Welcome to WeeklyWilson.com, where author/film critic Connie (Corcoran) Wilson avoids totally losing her marbles in semi-retirement by writing about film (see the Chicago Film Festival reviews and SXSW), politics and books----her own books and those of other people. You'll also find her diverging frequently to share humorous (or not-so-humorous) anecdotes and concerns. Try it! You'll like it!

Tag: steve carell

Steve Carell Is “Rooster” for HBO Max: SXSW 2026 Panel

Steve Carell and the cast of “Rooster,” as well a producers Bill Lawrence and Matt Tarses, spoke at SXSW in Austin on St. Patrick’s Day, March 17 at the J.W. Mariott in downtown Austin. With the producers and their star were castmates Danielle Deadwyler and Charly Clive, who play Dylan Shepherd and Katie, respectively.

The series revolves around Carell’s character of author Greg Russo, who has been summoned to his daughter’s college to help solve a crisis in her life, when her philandering husband, a University professor at the fictional Ludlow College (actually the University of the Pacific in exterior shots) creates a scandal by impregnating a student. That doesn’t do much for his marriage to Carell’s daughter Katie and soon Dad is summoned to help pour oil on troubled waters.

GREG RUSSO

Steve Carell onstage at SXSW on March 17, 2026.

Carell’s character Greg Russo is a successful genre author. Think of someone like Lee Child, the pen name for former television writer Jim Grant who wrote the Jack Reacher series alone until 2020 when he began writing them with his brother Andrew Child. In this fictionalized version of things, the character in the books is Rooster and Steve Carell’s arrival on his daughter Katie’s campus begins to cause some confusion, as his fans among the faculty and students begin to ascribe characteristics of the author’s main character to the author himself, Carell’s character is going to be pressed into service as a university lecturer and other adventures will occur. Written as ten 30-minute episodes, the series had the strongest opening for a comedy series n ten years for HBO and with the recent announcement of $21 million in tax credits for the series and its warm audience reception, chances are very good that it will make the cut and go beyond one season.

CHARLY CLIVE

Steve Carell with daughter Katie (Charly Clive) in “Rooster” on HBO Max.

British actress Charly Clive plays Katie, Carell’s daughter, and her British accent was a bit of a shock to those of us who have seen the first episodes, which she plays with an American accent. Charly starred in a British television series called “Pure” and is a 2014 graduate of the American Academy of  Dramatic Art in New York City. This is her first big American role.

MOTIVATION

When asked about why he took the role, Carell joked, “It was mostly money, really.” He then went on to say, “It felt true.  I have been experiencing a lot of these life moments with my own daughter. I like parts representative of all parts of life, just experiencing life as it comes.”

APPROACH TO THE CHARACTER

Danielle Deadwyler of “Rooster” cast onstage on March 17, 2026 at SXSW.

Carell said, “I didn’t want Greg to be a Walter Mitty type. He isn’t completely comfortable in that role. Greg didn’t strive to be famous. He just wanted to be a writer.. I think he is shy, but not an introvert. He is married to an impressive woman…I read the pilot and thought it was terrific.  A lot of times, you don’t know if something feels authentic until you’re in the moment, but this was an instant feeling of ensemble.: He went on to say “It was very reminiscent of my experience on the office (for 7 years). That’s the sense I get with this.”

DANIELLE DEADWYLER

Steve Carell as Greg Russo and Danielle Deadwyler as Dylan Shepherd in HBO’s “Rooster.”

Danielle Deadwyler, who plays Dylan Shepherd in the piece said of her comic chops, “I don’t have a comedy background. I’m winging it, Baby.” While acknowledging that Carell and Deadwyler come from very different places, Carell added, “The fun is finding the common ground. We had the freedom to start looking for it. There’s so many different directions you cam tale thiss.” Credit for the expert casting was given to Allison Jones, (“Scrubs”) who selected the cast members.

 

BILL LAWRENCE

Steve Carell onstage at SXSW with the cast of HBO’s “Rooster.”

Producer Bill Lawrence, who has an impressive list of hit shows including “Ted Lasso,” “Scrubs,” “Bad Monkey” and “Shrinking,” referenced some advice he was given by Michael J. Fox on “Spin City,” having to do with timing. The anecdote had to do with NOT changing  a scripted “People who need people” line, but milking it with expert comic timing. He and Carell described “Rooster” as “a little push of kindness is needed right now.”

EPISODES

The team replicated a New England college in Los Angeles and Production designer Cabot McMullen, who has worked with Lawrence and Tarses for 30 years, was given credit for the authenticity of the college setting. The students, largely recruited from Stockton, California, were also credited with bringing energy to the piece. (“All the students brought a fantastic energy,” said Deadwyler.)

CONCLUSION

Those who watched the first episode will remember that old pro John McGinley as College Employee Walter Manes is often shirtless and Carell said that, in episode six, “I do some nudity.”

Scott MacArthur from “Breaking Bad,” playing a hockey coach with substance abuse issues opening a beer bottle on part of a helmet worn by one of his players was singled out for his creativity. “If you can create that kind of work environment, it shows up onscreen.”

 

“Crazy, Stupid Love:” Who or What Is A Jonah Bobo and Why Has He Ruined This Movie

“Crazy, Stupid Love” is the latest Steve Carell vehicle, co-starring the uber-cool Ryan Gosling, Julianne Moore and Emma Stone—seemingly the ingénue flavor of the month. The tagline for the movie is: “This is stupid.” I couldn’t have said it better.

I saw this movie the day it opened, but waited to write about it until I figured out why it didn’t work that well. Two words: Jonah Bobo.

What? You don’t know what a “Jonah Bobo” is? To answer that question, he’s the child actor hired to play Carell’s son Robbie (age 13). The young man delivers his lines well. No question about that. He’s just wrong for the part. He looks like neither of his film parents (Julianne Moore & Steve Carell), has a haircut like a sheepdog, is short and—let’s face it—somewhat androgynous. The entire subplot revolving around Robbie’s (Jonah Bobo’s) huge crush on the 4-years-older Jessica (Analeigh Tipton) is made ridiculous by the lumpy kid who, in certain light, could be mistaken for a girl. He has a very Jewish kid look about him, while, to the best of my knowledge, neither of the onscreen parents would qualify in that department.

The other flawed part of the film, as written by Dan Fogelman and directed by Glenn Ficarra and John Requa, is the finale scene. I won’t spoil that by saying anything other than that it involves a miniature golf prop and the writers just didn’t know when to quit with that scene. Over-the-top just barely describes it.

The best parts of the film come when Julianne Moore as Carell’s wife asks for a divorce. Reason given? She slept with David Lindhagen (Kevin Bacon). Carell is then taken under the wing of the womanizing Jacob Palmer (Ryan Gosling) who dispenses wisdom on being cool like, “Don’t wear New Balance sneakers ever.” Upon meeting Carell in a bar, Jacob says, “I don’t know if I should help you or euthanize you. Do you have any idea when you lost it?” Carell’s character of Cal says, “A strong case can be made for 1984.”

The theme rammed down our throats throughout the movie is that “When you find the one, you never give up.” Like father, like son, in that regard…only the son (Jonah Bobo) really ruined it for me. Marisa Tomei has a small part as Robbie’s English teacher and my spouse considered her scenes among the movie’s strongest. I liked the Jake-teaches-Cal parts and hated the ending. Waaay too many coincidences and over-the-top clichés stuffed into that ending, boys.

It was just crazy. And stupid.

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