to miss Stephen Colbert’s Late Night Show from the Ed Sullivan Theater, a venue of historic importance now being run into the ground by its owners at CBS.  Courtesy of Wikipedia:  “Colbert’s work as a correspondent on Comedy Central’s news-parody series The Daily Show gained him wide recognition. In 2005, he left The Daily Show to host The Colbert Report. Following The Daily Shows news-parody concept, The Colbert Report was a parody of personality-driven political opinion shows including The O’Reilly Factor, in which he portrayed a caricatured version of conservative political pundits, earning Colbert an invitation to perform as featured entertainer at the White House Correspondents’ Association Dinner in 2006, which he did in character. This event led to the series becoming one of Comedy Central’s highest-rated series. After ending The Colbert Report, he was hired in 2015 to succeed David Letterman, who was retiring as host of the Late Show on CBS. Colbert hosted the 69th Primetime Emmy Awards in September 2017.”

David Letterman thanking and congratulating Stephen Colbert on his career helming The Late Show, which Letterman originated 33 years prior on May 14, 2026, one week before the show ends.  CBS has buckled under to DJT in a clear violation of Freedom of the Press and the freedoms granted to Americans by our Constitution, which are being attacked daily by sycophantic followers of the current POTUS.

I will really miss the gentlemanly humor and intelligent repartee of Stephen Colbert. I would like to join David Letterman in thanking him for doing his best to defend our First Amendment Freedom of Speech in the face of the autocratic and bullying tactics of the MAGA crowd and Donald J. Trump. I pray that patriotic Americans will wake up to the damage being done to our Constitutional rights and freedoms by the current administration and some of them will grow a spine and stand up to the man who has, at the moment, perched the world on the edge of WWIII.

From Austin to Okmulgee to Chicago, 2026

This was  one of our last night in Austin.

Austin at sunset.

 

We set off for our return to the Midwest on Tuesday, May 11th. Need to be in Chicago for Bruno Mars on May 16th, with the daughter and Dutch daughter Amanda.

The weather has been cooperative, unlike our trip down in 2024, when we were broadsided during a tornado in Okmulgee, Oklahoma.

Tonight, we are in Okmulgee again, and I took a picture of the Auto Zone store, which I jogged through after we were hit at the intersection as I was looking for a bathroom. While there was no bathroom within the Auto Zone store, I did notice that there were many twist ties, and, after my 2024 red Prius was totaled at the nearby intersection, I suggested we twist tie the damaged vehicle together and attempt to drive the 6 hours to Austin with the car more-or-less intact. When we would be told “Speed zone ahead” I would say, “Act invisible.” It’s still quite the family story that we made it, in time to vote in the presidential election of 2024 (for all the good it did me). I just knew that I’d feel guilt if I did not make it to the polls, and that remains true for the upcoming November 3rd mid-term election, when I’ll be pulling for James Talarico.

Tonight, we have revisited Okmulgee and you can see the Auto Zone sign in the picture if you look carefully—the run through the store that gave me the idea for how we might make it to Austin in time to vote and with all of our stuff still in our possession. There are no car rental agencies in Okmulgee and we had too much in our car to jump ship and take a plane (which would have meant driving quite a few miles to Tulsa, anyway.) Plus, our Triple AAA representative, supposed to come to the Holiday Inn where we spent the night, to check out the damage no showed, so twist tie city it was.

Our 2024 accident in Okmulgee, Oklahoma on the way to Austin, during a driving rainstorm/tornado.

 

RIP my 2024 Anniversary Edition Prius.

 

 

 

 

 

 

 

 

 

 

Dallas, en route to Chicago.

Dallas, en route.

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