These videos really sell the city… Hastily Made Cleveland Tourism Video Hastily Made Cleveland Tourism Video: 2nd Attempt |
Month: April 2010 Page 1 of 2
The elimination show of Wednesday, April 28, 2010, eliminated the only other female contestant still in the competition. This seems particularly odd, since, at the beginning of this year’s season of “American Idol,” the girls definitely seemed to be stronger than the boys. Siobhan Magnus was the voters’ victim this week, and the other two in the bottom three were Mike Lynche and, surprisingly, Casey James.
Siobhan has been one of the consistently most unusual contestants. Her singing style, her dress, her seeming indifference to Simon’s constant criticism of her final high notes—Siobhan just did not seem to care. She marched to a different drummer, and even her father said, in a quick video clip, that she was a very “different” girl. Simon said to her, early on, “You’re a funny little thing, aren’t you?” He was right, and it may have been this edginess that doomed Siobhan amongst mainstream America. After all, if you had to vote between a 17-year-old cutie who had just sung a hymn of praise to his Mom or for Siobhan, who hit a high note that made Simon say it “sounded as though someone were giving birth up there,” which would you pick?
I expressed concern for Big Mike and Siobhan in my Tuesday night comments, indicating that it was anybody’s guess who might go home on Wednesday. Unfortunately for the extremely talented tattooed lady, it was Siobhan of the big voice who bit the dust. Thirty-three million votes were cast, and Siobhan did not get enough of them.
The biggest surprise, to me, was that Casey James placed in the bottom three. He did his best job of the competition on Tuesday, and he seems to have the rock star persona and good looks that young girls would vote for. I was much more worried that Mike Lynche (who was already the lowest vote-getter on another night) would be sent home this time, with no judges’ “save” to rescue him.
The remaining contestants are Crystal Bowersox, Lee DeWyze, Casey James, Aaron Kelly and Mike Lynche, and that is the order I see them leaving in, more or less. It was gratifying that America did not penalize Crystal for her mediocre song choice, and Ellen DeGeneres, when asked, predicted that voters would forgive her the only “OK” choice she sang during country and western night.
Other performers on the show this night were Sons of Sylvia, who tour with Carrie Underwood and were introduced by her. The Sons of Sylvia (“Love Left to Lose”) were a group of dark-haired, think-faced, small, ferret-like young men, some with teased hair. Carrie Underwood has been touring with them since leaving “Idol” 5 years ago.
Also performing twice were Rascal Flatts, who performed solo once and then sang a song with Shakira, which seemed an odd pairing. The song Shakira sang and played harmonica on was her new one, “Gypsy.” She wore a long dress with a gold bodice and a long red skirt. Behind her, two shapely dancer/singers danced barefoot in form-fitting black dresses. Her advice for the “American Idol” contestants? “Keep your eyes on the stars, but remember to keep your feet on the ground.” (A presidential quote, she said).
Another performer this night with a big hit was Lady Antebellum singing their big hit ‘Need You Now.” They scored big on April 18 at the Country Music Awards
Notable quotes: From Siobhan, before she delivered a spot-on rendition of Aretha Franklin’s “You Better Think:” “My baby sisters are my whole world.”(Odd, that. Siobhan’s of an age where you would think she would be thinking boyfriend or career or any of a number of other subjects as being “her whole world.”) Randy said to her, as she exited the competition, “I think you have an amazing career in front of you. Do it!” Siobhan even hugged her nemesis, Simon, at the urging of Ryan Seacrest.
Some interesting bits in the show that didn’t involve singing were a behind-the-scenes tour of the recording studio where the new (and final) “Shrek” movie is being shot and the in-person appearances of two voices from that film series, Antonio Banderas and Cameron Diaz. (Ryan Seacrest has a small part in the latest film.)
Also, the obligatory commercial took the 6 remaining contestants into the woods and cast 5 of the 6 as vampires, with Big Mike Lynche their intended victim, who fends them off with a pizza that has “extra garlic.” The best vampire of the bunch was Siobhan, and now she’s gone.
Somehow, with that voice and her quirkiness, I think we’ll be hearing more from Siobhan Magnus in the years to come.
Next week, Aaron, Big Mike and Casey will be holding their breath, and I’m sure that neither Lee DeWyze nor Crystal Bowersox is feeling all that “safe.” The guest host next week for the songs of Sinatra is Harry Connick, Jr. With the remaining contestants, the best “fit” for Sinatra might be Lee DeWyze, but all will give his songs a shot.
Stay tuned for the final weeks of American Idol, with only 5 remaining contestants.
“American Idol” night, Tuesday, April 27, 2010: The show opens with Ryan Seacrest labeling the 6 remaining contestants as (variously) “a paint salesman,” “a glass blower,” “a high school student,” “a mother,” “a father,” and “a construction worker.” I wondered, as he branded Big Mike and Crystal as the father and mother, respectively, “Didn’t these people have jobs before this?” I’m pretty sure that Big Mike was referenced as being “a trainer” and one would think that Crystal also worked to support her son.
Seacrest next shared the amount raised by “Idol Gives Back” in its last show: “more than $45 million.” Some of you may remember that I decried the use of video footage of a dying pregnant woman (malaria) to elicit those donations. I guess the Powers-that-Be know their marketing ploys. Still bothers me, but whatever.
The mentor this night was Shania Twain and she was identified as, “She’s the one who made country pop” and “the biggest cross-over artist in history.” The additional nugget of information shared was that Shania’s song “Come On Over” was “the biggest seller by a woman in history.” One of the Idol contestants was seen saying, “Shania’s the Queen of country music. She’s an icon.”
Shania Twain (whose birth name was Eilleen Regina Edwards, and who only changed her name to Shania in 1993-1994 after the Ojibwa word for “on my way”) also helped judge Idol auditions in Chicago, so she had met both Lee DeWyze and Crystal Bowersox at that time.
The problem with tonight’s program was that everyone did a great job. The least well-received song was probably Crystal Bowersox’s, but Crystal has consistently been one of the two best performers. There was also a criticism (by Simon) of Big Mike Lynche’s rendering of the song he selected as “too feminine,” but I noticed what Ellen DeGeneres commented on. I’d left the room to get something from the refrigerator. When Michael Lynche sang “It Only Hurts When I’m Breathing,” at first I thought I was listening to Luther Vandross, which is a huge compliment.
First performer of the night was Lee DeWyze and he sang “You’re Still the One.” It was the perfect song for Lee, as Simon noted during his remarks (“Absolutely the perfect song out of Shania’s catalogue.”) and Lee did well with it. Ellen also commented, “Every song you take, you make it your own. You couldn’t look cuter.” Randy called the song, “One of my favorite songs of all time. Midway through, you found a way to make it your own.” Ellen said, “Every song you take, you make it your own.” So, Lee did quite well and looked as good as I’ve seen him look at any time, wearing a suit jacket and eschewing the “woodsman-fell-that-tree” look he sometimes adopts. His decision to sing quietly at the beginning with only piano back up was lauded by both Shania Twain and, the judges and the audience. For one, he didn’t seem to be hiding behind his guitar.
Second up was Michael Lynche and he, too, did a great job. Randy said, “You’re one of those guys who could sign the phone book and everybody would melt, but don’t take it for granted.” I was struck (as I mentioned above) at how much he sounded like Luther Vandross, if you were not looking at the screen while he sang. Randy said, “I think you’ve really found your zone. You are really in the zone of who you are. Very good,” Ellen said, “I felt like Luther Vandross was singing that song. I thought it was beautiful.” Kara felt that Mike had “connected” with the lyrics and called it a “great job.” Simon was the only naysayer, commenting that it felt “a little bit girly for you,” and calling it “wet” and, “As though you were in a musical.” I understand Simon’s “girly” comment, but it is a comment that has applied throughout Big Mike’s time in the competition. I mean: come on…”Eleanor Rigby”? Mike has primarily focused on singing sensitive songs that do display a softer, more feminine side. He can get away with this because…well, because he’s Big Mike. I really liked his performance this night, but I fear that, ultimately, Big Mike may lose out in this competition because he is not physically what the show seems to want to package. However, having said that, let’s not forget Reuben Stoddard. Only time (and America’s votes) will tell. It is a fact that, were it not for the judges’ save, Big Mike would have been gone a couple weeks back, so keep that in mind when trying to figure out who America is not voting for.
Next up was Casey James, who sang “Don’t”, which he described as “a singing song.” All were unanimous in their praise of his efforts to give the audience something different. Randy called it, “For me, this was one of the best Casey James performances ever.” Ellen said, “You sang that like that’s really where you belong. Your best to date.” Kara said, “Good artists show it all. They show it all. Vulnerable. Raw. If you keep doing this, you’ll be at the front of this competition.” Simon said, “I think this is probably your best performance to date.” No way is the cute Casey going home. He should make it to at least the final three, especially if he continues to display this new sensitive Casey.
Crystal Bowersox followed Casey and sang a very country sounding song (“No One Needs to Know”) that had Randy comment, “I love you, and I’m happy someone is doing more of a country version of a song.” Ellen said, “There’s nothin’ you can’t do. It wasn’t my favorite performance.” (Translation: bad song choice.) Kara said, “It’s impossible for you not to be good. Bigger isn’t always better.” This caused some sly cracks by Simon to the effect, “Oh, I could get in so much trouble.” What Simon did say was, “I thought it was limp. It’s like when you’re in a coffee shop where they pay someone to sing to you and you don’t particularly want them to sing to you. I didn’t feel any connection to the song.” And, with apologies to Shania sitting behind him in the audience, he said, “A forgettable song.” Unfortunately, all were right. I’m reminded of the season when, week after week, Melinda Dolittle delivered, but, ultimately, she did not win. Is Crystal the best-looking contestant? No. Is Crystal the most talented contestant? Arguably, yes. Was Melinda Dolittle the most talented and the most consistent during her year of competition? Again, arguably yes, but she did not win. I’m hoping that America remembers all the great weeks that Crystal has given us and doesn’t penalize her for one mediocre song choice.
Aaron Kelly came out and sang ‘You Got A Way.” Shania advised,” Aaron to “end where you know you feel safe and good.” She said, “It’s almost as though he is preoccupied,” which may well be attributable to Aaron’s extreme youth. Shania said, “I wanted him (Aaron) to know that he’s here already. We already love him. Now just give us what you love.” Aaron is fond of “big finishes” and no time did he give a bigger one than tonight. Randy said, “You’re our country artist and dude, I think you really did a great job.” Ellen commented on Aaron’s emotional depth for a sixteen-year-old and was quickly corrected by Aaron, who said he was now 17. She ended, “Good job.” Kara said, “I completely agree with those words.” Simon said, “I think the last 2 or 3 weeks you’ve really struggled. You were a totally different artist tonight. You didn’t get it at all. For the first time in weeks, you were believable. I think you did really well tonight.”
The final performer of the night, Siobhan Magnus, sang “Any Man of Mine.” This song was Shania’s first top 10 song and her first Number One Hit Single. As always, Siobhan was attired in a mysterious garment from another galaxy. It consisted of a very short skirt with a flouncy thing going on at the hip, bared arms to reveal black tattoos on her left shoulder, and weird white boots. Randy commented, “I loved it” and the outfit was part of his “I loved it.” (Of course, we’ve all seen how Randy dresses.) Ellen said, “Way to pull the Shania Twain into the station. Way to end the show.” Kara said, “Guess who’s back!” Simon said, “It was fun. It was good. I really like that song,” but, once again, commented on her really high powerful notes at the end, saying it sounded like someone was “giving birth.”
So, who is going home out of this group on Wednesday?
I’ve said for weeks that the best 2 were Lee and Crystal, and I think that Casey has the “overall package” of looks and talent that the show wants to promote as their next “American Idol.” I fear for Aaron because he’s so young, and for Mike because his song choices are (always) so “girly” and for Siobhan because she’s so weird. (And I mean that in a good way.)
Your guess is as good as mine. I’m still betting on the top 3 mentioned above to hang around the longest.
April 21, Wednesday, was Elimination Day on “American Idol,” but it was also “Idol Gives Back” evening.
First, the elimination: Tim Urban (Terrible. Unanimous.) was finally recognized for the weak talent he has been since Day One. Tim the Terrible is gone. Sing no sad songs. Justice has been done (a little late, but better late than never).
Now, a critique of the “America Gives Back” show itself, with the comment that I have written in an earlier article that “A.I.” needs to do more of this sort of show, since times are tough all over. While saying that it is good to try to get people to give to charity, I’m not sure that showing video footage of a pregnant woman as she is dying is the way to go about it. That may be T.M.I.
Nowhere are times tougher than in Africa, apparently, since much of the show focused on that continent, making me never want to go there as long as I live. (Don’t send me hate mail telling me how beautiful South Africa’s Johannesburg is. I’m scarred for life by the visions of dying babies. First Haiti’s earthquake; now this on a SINGING show.)
The program opened, impressively, with President Barack Obama and Michelle saying, “Hello, Everybody! ‘American Idol’ has always been about changing lives on the stage and around the world.” The president went on to mention the $140 million the show has raised in previous “Idol Gives Back” years and ended with the couple saying, “We want to thank ‘American Idol’ for the example they’re setting and encourage everyone to make a contribution. And, to the year’s finalists, as Randy says, ‘You’re all my dawgs—-and, Simon, be nice!” Very impressive opening. It was the middle and the end of the show that left me cold and depressed.
Nineteen entertainers graced the stage at two locations, one of them the Pasadena Civic Auditorium, where Queen Latifah helped Ryan Seacrest M.C. The top 12 came out, attired all in white, and sang “Keepin’ the Dream Alive.” Lee, Crystal and Tim sang nice harmony on the tune. It was like Old Home Week seeing the likes of Lacey, Didi and Andrew again (even though Andrew left just last week).
Jennifer Garner then made a visit to Breathitt County, West Virginia, where 45% of the people live in poverty. This is where the show began to sink into the slough of despond. Sully Sullenberger, the heroic captain who saved 155 lives by safely landing his plane in the Hudson River, made a plea to save more lives around the world. Russell Brands and Jonah Hill tried for some levity in a skit that was based on the idea that they were supposed to have celebrity “friends” answering the phone lines, and nobody was there. (Later, look-alikes and a few real stars, like Slash of Guns ‘N Roses, were there). The Black-Eyed Peas sang “I Wanta Rock Your Body.”
This was the point where the show began to become a real downer. “Every 30 seconds a child dies from malaria.” Video footage of a pregnant woman dying on November 26, 2009, dead from malaria because there was no mosquito netting to protect the young pregnant woman and her unborn child.
Then, humor returned—or tried to— with George Lopez doing a bit where he “critiqued” the judges. This bit was funny, entertaining and one of the few times in the night that I didn’t want to reach for a tranquilizer. (I especially liked it when Ryan Seacrest called Lopez Erik Estrada as he left.)
Jeff Beck played guitar while Joss Stone, backed by the Jubilation Choir, sang “You Put A Spell On Me.” (The spell being put on me was one of deep gloom; it deepened with every passing moment from that point on.) All kinds of stars put in an appearance, from David Duchovny to Justin Bieber to Josh Groban to Jim Carrey. Carrie Underwood announced that 36 cents of every ticket she sells on her upcoming tour will go to “Idol Gives Back.”
Then came the cringe-worthy SNL potential skit part. Ban-Ki Moon, the Secretary General of the United Nations, spoke. I was afraid, for just a nano-second that he might be going to preside over a mass marriage of strangers, one to another. I wonder if I’m the only one watching who had no idea who the Secretary General of the U.N. was, at this point in time.
Alicia Keys performed, as did Carrie Underwood and Wanda Sykes and Annie Lennox. David Cook was seen briefly.
The whole evening became too much for me from that point on. I was made happy only by the announcement that, of the three who were in the bottom three this week (Aaron Kelly, Tim Urban and Casey James), Tim Urban was the one going home. I felt horrible, like I do when Caribbean Island dwellers living in poverty beg and you are the rich ugly American on the beach.
I’m also fearful for Aaron Kelly, Michael Lynche and Siobhan Magnus, as I fear that this trio will be heading for the exits next. Stay tuned for further developments.
Meanwhile, tell me a good joke. Get me a drink. Pass me a tranquilizer. Give me a massage. Anything to relieve the gloom and doom I felt after this “Idol Gives Back” show!
Alicia Keys was the mentor on Tuesday night’s “American Idol” performance night. With 12 Grammies, 30 million CDs sold and an award as Billboard’s Top Selling Artist of the Decade, this seemed an improvement over some previous weeks. She gave good advice to the 7 remaining contestants, including the information, “I really want to find a way to make them be part of something bigger than themselves.” This last comment was by way of leading into the “Idol Gives Back” program that is upcoming.
First performer of the night was Casey James who sang Fleetwood Mac’s “Don’t Stop Thinking About Tomorrow.” For a moment, I thought I was back on the campaign trail with Bill and Hillary Clinton. Casey wore a blue jacket, blue jeans and a white top. He played a mean guitar and had 3 soul sisters backing him up, but despite his proficient guitar licks, the judges were not kind. Simon said, “Zero emotion. No originality. I actually thought it was a lazy song choice.” Randy said, “Every week we kind of see the same thing from you. Give me something a little different.” Ellen pointed out that, at this level of the competition, the contestants have to be “great. Not good.” Kara said his performance was like some sort of “jam band” and didn’t “show us what makes you different.”
Second performer was Lee DeWyze, wearing a brown shirt and a black tie and the beginning of a scruffy goatee. He sang Simon and Garfunkle’s “The Boxer.” Prior to his performance, mentor Alicia Keys, working with a Lee who was wearing a sort of red snood (stocking cap) said, “If Lee can really bring people into that song, then he will make them feel something.” The judges’ verdict was unanimous in Lee’s favor, after he completed his performance. Randy said, “It’s really about artists this year. I think you’re going to have a big career.” Ellen said, “It was your best performance by far, I think.” Kara commented on how Lee seemed “connected” to the material and that he had had “a moment” this night.
Third performer was the always-dubious Tim Urban. Simon called the difference between Lee’s performance, just before, and Tim’s song, “Staggeringly different,” calling Lee’s performance “Inspirational. Absolutely brilliant. Good for you” and saying, of Tim, “That may have been a step too high for you. Although you’ve improved, it’s a little big of a let-down.” When Tim sang the “oh oh oh oh” section (right before the lyric “Tonight’s the night the world begins”) he was off-key. Not a total shocker. Randy said of Tim’s performance, “It just kind of laid there. It was just okay for me.” Ellen called Tim the “soup of the day.” She commented that sometimes she liked the soup of the day and sometimes she didn’t. “Today,” said Ellen, “I didn’t like the soup.” Kara said, of Tim’s singing, “It was not the best execution. It wasn’t your best performance.”
Fourth performer this night was Aaron Kelly, who tried to power the ballad “I Believe I Can Fly.” Randy said, “You definitely have pure vocal talent. Good job.” Ellen said, “There was a brief time in the seventies that I thought I could fly,” getting a laugh. Kara commenting on the rough opening portions of the song (which were all too obvious) said, “By the end, all right, you got there.” Simon was, as usual, the most tactless and cruel, commenting, “If I had turned that one on on the radio, I would have turned it right off, because it wasn’t very good.” The thing that I have noticed about Aaron’s performances is this: he, like Siobhan, likes to have the Big Ending. It seems that he is always performing a Power Ballad with a Big Ending. I like young Aaron, and he certainly was and is better than Tim Urban, so I vote for sending Tim packing, not Aaron. Besides, I really liked his performance during Elvis week, even if the judges did not.
The fifth performer was the quirky Siobhan Magnus. Something has happened to the love affair between Siobhan and the judges. She is the new Whipping Girl of the remaining contestants, supplanting the far less vocally talented Tim Urban for the past few weeks. Siobhan was attired in a butterfly dress and rig (butterfly on shoulder, etc.) and Simon commented that he “found the leaves distracting,” which was funny, since the “leaves” weren’t leaves, at all, but butterflies. Randy said, “It was just okay for me, Babe.” Ellen said, “I disagree.” Kara had a problem with the fact that her song was somewhat “dramatic” saying, “It’s mot a musical.” Simon agreed with Randy, calling Siobhan’s vocal stylings this night “old-fashioned.” He went on to say, “Too much happened too fast. A bit odd. A little all over the place.” I found this “a bit odd” comment to be “a bit odd,” since Siobhan has been “a bit odd” since Day One. I really liked Siobhan’s vocal stylings. She is extremely talented and her “quirkiness,” which the judges once loved, is now bringing her down. If only one person is going home, that person should be Tim Urban.
Sixth up this night was “Big Daddy” Mike Lynche. He sang “Hero” on this night devoted to inspirational songs and was criticized for it by Simon, who pointed out that the song was used in the film “Spiderman.” Simon felt the song was “artificial” and ended by saying, “It kind of just didn’t quite gel for me.” Randy said he had been “a little worried” that the song might be too big for Mike’s voice, but ended up saying, “You held your own with it, Dog.” Ellen said, “I thought you did a great job.” Kara said it was “not my favorite performance.” Even though Simon did not like the song selection he did concede, before the Spiderman segue, that “I thought you sang it pretty well.”
The show saved the best for last, as Crystal Bowersox came out and sang without a guitar or a harmonica for the first time. Her rendition of “People Get Ready” not only moved her to tears at the end but also received the remark, “Standing O” from Randy, and, from Ellen, “You have never looked more beautiful.” Kara said, “Thank you so much for taking a risk.” Simon has said, for weeks, that the competition is Crystal’s to lose. This night, she proved that, indeed, that might well be true.
Person who should go home this week? Tim Urban.
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President Barack Obama traveled to the Kennedy Space Center in Florida today (April 15, 2010) and addressed the scientists, engineers, astronauts and others gathered at NASA about his goals for the space program of the future.
Noted Obama,”It was here that NASA lunched Mercury, Gemini, Apollo, the Hubbell Telescope.” Obama, reminisced about being held on his grandfather’s shoulders in 1961 in Hawaii to observe the return of astronauts from space. He said, “I have been part of that generation inspired by the space program…As president, I believe that space exploration is an essential part of our nation. So, today, I’d like to talk about a new chapter in space exploration.”
BACKGROUND OF SPACE RACE
Recapping history and the space race we ran with Russia back in the day, Obama tried to explain that we are no longer in the position that our cold war with Russia put us in back in 1957 and beyond. He did not, however, repudiate the space program, but, instead, repeated his commitment to NASA, pointing out that it was Bush the younger, 8 years ago, who decreed that the next 3 launches of the Challenger will be its last, due to cost constraints. That was not Obama’s decision, but George W. Bush’s.
Obama said, “I am 100% committed to the mission of NASA and its future. Because, if we fail to press forward we are ceding our imperative to press forward, and that’s part of our national character.”
Obama also went on to say, “People, for years, have neglected NASA’s mission.” He cited a reluctance to set objectives and to allocate funds and said, “All that has to change.” Therefore, Obama announced that, at a time when budgetary constraints are causing most programs to be cut or frozen, the budget for space exploration would increase by $6 billion dollars over the next 5 years. He went on to say, “NASA’s budget has risen and fallen with the political winds,” a practice which he decried.
NEW INITIATIVES
Some of the initiatives that Obama announced for NASA included ramping up robotic exploration of space, going to Mars, launching a successor to the Hubbell Telescope and extending the life of the International Space Station. The president announced that, at a time of freezes, NASA must work hand-in-hand with an array of private sector corporations and said, “NASA has always worked well with the private sector.” Obama said that, with new companies competing, the pace could be accelerated and that “we must build on the good work already done on the Orion endeavor. Orion will be readied for flight right here in this room.”
Another pledge was $3 billion for research to develop a new vehicle to reach deep space. He announced the plan to “finalize a rocket design no later than 2015 and then begin to build it.” This is at least 2 years earlier than previous plans, Obama noted. He announced that research should be made into ways to live and work in space for longer periods of time.
Said the president, “These are the questions that we can and will answer. We will not just continue on the same path, but leap into the future.” He referred to these goals as “transformative strategies.” Noting that the Constellation program was not fulfilling its goals, he declared that the administration would take a look at it and try to improve it, but repeated, “Nobody is more committed to manned space flight, to human exploration of space, than I am.” He pledged, “We will actually reach space sooner and more often,” with the partnership between NASA and the private sector. “We will send many more astronauts into space over the next decade.”
Obama pledged to invest in groundbreaking research, to set a course with achievable milestones. “By 2025, the first ever missions beyond the moon and into deep space” will take place. He mentioned potentially visiting an asteroid. By the mid 2030’s he said that the United States will journey to Mars and back and noted, “And I expect to be around to see it.”
Been There/Done That:
Obama downplayed the idea of going back to the moon, saying, “Some say, moon first. We’ve been there before.” He pledged, instead, that the development of deep-space propulsion systems would be critical to the space program he supports. In poo-poohing a return to the moon, he said, “I believe it’s much more important to ramp up, and that’s how we’ll insure that our exploration will be much more in the next century than it was in the last.”
Jobs Creation for Space Exploration:
Obama pledged, 2,500 jobs along the space coast, more than under his predecessor, George W. Bush. He furthermore pledged to modernize the Kennedy Space Center. Third on his list was the promise of (potentially) 10,000 more jobs in the private sector that would be allied with the government’s space program. He did note, “Some will see their jobs end (a decision made 8 years ago) when the Constellation program comes to an end, but I have directed a $40 million initiative to develop a plan for regular job growth to be on my desk by August 15th of this year.”
THE NEXT CHAPTER IN SPACE EXPLORATION
Said Obama, “So this is the next chapter that we can reach together, right here at NASA.” He encouraged a “step-by-step push of the boundaries.” He urged a push for ways for people to live in space, calling it “humanity’s role in space.”
To the rhetorical question, “Why spend money on NASA, on space exploration, at all?” Obama answered: “You and I know this is a false choice. For pennies on the dollar, space exploration has inspired generations of Americans, creating jobs, etc….I want to say clearly that is exactly why it is important that we push limits,” but he urged “clear aims” and “a larger purpose.”
Obama called the moon landing achieved under President John F. Kennedy in 1969 “one of the greatest achievements in human history.”
BEGINNING OR ENDING?
He added, “Is this a beginning or an ending of the space program? I choose to believe that this is the beginning of something, not the end of something.” He repeated that the race into space helped define the United States and that the decision to retire the space shuttle after 3 more missions was made by “W” some time ago.
I watched the live speech on the Fox news channel, and I expected to hear derision and nay saying after the inspiring speech. The paid talking head was remarkably positive towards the president’s message. However, the “expert” that Fox hired to be interviewed (Homer Hickam, supposedly a former NASA engineer), upheld Fox’s anti-Obama bias almost to the point of being ludicrous and laughable. Hickam said, “If you want to talk about dinosaur bones, I’m your man” as the segment wound down, which had little or nothing to do with the issue of Obama’s speech on space exploration.
Hickam’s comments included these: “I just hope the people in charge don’t mess it up so bad that we can’t fix it.” (Oh. You mean like Bush did for 8 years? We’re all familiar with that strategy.)
He claimed that Obama has “a bad team” in John Holderin, his space expert. (I was tempted to ask, “There are worse team than those assembled by “W” when in office, including Brownie and Rumsfeld?) Hickam added, “They don’t have the ability to organize a Boy Scouts’ Jamboree,” which seemed, even for Fox, to be hyperbole. After the additional comment that, “I think the people he’s got in charge don’t have a clue,” the Hickam person held up his handheld GPS, his cell phone ( he would have held up a microwave and a flat screen televison, if he had been given more time and ones that were small enough), claiming that all of these developments came to us courtesy of NASA.
Hickam said, “That GPS saved my life when I was out there in the desert looking for dinosaur bones” (?) and went off on a conversational tangent about dinosaur bones. I am unsure where this so-called “expert” came from or under what conditions he left NASA, but the Obama speech was really inspiring and, in direct contradiction of Hickam’s later accusation that it was “so vague,” the speech set actual deadlines for many of these space initiatives, which is something I do not remember hearing from any president since JFK. Four of them are mentioned in the paragraphs above. The speech was interrupted by spontaneous applause by the NASA scientists and engineers on several occasions.
I spent 3 weeks in Florida in January and February. NASA workers there were understandably concerned about their futures. This speech went a long way towards reassuring top-notch current NASA workers (Homer Hickam is not among that group). After this speech, they should feel more reassured that their jobs are not going away. This will help prevent a brain drain of our top researchers. Obama’s commitment to the cause of space exploration, just as his commitment to passing a health care bill, seemed real and genuine during today’s speech.
April 14, 2010 and “American Idol” eliminates 2 of the remaining 9 finalists. Adam Lambert, this week’s mentor, as the show opens says, “You have to believe in yourself. You have to trust your instincts.” Thirty-four million voters picked the losers this week, and, as far as I’m concerned, they got it right, culling Andrew Garcia and the often tone-deaf Katie Stevens from the pack.
I’ve not understood how Andrew Garcia survived this long. His personality was non-existent onstage. As for Katie Stevens, she was off-key at least as often as she was pitch perfect, although her most recent performances admittedly have been among her best. It was with bewildering speed that Ryan Seacrest summoned Andrew Garcia, Aaron Kelly and Casey James to one side of the stage and quickly let the axe fall on Andrew, who sang one last time and thanked all in a fairly classy display of magnanimous behavior.
At the beginning of the show, there was a medley of Elvis classics sung by the 9 remaining contestants (“Teddy Bear,” “Return to Sender,” Viva Las Vegas,” etc.). When that was over, Andrew was out. Gone, till tour time.
There was a quick bit of film shot in Africa featuring Kara DioGuardi and Elliott Yasmin as a build-up to Idol Gives Back, which is a program coming up soon, I am happy to report, with Will I am, Fergie & the Black-eyed Peas and Sir Elton John involved.
Then, Ryan couldn’t wait to get to the dream-crushing, this time declaring Crystal Bowersox, Siobhan Magnus and Lee DeWyze safe. Left standing on the stage at the very end were Katie Stevens and Big Mike Lynche, with Katie ultimately being told to sing her final song (“Let It Be”) and Mike going to the safe section with the comment that he wasn’t among the bottom three this week.
The highlight of the night, for me, was the return of Adam Lambert to perform. He came out enveloped in a green misty cloud of lasers and fog and sang his hit song, “Waddaya Want From Me?” It was always such a thrill waiting to see what Adam would think up to do each week on “American Idol.” That thrill remains. He owned the stage, striding it amid the fake fog and clouds in a gray sharkskin suit that reflected the green laser lights and generously saying, “I owe the show everything.” [It was nice of Adam to give credit to “American Idol” for ultimately putting him over the top, but a performer as vocally talented as he is, who has already been cast in Broadway productions, probably doesn’t “owe it all” to “American Idol.”
Nevertheless, this night, the losers left with grace and class. Katie’s finale song (appropriately “Let It Be”) was a little rough, but who can blame her? (Frankly, a lot of her early performances were equally rough.) Crystal and Siobhan were seen watching in tears from the sidelines.
It is now down to only 2 female performers amongst the 7 finalists. Considering that, at the outset of this “American Idol” season, nearly everyone proclaimed the girls to be far stronger vocally than the boys (and this includes the judges), it is remarkable that a middling talent like Tim Urban has supplanted a Lilly Scott, an Angela Martin (who never even made it to the final 24) and/or a Katelyn Epperly.
But now we’re down to Seven Little Indians and they are (in no particular order) Crystal Bowersox, Lee DeWyze, Siobhan Magnus, Tim Urban, Aaron Kelly, Michael Lynche, and Casey James.
Now, THAT’s what I’m talking about!
Bring it on!
The Chicago Public Schools are in a world of hurt as a result of the state’s precarious financial position. The Chicago Sun-Times learned, as a result of a power point presentation by Chicago Schools CEO Ron Huberman, that cuts totaling $700 million must be trimmed from the budget and the average class size in the South Loop public schools may rise from the current 30 to 37 pupils per teacher.
Among the cuts being contemplated, according to Enrique’s Community Update and the Chicago Sun Times article of 3/16/2010 by Rosalind Rossi (www.suntimes.com/news/education), anticipated cutbacks include most assistant Principal positions, a number of clerks, and a moratorium on non-varsity sports. There would also be no full-day kindergarten, no early childhood classes and no mandated transportation to magnet schools or charter schools.
The proposed cuts include $398 million in central office and citywide cuts and 3,200 teaching positions, with 600 non-teaching positions also scheduled to be cut. Another 1,900 jobs would open up due to resignations and retirements. Most central office employees would also take 15 furlough days (as they did this year) and there would be a pay freeze.
There would be $27 million cut in non-mandatory transportation to magnet or charter schools and $17 million in cuts to enrichment and after-school programs. The system would attempt to cover the deficit by drawing down $240 million from the system’s reserve fund and there would be a –18% reduction to charter and contract schools in per student spending.
The Chicago Teachers’ Union is due a projected 4% raise next year, which would amount to +$169 million in additional spending. Teachers’ Union spokesperson Rosemarie Genova of the CTU (Chicago Teachers’ Union) said, “If this is a negotiating ploy, there will be no negotiation in the press.”
Next year, pension demands on the TRS (Teachers’ Retirement System) are slated to jump from $308 million to $587 million as a result of the aging of the teaching force and retirements of veteran teaching staff. The TRS system in Illinois is generally considered the third-best teachers’ pension system in the nation.
Americans are always fascinated by what other people make. If the other people in question are famous celebrities, everyone wants to know who’s making what. Here’s the scoop!
In a lengthy article entitled “Hollywood’s Top 40” (March, 2010 Vanity Fair) details of “who makes what” are given in an article that runs from page 272 to 275. The list includes information on each individual, telling what films or television projects they were involved in during the preceding year, but let’s just cut to the chase and list them, as follows:
#1) Michael Bay – $125 million
#2) Steven Spielberg – $85 million
#3) Roland Emmerich – $70 million
#4) James Cameron – $50 million
#5) Todd Phillips – $44 million
#6) Daniel Radcliffe – $41 million
#7) Ben Stiller – $40 million
#8) Tom Hanks – $36 million
#9) J. J. Abrams – $36 million
#10)Jerry Bruckheimer – $35.5 million
#11)Tyler Perry – $32.5 million
#12)Adam Sandler – $31.5 million
#13)Denzel Washington – $31 million
#14)Emma Watson – $30 million
#15)Rupert Grint – $30 million
#16)Owen Wilson – $29 million
#17)Nicolas Cage – $28 million
#18)Russell Crowe – $28 million
#19)Cameron Diaz – $27 million
#20)Brian Grazer and Ron Howard – $25.5 million
#21)Johnny Depp – $25 million
#22) Steve Carrell – $25 million
#23)Robert DeNiro – $24.5 million
#24)Sarah Jessica Parker – $24 million
#25)Katherine Heigl – $24 million
#26)Shawn Levy – $23 million
#27)Oren Peli and Jason Blum – $22.5 million
#28)Robert Downey, Jr. – $22 million
#29)George Clooney – $22 million
#30)Matt Damon – $22 million
#31)Reese Witherspoon – $21 million
#32)Angelina Jolie – $21 million
#33)Jennifer Aniston – $20 million
#34)Sandra Bullock – $20 million
#35)Robert Pattinson – $18 million
#36)Clint Eastwood – $17 million
#37)Kristen Stewart – $16 million
#38)Mark Wahlberg – $16 million
#39)Shia LaBoeuf – $15 million
#40)Brad Pitt – $13.5 million