Welcome to WeeklyWilson.com, where author/film critic Connie (Corcoran) Wilson avoids totally losing her marbles in semi-retirement by writing about film (see the Chicago Film Festival reviews and SXSW), politics and books----her own books and those of other people. You'll also find her diverging frequently to share humorous (or not-so-humorous) anecdotes and concerns. Try it! You'll like it!

Tag: Sally Hawkins

“The Lost King” Charms at the 58th Chicago International Film Festival

The Lost King, directed by Steven Frears.

I remember when the newspapers of September 12, 2012, carried the news of the discovery of the body of Richard III buried beneath a parking lot in the town of Leicester in the U.K. I doubt if anyone not a resident of that particular city knew the behind-the-scenes story of how, exactly, Richard III came to be found, through the efforts of an obsessed member of the online Richard III Society, who would not give up her quest.

“The Lost King” is the story of Philippa Langley and, as its synopsis says:  “In 2012, having been lost for over 500 years, the remains of King Richard III were discovered beneath a carpark in Leicester. The search had been orchestrated by an amateur historian, Philippa Langley, whose unrelenting research had been met with incomprehension by her friends and family and with skepticism by experts and academics. THE LOST KING is the life-affirming true story of a woman who refused to be ignored and who took on the country’s most eminent historians, forcing them to think again about one of the most controversial kings in England’s history”.

Ultimately, as scripted by co-star Steve Coogan in collaboration with Jeff Pope, it is a lovely tale with many messages for us in this age of disinformation. Coogan, it should be noted, also plays Philippa’s husband, John Langley, opposite the wonderful Sally Hawkins, the female lead from “The Shape of Water.”.

The film makes the point that “if you get in first with the first lie, and repeat it often enough,” the truth gets lost in the shuffle. And Philippa, for one, does not like it when people put people down. She is determined to gather the hard evidence to refute the bad things said throughout history about Richard III, especially in Shakespeare’s play of the same name. Philippa points out that “People find out one thing about you and that’s all that they can see.” She also informs us that it was Richard III over 500 years ago, who, during his brief reign (1483-1485) as the last Plantagenet king of England posited the principle of British law “suspects are innocent until proven guilty.”

Philippa’s family, consisting of John Langley (well played by Steve Coogan, who also co wrote the script with Jeff Pope) and her two sons, are at first bemused by Philippa’s obsession with her task. One of her sons says, “If I had 2 sons, I would first make sure they had something to eat before I went off searching for Richard III.”

The family comes around, however, even chipping in monetarily. Husband John reminds Philippa that he once sold his rare collection of Sex Pistols memorabilia to finance a new kitchen for her, so the affection the two share for each other and their children actually gets a needed renewal and  boost from Philippa’s new-found passion.

The entire idea that one’s reputation can be intentionally sullied because of the motives of others is examined within the framework of this film. Philippa feels that Richard III is not the monster Shakespeare made him out to be in his play, was not responsible for the murders of his nephews in the Tower of London, and that researchers should “take the evidence and study it to draw conclusions, not the other way around.”

Husband John agrees in principle, saying, “I’m sure Mother Teresa occasionally left the lid off the milk and Genghis Khan occasionally picked up bits of litter.” So much for the character assassination of anyone at any time in history, and a vote for doing one’s homework in getting to the truth.

Ultimately, Philippa’s consulting with the University of Leicester, (much as was limned in the film “Nine to Five,”) leads to men taking the credit for work done by a woman. In this case, the University of Leicester, which was initially dismissive, tries to take almost complete credit for the remarkable find.

When it becomes clear that the body found under the car park in the chapel area of what was formerly Greyfriars Church really is Richard III, Philippa suffers from not being recognized for her hard work, but she is awarded the MBE by Queen Elizabeth in 2015.

Not only the head wound he sustained in the Battle of Bosworth (the last King of England to be killed in battle), but also the DNA examination of Richard’s successors done by John Ashton Hill, (not to mention the evidence of scoliosis of the spine) would all prove conclusively that this was his skeleton, the body of a former King of England. It disproved the incorrect theory that Richard III’s ashes had been scattered in a nearby river. Philippa then fought for the royal coat of arms to be emblazoned on Richard III’s final resting place, over the objections of others.

Stephen Frears who is a twice Oscar-nominated director and holds the David Lean Chair of Fiction Direction at the National Film and Television School in Beaconsfield, is more than equal to the task of directing this thoroughly enjoyable film. I hope he scores a third Best Directing Oscar nomination for his efforts.

The 81-year-old Frears previously gave us “The Grifters” and “The Queen,” for which his directing was Oscar-nominated. He is also the visionary who directed “Dangerous Liaisons” (1988), “High Fidelity” (2000), and the Meryl Streep vehicle “Florence Foster Jenkins” (2016). The music (Alexandre Desplat and the London Symphony Orchestra) and cinematography (Zac Nicholson) all combine to create a seamless story with relevant messages for our time. It began a theatrical run on October 7th.

“Happy-Go-Lucky” Is Worth A Look

My apologies to all who thought—as I did—that Weekly in the title Weekly Wilson meant that I would not go more than a week without posting.

I have excuses.

Mostly, the excuses involve my always-rocky relationship with computers.

The hinge on my laptop somehow came undone. So, no laptop to write my post on and most of the graphics I’d need are within said laptop. Computer Revolutions scavenged a new top from an old computer and ordered and installed a new hinge. They did this between Friday and Tuesday, but I still was without a computer recently.

In the meantime, I tried to go downstairs and use my desk top.

Can’t make it type even a letter to the sister for her birthday. Not sure why. Could be “updates.” Could be that I owe money for something that I don’t know about. After all, we were gone from November through May, so various “updates” had to be installed.

Now that I’m (more-or-less) back, I’d like to recommend some viewing, including “Start Up,” which features Martin Freeman and Ron Perlman in a tale from Miami about the Internet, which also features Academy-Award winning actress Mira Sorvino, whom you seldom see onscreen. (Her career a Harvey Weinstein casualty, I believe).

We started watching “The Ice Road” last night, the #1 rental on Netflix with Liam Neeson. When we got to the point where both trucks were on their sides, I asked how they were going to get them both upright again. Still don’t know, as the film quit loading/running.

Last, but not least, Sally Hawkins (the deaf mute girl in “The Shape of Water”) and “Terry” (from “Ray Donovan,” as portrayed by Eddie Marsan) appeared on my late-night television viewing in “Happy-Go-Lucky” and I heartily recommend this film if you are in the market for an upbeat film (from 2008) that has a lot to say about optimism in the face of life’s normal setbacks. (Preview above).

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