Welcome to WeeklyWilson.com, where author/film critic Connie (Corcoran) Wilson avoids totally losing her marbles in semi-retirement by writing about film (see the Chicago Film Festival reviews and SXSW), politics and books----her own books and those of other people. You'll also find her diverging frequently to share humorous (or not-so-humorous) anecdotes and concerns. Try it! You'll like it!

Tag: Connie Wilson Page 4 of 6

If Paige Miles Survives Cut on “American Idol” (2/23/2010) It Will Be “Against All Odds”

Crystal Bowersox keeps emerging as the clear front-runner, with Lee Dewyze and Siobhan Magnus still coming on strong, as well, on “American Idol.” Also good this night were Michael Lynche (split decision), Aaron Kelly (recuperating from laryngitis) and Casey James (another split decision). Before I give you some of the judges’ comments, let me give you some of my own comments.

I have a dear friend who has watched “American Idol” almost as religiously as I have watched over these past several seasons, and we both are so horribly disappointed in the level of talent and the injustice of the voting public (the Inmates have seized the Asylum) that she (out in Denver) told me that the only one she can discuss the show with is her 13-year-old niece, as everyone else who is an adult of any age has already quit watching the show, and she will be next.

Why? Because, this year, most of the talent is not that talented, with a few notable exceptions (thank God.) We both bemoaned the loss of Denver’s own Lilly Scott, who was far better than either Paige Miles or Katie Stevens.

Here’s another thought: Why would “American Idol” feel that a 17-year-old legacy entertainer (Miley Cyrus), who is arguably only marginally more talented than the contestants and simply has inherited this opportunity for fame from her famous father (Billy Ray Cyrus) and his show biz connections, be called in to “mentor” the contestants? Is the adult talent pool really so sparse that “American Idol” has to rely on a girl who is (literally) at least 11 years younger (and much less talented in every way) than someone like Crystal Bowersox?  What conversation brought her name to the fore, over veterans like Barbra (Streisand) or Cher or, if you want more current names, Pink, Colbie Callet and/or Norah Jones. Why Miley Cyrus? It was ludicrous, and, watching her “critique” the likes of Crystal (and, really, anyone over the age of 17), while wearing the shortest shorts I have seen on television in a long time, I had the feeling I was watching television in some other country…probably some Latino version of “A.I.”

The night opened with Simon commenting that this was the worst possible night to get cut, because, if you make it into the Top Ten, you go on tour, and that means some money. The songs this night were to have been Billboard Top of the Chart songs, and Billboard has been around since August of 1958. As Simon said, “This is probably the worst night to go.”

So, who is going to go?

If there is any justice, it will be Paige Miles, who was, quite simply, awful. She looked nice (as Ellen said) but she sounded horrible. She couldn’t find the key in rehearsal and that “lost-in-the-jungle” world of flat in rehearsal just returned with a vengeance as she sang the Phil Collins song “Against All Odds.” Here were the judges’ comments: Randy – “That was honestly terrible. Nothing came together at all.” Ellen: “You didn’t fall down and that’s a good thing.” “Kara: “It was the worst vocal that I’ve ever heard from you, and probably the worst of the season.” Simon: “It was as though there were five of you singing that song, and it got progressively worse. That song, I think, has just killed you.” When asked, afterwards, by Ryan Seacrest, her reaction, Paige said, “I’ve been trying to find that song that I can sink my teeth into.” Well, Paige, this ain’t it! Pack your bags.

The next really bad vocal was Didi Benami rendering “You’re No Good” which Simon rather callously called an ironic thing for her to be singing. Having said that, Randy said, “I loved it.” Ellen said, “You’re just so good. I love you,” and Kara lauded her greater expression. Me? I thought she was bad and I agree with Simon.

Then there was “Glee-boy,” also known as Tim Urban, who came out attired in a Charlie Brown-like horizontal-striped polo shirt with a lavender jacket, jeans and white sneakers and proceeded to do a flashy little slide across the stage as he sang “Crazy Little Thing Called Love.” Randy called his vocals “boring” and Ellen said it reminded her of an “audition for a high school musical. Corny.” After saying that, she then remarked that, “There’s a large group that will love that and then there’s me.” You AND me, Ellen.  Kara said, “You took the song and acted like you’ve already made it and you haven’t.  You have a lot of work to do.” Simon, weighing in with the cruelest words of all, said it was “completely and utterly pointless and silly. You have zero chance of wining right now.

However, if you thought those words were tough, Simon told Katie Stevens, the hopelessly tone-deaf contestant who, week after mind-numbing week is off-key (Let’s just call it what it is and quit using the euphemism “pitchy,” shall we?), “You sucked the soul out of that song.” The song was “I Heard It Through the Grapevine” and Randy added, “It wasn’t good, Man.” Simon (and all) did comment on Katie’s “new look” which featured a much more girlish sleek hairstyle. In Simon’s tactful words, she had abandoned the “pageant horror” look and the difference was as great as that between “chalk and cheese,” which is a British expression, methinks.

Lee Dewyze, who sang the Boxtops “The Letter” did a credible job, I felt. I enjoyed the fact that Lee wasn’t crouched behind his guitar wearing some horrible woodsman-fell-that-tree outfit or a knitted cap. He had on a nice suit and looked like a true Michael Buble artist and sang well. He was moving around on the stage (although he kept using the same left hand gesture over and over) and Ellen used the analogy of a favorite pen that has been running out of ink and said, “My favorite pen is back. That was fantastic!” Kara, too, enjoyed Lee’s “owning the stage. The progress is tremendous. Believe that you’re good.” Only Simon demurred, saying, “You’re doing something quite corny.” I beg to differ, Simon. Lee was good tonight.

Aaron Kelly, the extremely young (16) singer from Sonestown, PA, who suffered from laryngitis and tonsillitis during the week rose above his illness to sing “I Don’t Want to Miss A Thing” and Simon pronounced him as “very brave,” saying,”You’re a little try-er, aren’t you? There is zero chance that you are gonna’ go home.” I think Simon is right in Aaron’s case, and Randy said, “Thank God you came on the stage” (as he followed “Glee” boy Tim Urban) and  “I’m a fan.” Ellen, too, said, “You were pitch perfect and you’re in 3rd grade or something. You are so good.” Kara felt it was the “Best song of the night” and a “good attempt.” Aaron should be safe for another week.

Michael Lynche, the big man, did a falsetto, soul vibe-y version of “When A Man Loves A Woman” while attired in a velvet jacket, with string accompaniment. I liked it and so did Randy, who liked the R&B soul vibe and said, “I loved it.” Ellen felt it was “a safe choice, but said, “This woman loves this man.” Kara, however, pronounced it “boring and lounge-y, over-indulgent and too many riffs.” Simon, also, felt it was a song that one would hear 30 or 20 years ago, nothing current. While partially agreeing, Michael did sing it well. He should stay, although he should not win, ultimately. If he does, he’ll be the next Ruben Stoddard, and look where his career has gone.

Casey James sang Huey Lewis’ “The Power of Love,” a song I love, and Randy said, “I believed it.” Ellen felt it was “the best vocal of the night.” Kara said, “We just saw another level. It is all there. Everything.” Simon, however, rained on all their parades, complaining, “That song was old-fashioned 25 years ago when it came out.” Yeah? And? Your point, Simon? Casey’s guitar prowess earned some kudos, with one comment being that he might well be the best guitar player the show has seen.

Saving the best for near last, Crystal Bowersox’s rendition of Janis Joplin’s “Me and Bobby McGee” was, quite simply, the best of the night. Randy said, “That’s the way you do it. This is what it’s about.” Ellen said, “Consistently great,” but begged for a little more connection with her audience and we all learned that she would probably perform without her guitar next week. Kara urged her to “let go completely” and Simon said, “I wouldn’t change anything. Up until now, we have listened to a karaoke competition. I’ve seen you progress all over the place.” He said her version of the song was actually better than one sung by Pink that he had heard.

I mustn’t forget to mention Siobhan Magnus, who looked totally different than her normal flat hair look tonight. She had teased hair and a much sexier vibe. The singing was still great, though he warned her about always ending on a screechy high note. Andrew Garcia was his usual not-very-good self, but he keeps hanging in there, for some reason I do not understand.

The competition staggers onward. Rather than have to listen to something as bad as Paige Miles’ version of “Against All Odds,” I’d like to pit the 6 best against one another right now, and that means: Crystal, Lee, Siobhan, Aaron, Michael and Casey. Just lose Didi, Paige, Tim, Katie and Andrew as quickly and painlessly (for the audience) as possible. Please. I beg of you. Don’t make me listen to that last quintet again.

Midwest Writing Center Bestows David R. Collins Writer of the Year Award

MWC-023On Saturday night, March 20, 2010, my husband and I attended the annual fund-raiser for the Midwest Writing Center, held at the Outing Club in Davenport, Iowa. There was a silent auction preceding the event, and we bid on several things, but were outbid. I had a lovely conversation with Diana Garman, a reading aide in the Moline (Illinois) schools, and we were sitting at a table with several professors from St. Ambrose University, including Nancy Hayes, who had many interesting stories about the years she lived in Germany.

The speaker was a Davenport native who specializes in “ghost writing” of books for celebrities, and his “90 Minutes in Heaven” book has been on the New York Times Best-Seller list for quite some time. (His table displayed many, many titles and I was given a copy of his latest book.) “Cece,” as those who introduced him referred to him, was an engaging speaker, and then the MWC began giving awards to various individuals.

There is always one “surprise” award given. Last time I attended, in fact, I paid for my collaborator’s ticket because I feared he would not be present, otherwise, and he was to be that year’s winner. I was contacted and asked to get hm to come, so I bought his ticket (although not that of his girlfriend Cindy, who is now Mrs. Mike McCarty). He was very pleased and surprised to receive the award and my husband and I (who were sitting with him and his girlfriend at his table) were happy for him.

This year, I was just settling in and enjoying the speeches and awards (especially the LeClaire writing award winner who had the unenviable task of awarding herself the honor from her club) when writer emeritus Julie Jensen began reading the credentials of this year’s “surprise” winner. At first, it sounded very normal and could have been anyone in the room, as many of us attended the University of Iowa and Western Illinois University, but when it mentioned Berkeley, running for office, starting 2 businesses (Sylvan Learning Center and Prometric Testing Center) and the names of the books I have written (Training the Teacher As A Champion; Hellfire & Damnation; Ghostly Tales of Route 66, Volumes I, II and III, Out of Time, Both Sides Now and my (just purchased for publication) nonfiction book Classic Cinema of the ’70s: It Came from the ’70s, I was suddenly aware that I might have to stand and receive this unexpected award….a beautiful clock in burled walnut with engraving…a really nice (and useful) award.

My mind raced: whom should I thank? What should I say?

I have always liked the quote, “If brevity is the soul of wit, I intend to be hilarious,” so I ripped that off and then said, “I’d thank my English teachers, but they’re all dead.” Afer that, of course, my husband needed thanking, especially since he hadn’t wanted to go at all, as his brother was in town from St. Louis with his wife and our son and wife and twin girls were in town, all to celebrate his birthday the next day (March 21). He really wanted to be watching March Madness with our family, but I had bought the tickets before we knew they were coming to town to help him celebrate a milestone birthday. I thanked Mike McCarty “for pushing me into fiction,” which was not my original metier, and I “plugged” the Quad City Book Fair, which is to be held May 8th, and for which I am handling Marketing and Fundraising duties.

Long story short: it was a lovely night, a lovely award, and one additional QCBF participant signed up, after I mentioned the event, which will be held the same weekend as the Beaux Arts Fair in downtown Davenport. We will be inside the River Music Experience and using the stage at Mojo’s for presentations throughout the day. I just hope that, between setting up tables, handling programming and marketing and fundraising and (also) having to give a presentation of my own,  I survive.

It was a memorable weekend.

March 3, Wednesday: Crystal Comes Charging Back on “American Idol”

“American Idol,” March 3, Wednesday, Girls’ night:

images4Best of the night: Crystal Bowersox, Siobhan Magnus, Lilly Scott, Katelyn Epperly.

Worst of the night:  Didi Benami, Haeley Vaughn, Katie Stevens.

Just okay:  Michelle DeLaMor, Lacey Brown, Paige Miles.

Prediction:  If Crystal stays healthy, the group mentioned above will be the last 4 girls standing.

I hope that everyone stays healthy!

Sayonara, Daytona Beach! Onward to Ft. Lauderdale & Key West

DaytonaBeach2010-032Today is Super Bowl Sunday, the New Orleans Saints just won, and we checked out of Daytona Beach and are now in Fort Lauderdale, on our way to Key West. We were concerned that the Super Bowl might give us some traffic problems and/or hotel accommodation problems, but, aside from an accident in the lane going the OTHER way (a semi trailer truck on its side) that had traffic backed up for miles, things went pretty smoothly. I read “The Dome” aloud to the driver, and we arrived about 3:45 p.m.

DaytonaBeach2010-034I specifically asked for a mini-frig, as we have a lot of left-over food from our stays in time shares. The desk girl was asked, again, and I had asked hotels.com on the phone. No mini frig has materialized, and it is now 1:45 a.m. The Internet hook-up is better than the Grand Seas, but it is a standard hotel room and that is bad, since we are on almost diametrically opposed sleep cycles (as witnessed by the fact that one of us is sawing “zzzzzz’s” right now, and has been for hours. I can’t sleep early, and, although I will try to turn in momentarily after posting this article and some pictures, it’s just not as convenient as having a separate bedroom with a door.

DaytonaBeach2010-036I discovered that…despite the really cheesy towels (and only 3 of them for the both of us…THREE for 2 people? Are you kidding me? I need one for my hair and, given the size of these towels, 3 is going to be enough for one person. I called and, unlike the mini-frig, we did get 3 more towels.) the Internet connection is great. (As we walked to our room on the 2nd floor, the door to a room was open and some guy was working at the desk attired only in his skivvies. Surely a “whoops!” moment).

One of us went out to a bar and watched the first half of the Super Bowl while the other one of us took a nap. (Guess which one?) Then, the husband returned with a very nice shrimp dinner. Before the game started, I discovered that the hotel movie service had A LOT of movies I had missed. We watched “A Serious Man” before the SuperBowl and “An Education” after it, so I’m a happy camper there. (Both were great.)

DaytonaBeach2010-031The weather is really not warm. I am wearing a sweatshirt I bought at Universal Studios that says, “Thing One” and has a hood AND a fleece-lined zip up jacket, and I’m cold…And I’m IN the room. Tomorrow I wear the winter coat I brought as we head for Key West. Nevertheless, it isn’t snowing here, which is something.

Yesterday, in Daytona Beach, I had a manicure in a mall. I was getting ready to leave when tornado warnings forced me to stay inside till 4;45 p.m., so I had a pedicure, too. (The sacrifices  I make!) Orlando got hit worse than the Daytona Beach area, and the tornados were more like circular wind things.

DaytonaBeach2010-027Perhaps I’ll write reviews of the two films mentioned above, but, before DaytonaBeach2010-026that, some pictures from Daytona Beach.DaytonaBeach2010-028DaytonaBeach2010-032

Sit-ins, Nashville, Civil Rights, the ’60s and Me

Today is a good day to write this for my daughter, who lives in Nashville and attended college  (Belmont University) in Nashville. It may (or may not) enlighten her to an anniversary being hailed by USA Today in their Monday, February 1, 2010 issue, in a front page story entitled “How a Demand for Lunch Fueled a Push for Rights.” The story, written by Larry Copeland, references the 50-year anniversary of a sit-in by black students and their white friends at the businesses along Fifth Street in Nashville, Tennessee.

Although Nashville’s sit-in protesting racial discrimination at the city’s lunch counters like Woolworth’s (then a staple) was upstaged by an impromptu sit-in the day before, [on February 1, 1960], at North Carolina A&T College, by four black students (all freshman African American students at AT&T College)—Joseph McNeil, Ezell Blair, Jr., David Richmond and Franklin McCain—the Nashville protest movement involved many more students, both local residents and many who were urged, as I was, to get on buses and travel South to be part of the protests. Many of these Freedom Riders, as they were known (or trouble-makers, if you were a local in the Southern community being visited), were organized by SNCC (the Student Non-violent Coordinating Committee).

SNCC was organized in Raleigh, North Carolina in 1960 to help coordinate sit-ins and freedom rides and marches. Most were unpaid volunteers, but some were paid $10 a week to help the organization. Initially, the organization was meant to be non-violent. In its later incarnations under Stokely Carmichael, when the Black Power salute came into being, etc., the organization’s leaders said, “I don’t know how much longer we can remain non-violent,” and, indeed, it did not stand fast to Martin Luther King’s original nonviolent protest principles and passed out of existence in the seventies. However, during the hey-day of the sixties, SNCC was instrumental in helping organize protest movements in the United States, both by raising funds and by recruiting sympathetic students from across the northern part of the United States, who traveled South to help win civil rights for the black residents.

One of the most influential, in fact, would be an English major from Chicago, Diane Nash, who emerged as a key spokeswoman and ultimately confronted Nashville’s Mayor, Ben West at the height of the city’s sit-ins of 1960 (.

Nashville, Tennessee in 1960 was still a segregated city in the South, although it prided itself on being “the Athens of the South,” with its model Parthenon in the park and what officials felt was an enlightened attitude. But the black students who could not be served at Woolworth’s, S.H. Kress, McClellan’s, Grant’s, Walgreen’s and Cain-Sloan along Fifth Street didn’t quite see it that way.

Today, with the benefit of looking back from the vantage-point of 50 years in the future, it is apparent that the Nashville protest for civil rights was far better organized than many of those being staged in 112 Southern cities by October of 1960 (as documented in Juan Williams’ book Eyes on the Prize: America’s Civil rights Years, 1954-1965).  Of the 112 sit-ins and other demonstrations staged, many were ineffectual. It is a tribute to the preparation and planning of leaders like Chicago’s Diane Nash that Nashville’s sit-ins and protest movement yielded fruit that today’s college students benefit from, even if they cannot remember and, sometimes, cannot believe that this sort of unrest occurred in their fair city.

 

While Joseph McNeil, one of the original sit-in demonstrators at the lunch counter at Woolworth’s in Greensboro, North Carolina, had simply “had enough” and did what he did with little preparation or forethought, simply because, “I didn’t want to see my children have to face the same problems.  We just felt that this certainly was a time to act. If not now, when? If not my generation, what generation?” others spent more time preparing and planning. McNeil is now 67 and a retired Air Force Reserve major general who lives in Hempstead, New York. He adds, “My parents grew up and carried the scars of racial segregation.”

Lest readers think that Nashville, with its reputation as the Athens of the South, was so much better than Greensboro, North Carolina, let me quote 82-year-old John Seigenthaler in the USA Today front page article (Feb. 1, 2010) who was then the weekend city editor of The Tennessean, Nashville’s leading newspaper. Said Seigenthaler, “It (Nashville) was as segregated by race as any city in South Africa during apartheid.” Seigenthaler went on to become the first editorial director of USA Today, after serving as editor and publisher of The Tennessean.

When 124 students who had been coached in non-violent reaction by groups such as SNCC, dressed in their Sunday best, marched quietly, 2 abreast, from a nearby church to Fifth Avenue in Nashville and entered Woolworth’s, S.H. Kress, and McClellan’s, stores that, today, we would describe as “dime stores,” they were told by a waitress, “We don’t serve niggers here.”

The students waited quietly while other shoppers stared.  The protesters sat for a few hours and then left. However, the students returned over and over again during the next 2 weeks and added a fourth store, Grant’s, and a fifth, Walgreen’s.  (None of these stores remain on Nashville’s Fifth Avenue, today, except Walgreen’s, which hasn’t had a lunch counter in decades, as that particular American cultural phenomenon has been supplanted by fast food places like McDonald’s and Burger King.)

Each subsequent sit-in grew larger, attracting more students to the cause, but each subsequent sit-in also attracted supportive, idealistic white youths of the era. Protesters were heckled, beat, and spat upon the protesters and all this has been documented on film. By February 27, 1960, Nashville had decided to crack down on the disruption(s) to the local businesses and 81 students had been arrested.

Seigenthaler remembers, “For the white community, there was shock, anger, overwhelmingly negative feelings. The business community adopted a very steel-backed approach, rigid and very negative.”

I remember that, in my own case, I only took part in demonstrations that were held on the campuses of the universities I was actually attending. My parents decreed that there would be no bus trips to Southern cities for this college co-ed. But the colleges I was attending during the years outlined in Juan Williams’ book (see above) were the University of California at Berkeley and the University of Iowa in Iowa City, Iowa. (If you think things were “all quiet on the western front at Berkeley,” you have not read many history books about “Berzerkley” in the sixties.)

I remember that all the bookstore windows were broken out during demonstrations, to the point that the bookstores on both campuses replaced their previously glass windows with a bricked-up substitute. I remember the (repeated) occupation of Sproul Hall (the administration building) on campus at Berkeley and many protest rallies and concerts by such luminaries as Pete Seeger and Bob Dylan and, in one memorable poetry reading, Alan Ginsberg.

Ginsberg, the much-acclaimed author of “Howl” and one of the Beat Poets (like Jack Kerouac of “On the Road”) was so high on something that the janitor had to be summoned to actually physically lift the man, (squatting cross-legged in yoga lotus position onstage with finger cymbals), and remove him from the stage (stage left, as they say). I remember Mario Savio, now deceased, who was constantly rallying the student demonstrators, and just as constantly being hauled off to jail. [Imagine my surprise on a return trip to Berkeley recently to discover a life-sized statue of this leader of the Free Speech movement and civil rights activist right on campus. (“The times, they are a’changin’,” for sure.)]

But back to Nashville, so that my daughter, born in 1987, may read some reminiscences of others more central to integrating the city she now calls home.

Sit-ins had been tried in more than 12 cities, beginning in Wichita, Kansas in 1958, but the one in Greensboro, North Carolina described above ignited the most passion and reignited Dr. Martin Luther King’s movement, which had flagged after the Rosa Parks bus incident in Birmingham, Alabama, faded from memory. Without the students leading the way, Dr. King’s movement might well have faltered, but the unbridled enthusiasm of youth—harnessed again in Barack Obama’s campaign in 2008—rescued a flagging Civil Rights movement back in the sixties.

 

By February, 1960, sit-ins had taken place in 31 cities. By March, 1960, sit-ins had taken place in 71 cities (USA Today article of Feb. 1, 2010, by Larry Copeland, p.2A). By October, 1960, sit-ins had occurred in 112 Southern cities. The movement was growing and, in Nashville, at least, students from all over the country and all over the world were feeding it.  Said Representative John Lewis, (D, Ga.) who was then 19 and among those in the Civil Rights movement in 1960, “Students would come to Fisk to watch films and plays, or come to the Fisk Chapel to listen to unbelievable music, but they could not eat together downtown in racially mixed groups.”

For 2 years prior to the Nashville movement of 1960, Lewis was among a group of students learning non-violent tactics from James Lawson, a graduate student at Vanderbilt University. (Again, at Iowa, the group was SNCC, Student Non-Violent Coordinating Committee). This is where Diane Nash from Chicago, mentioned earlier, studied the movement and where Bernard LaFayette, who later became a college president, would take part. C.T. Vivian, who later became an Atlanta city councilman was there and Marion Barry, later the Mayor of Washington, D.C. whose antics in office earned him a less-than-stellar reputation for drug use and womanizing, decades afterwards.

All these disparate people came together and planned, for 2 years, to hold mock sit-ins and studied how NOT to respond if attacked or arrested. Test sit-ins were held in late 1959 at 2 Nashville department stores, Harvey’s and Cain-Sloan. All this was in preparation for “the real deal,” which rolled out on February 13, 1960.

Says LaFayette, today, “There was an ongoing debate between the students and their parents.  They (the parents) feared for our safety, because we were going up against a system that was not known to be very sympathetic or humane, particularly law enforcement in the South.”

I had grown up in the lily-white town of Independence, Iowa. I did not have…then or now…. one shred of prejudice towards any other ethnic group. It isn’t that I can claim any moral high ground. I just had had no bad experiences of any kind (nor good, for that matter) with the students referenced as “colored.” Basic human decency and logic would dictate that people are people, no matter what color or religion they are, and should be treated equally well. Isn’t it the Bible that says, “Do unto others as ye would have them do unto you?”

It didn’t take me long to decide where I would stand on this issue, but how active I could/would be in the movement was dictated by my conservative Midwestern parents who controlled the purse strings. However, when I was on campus where it was all happening (as at Berkeley and Iowa)…(finish that thought). My parents were completely clear that I was NOT to sign anything, NOT to get arrested, and NOT to get on a bus heading south.

However, as long as I didn’t sign anything (“Do NOT sign anything,” said my stern father.) nor get on a bus for parts unknown, like the hapless college students whose short lives and brutish murders are so compellingly portrayed in the 1988 Alan Parker film “Mississippi Burning” (Gene Hackman, Willem Dafoe), I could take part in protests on the campuses I was actually attending without repercussions that would cause trouble with the authorities (and, in that group, I include my conservative parents). I remember particularly vividly giving blood to be thrown on the steps of Old Capitol in protest, but the protest was an anti Vietnam War protest, not a Civil Rights protest.

 This period of time stretched from 1963 to 1968, later than the period (1960) being discussed in the USA Today story. Still, I remember that the beacon burned bright in those years of the sixties, especially as anti-war protests against the Vietnam War, fueled by our nation’s draft system, began to become part of the mix.

As for sit-ins, perhaps 100,000 participated in them, according to historian Clayborne Carson, and 3,000 were arrested in 1960, alone, so demands that you “not get arrested” were reality-based when delivered by a worried parent to an idealistic would-be participant.

 

The sit-ins in Nashville carried on in to April of 1960, costing local merchants money. Easter was approaching and the large black middle class in Nashville organized a “No New Clothes Easter.” “Jim Crow” laws in at least 11 Southern states prohibited inter-racial mingling between blacks and whites, but, in 1954, the Supreme Court had ordered the schools desegregated. Ordering it didn’t make it happen, however, and there have been books written about the integration of the South’s most revered black institutions (colleges, universities, public schools), including a famous Norman Rockwell painting depicting a small black girl walking into a previously all-white school.

Said a Nashville student who was part of the protest movement of 1960 (Mitchell) of the “No New Clothes Easter:” “People were very serious about this.  They didn’t shop.  Anyone who had new clothes that Easter stood out.” Naturally, this hurt local merchants and Mayor Ben West proposed a compromise whereby a 3-month trial period would allow blacks to be served in a separate area of the local restaurants (Remember “separate but equal?”). This angered the black students and it was rejected. The sit-ins continued.

On April 19th, the home of the students’ attorney, Z. Alexander Lobby, was bombed. Thousands of people, both black and white, marched in silence to City Hall later that day, where spokeswoman Diane Nash (the Chicago convert) addressed Mayor Ben West, saying, “Mayor, do you recommend that the lunch counters be desegregated?”

The Mayor—who had always been viewed as a moderate and who was a white man presiding over an integrated city council—hesitated briefly and then said, “Yes.” (This version comes from Seigenthaler, who was present.) Says historian Clayborne Carson, “The sit-ins were the real starting point of the protests of the 1960s.”

By May 10, 1960, six Fifth Avenue stores (Kress’, Woolworth’s, McClellan’s, Grant’s, Walgreen’s and Cain-Sloan’s) seated black customers at lunch counters for the first time. When Reverend Martin Luther-King came to Nashville mere days after the confrontation between Chicago’s Diane Nash and Mayor Ben West, he told a capacity crowd in the Fisk auditorium, “The Nashville sit-ins were the best organized and the most disciplined in the Southland.” (Parting the Waters by Pulitzer-prize winner Taylor Branch).

As a sometimes Chicagoan who participated in protests during the troubled decade of the sixties, it is difficult for me to explain to my 22-year-old daughter, who lives in the very city where much of this occurred, how it is conceivable that a white minority would or could attempt to keep down a black majority. One has only to look to apartheid in South Africa with the Dutch colonial settlers (and this year’s “Invictus” film by Clint Eastwood) to realize that the history I lived through and participated in (to a lesser extent than these pioneers, but to the extent that I was able to do so) really did occur.

As Seigenthaler put it, “It’s really tough to understand how a city could be so insensitive, and, in some ways, so dumb, but Nashville’s ability to resolve it within a relatively short period of time and put it behind them is worth considering.” Says Mitchell, “Nashville, today, is a city that’s very respected in race relations. It’s a diverse, international community.  The present generation is often shocked when we refer to the sit-ins. They see a very open and urban community, and they don’t believe that that happened here.”

As you drive down Fifth Avenue in Nashville, today, little remains to remind of the history that took place in these streets. There are no signs or memorials and, although the sign is still up at the old Kress store, it’s been converted into loft apartments.  Walgreen’s, the only store of those mentioned that remains, has no lunch counter, and has had no such amenity in decades.

Nashville residents, like my daughter, can sit together and eat lunch wherever they want with whomever they choose, today. But they owe that freedom to Freedom Riders (as they were known), youths like me, who often boarded buses and traveled South (at considerable risk) to join their oppressed fellowman, in the hope of assuring “life, liberty and the pursuit of happiness,” just as our Constitution has assured our citizens since the 1700s. It was justice and equality for all under the law, regardless of race, color or creed that the children of the sixties stood up for.  I hope today’s youth and tomorrow’s youth-yet-to-be-born remember this history 50 years from now.

“Blues Brothers” Are Recreated at Universal Theme Park

BelushiOutofCarThe Blues Brothers (Jake and Elwood) arrived on the streets of Universal’s theme park that resembles a movie set in a souped-up cop car. They were, of course, on a mission from God…just as they were in the 1980 movie of the same name…the one that had them growing up in an orphanage in Rock Island, Illinois. The impersonators doing the honors were preceded by a wonderful female singer (the Aretha Franklin role in the film) and a Soul Man Saxophone player.

Jake and Elwood made the assembled crowd this day (January 27, 2010) shake their tail feathers and led a conga line in the cobblestone street as their set ended. They sang the “Rawhide” song from the movie, and Jake even broke out the whip, (although he didn’t do much with it.)

BelushiCloseUp-021It was 4 p.m. in the afternoon and they’d be back at 5 p.m. for an encore; the previous day the Blues Brothers act played to a crowd of about 100 tourists at 11 a.m., 12:15 p.m., 3:30 p.m. and 4:45 p.m. [The times are constantly changing, depending on the season].

Jake The John Belushi impersonator was by far the closer in appearance to the original Belushi but both sang well and put themselves into their role(s). The Dan Ackroyd look-alike was tall and thin. He danced around in the background, just as the original Ackroyd used to do, but not with as much demented fervor.

The show played at 12:30 and 4:00 p.m. on Wednesday, the day of Obama’s State of the Union Address.JEDancing

“Jake” winked at me, put his hand to an imaginary cell phone, and mouthed, “Call me” as he exited. It was a quick, fun show, well worth the price of admission, which was nothing. (You do have to stand throughout, however.)

A fun (and free) half hour of entertainment on the grounds of Universal Theme Park on Wednesday, January 27, 2010.SaxMan

JEOnstagewSignBluesBCarUniversalStudios-017BluesBros.Car_UniversalStudios-018

“American Idol” from Los Angeles: January 26, 2010

american-idol-judges21Los Angeles, California, described by Ryan Seacrest as “the epicenter of entertainment” was not uniformly entertaining during Tuesday, January 26th’s “American Idol” auditions. (As usual, CAPITAL LETTERS mean the contestant made it through, while lower case means the contestant was rejected.)

Neil Goldstein

The very first contestant out-of-the-box was a weird guy named Neil Goldstein, 19, who, ironically, forgot the very first line of a song (by Meat Loaf)  about not forgetting (“Rock ‘n Roll Dreams Come True”), causing Simon to utter the word “ironic.” Simon cautioned the would-be singer—who said he had an I.Q. of 168—“You’ve got to have a reality check.” He was less-than-macho, had a long girlish page-boy bob (which changed during the try-out film, however) and kept insisting that he was not going to leave.  Neil’s response to Simon’s suggestion that he realize his singing was not that great with a “reality check”, “There’s no reality but what we make for ourselves.” Neil  refused to leave the stage, until Simon threatened to have him escorted out. Guest judge Avril Lavigne said, “That was really bizarre,” when the contestant finished.

Neil Goldstein, after being cut, declared, “In the greater scheme of things, ‘American Idol’ is going to be the greater loser.

JIM RANGER

Contestant #5054, the 27-year-old married father of 3 from Bakersfield, a worship pastor, sang a song of his own entitled “Drive.” Although the judges wondered, aloud, how he was going to both tour and be a pastor, he was voted through to Hollywood.

Jayson Wilson (19, Seattle): a screamer. Jesse Cheng, 23; Martin Perez, 19: All rejected.

Damian of the sandwich store came in, declaring that “pepperoni” was the favorite sandwich at his shop and then forgot the name of the Righteous Brothers song he planned to sing. It turned out to be “You’ve Lost That Lovin’ Feeling.” It turned out, also, that Damian had lost any ability to sing well, in addition to the name of his song selection. Simon: “Damian, you should just go.” Damian’s response? “On my way.” (At least he left without a fight.)

MARY POWERS

Mary, from Burbank, did a Joan Jett impersonation which Simon found clichéd. The mother of an 8-year-old daughter, she still got a golden ticket. Short black hair. Punk look. Pretty. Daughter came in and Simon said, “Are you sure this isn’t my daughter?” when she turned out to have a bit of attitude.

A.J. Mendoza

A.J. sang “The Cult of Personality” by Living Color. From Upland, California, the 20-year-old was bad. Simon said, “It sounded like you’d gone to the dentist about 10 minutes ago and your anesthetic had worn off.”

Austin Fullmore

Austin Fullmore, 19, of Glendale, California, sang “Surrender” by Cheap Trick, complete with weird posturing.  Beforehand, he said, “This is my purpose in life, I think.” After Austin’s audition, Simon said, “That is one disturbed young man” and Katy Perry, who was the guest judge at this point in the program asked the question of my last column, “Are these people frisked before they come in here?”

ANDREW GARCIA

Andrew could really sing. His parents, George and Mary Garcia, who were involved with gangs in Compton but moved the now-23-year-old father of a small boy to Moreno Valley was praised as “a genuinely good, good singer” by Simon. Katie Perry said of his audition, “You gave me chills,” Kara passed him on “110%” and Randy declared, “You’ve got mad vocals.”

TASHA LAYTON

The Pasadena resident who said she was a personal assistant by day and a minister by night sang Joss Stone’s “Baby, Baby, Baby” and, after getting her golden ticket, said, “I’m going to Hollywood. Now what?”

Jason Green

Jason Green, 21, a student sang Divinyls “I Touch Myself’ and was generally effeminate and disgusting.  He ended up on the floor on his knees, causing Simon to say, “I knew you’d get down there eventually.” After that crack, Jason hit on Simon obliquely, causing Randy to protest, “Don’t hit on my friend.” Katy Perry, who was attired in a tight, red, low-cut dress, said, after Jason’s audition, “I feel dirty.” The catty Jason then said, “I’m sure it does…especially with that top.” (Snap!) As he left, doing ballet moves on his way out, he said, “But the point is, I’ll be back next year.” When he encountered Ryan Seacrest outside the door, Jason commented, “They (the judges) did enjoy this,” and proceeded to give Ryan his phone number, telling him to “call me any time.” Ryan took the folded phone number over to a very butch-looking individual, commenting, “Don’t believe everything you read” as he gave it to the bodyguard, who looked like a prison inmate.

CHRIS GOLIGHTLY

Foster child Chris Golightly, who entered foster care at age 18 months and grew up with 25 different foster families, had reddish mop-like hair and a good voice. A Los Angeles shoe salesman, Chris said, “Music is where I always felt comfortable” and sang with a sweet tenor that seemed to polarize the panel. While Kara declared, “There’s something very interesting about you,” commenting on “your story and your pain,” Chris did not impress Katy Perry as much, as she turned to Kara and said, “This is not a Lifetime story, Kara.” Eventually, Chris Golightly earned 4 “yes” votes, 2 with a small “y,” one with a big “y,” and one (Randy) with a giant “Y.” Chris said, rather plaintively, “I’ve had nothing in life.”

All-in-all there were 22 contestants passed on to Hollywood from the Los Angeles Rose Bowl Stadium crowd of 11,000 hopefuls who made it past the regular judges, plus either Avril Lavigne or Katy Perry. We saw a few of the other “yes” votes jumping about: the cute guy, the chubby blonde, and the black guy.

On another note, one Orlando contestant (an African American) also had his golden ticket revoked when he confided to his father that he had made it through to the Final 24 and his father blabbed. Apparently, all contestants are sworn to the strictest secrecy and Dad’s loose lips sank his ship.

Chicago’s “Venetian Night” Celebration May Sink

Vol.-IIbook-002HPBoatVol.-IIbook-0021Mayor Richard Daley’s 2010 budget hole is something like $520 million, according to a story in the Chicago Tribune. What to do, given the fact that Chicago already has the highest taxes in the country (10.25%) and experienced a –17% plummeting of hotel tax revenue?

The answer from the Mayor, expected to propose a $6.14 billion budget (up from $5.97 in 2009) is to raise the money from the unpopular parking meter 75-year lease, taking $370 million to shore up the leaking financial situation and (drum roll here, please) to sink the annual Venetian Night Parade that his father established when Mayor in 1959. The annual event only survived this year because it was bailed out, financially, at the last minute by Red Bull. It costs $100,000 for the fireworks and $200,000 for the policement, firemen, porta-potties and other things necessary to control a lakefront crowd of half-a-million people.

Vol.-IIbook-022Some, like Scott Baumgartner of the Chicago Yachting Association, feel that the Mayor’s proposal is premature. Baumgartner released a statement: “We still feel strongly that we can do this event.  It’s a tradition we would be very reluctant to let go of.” (That’s a Yachting Association guy talking, for you.)

Baumgartner actually had some support for the Alderman of my ward, 2nd Ward Alderman Robert Fioretti who said (in a “Tribune” article), “We shouldn’t cut off our nose to spite our face. (*Don’t blame me for the cliched expression. Fioretti said it) We need to keep attracting people to Chicago.  Wasn’t that the real purpose of the Olympic bid? …It’s clearly a big draw.”

SheddMoonYes, Venetian Night has been a big FREE draw, with over 500,000 people taking their kids and their lawn chairs to the lakefront to watch the decorated boats float by. This year, my husband and I set up on the hill across from the Shedd Aquarium early, and if the fates allow, you’ll be able to see some photos of what may well be the very last Venetian Night right here on WeeklyWilson.

The current Mayor Daley’s Special Events Director, Megan McDonald, in discussing how the popular regatta that attracted over half a million people this year was targeted for extinction said, “It’s more than just boats and nice fireworks. It’s being able to accommodate half-a-million people on the lakefront.” It should also be noted that the Jazz Festival is being cut from 3 days to 2, and many events are being moved to the Pritzker Pavilion from Grant Park. Also, some local festivals and arts spending will come under fire.

The 52nd annual Venetian Night was held on July 27th this year, and I was there.
R.I.P., Venetian Night.

David Sedaris in Davenport (IA) on Oct. 15: Naughty, Nice & Funny As Hell

david-sedarisOn Thursday, October 15, 2009, humorist/writer David Sedaris visited Davenport, Iowa’s Adler Theater to share his musings on jury trials, breast milk, condoms, and our “God-given right to mimeograph.” He lived up to Toronto Globe & Mail writer Bill Richardson’s assessment: “He’s smart, he’s caustic, he’s mordant, and, somehow, he’s well, nice.”

Sedaris has the unique vocal rendering(s) of Truman Capote before him, and, yes, both were openly gay. Hear Sedaris read just one time on NPR, where his career blossomed, and you won’t forget the tone. It’s one of the lovable eccentricities of the man that you learn to like, just as you learn to make your peace with his aversion to having his picture taken.

Sedaris has a way with words. When he describes his son, Todd, as being “the artistic one in the family” and goes on to describe him as having “a useless degree in dance history,” audience members smile with recognition. Everyone has someone in his or her family with a useless degree in something. We can all relate. Some of Sedaris’ sharing is painful, tinged with a deep pathos that gives his humor greater humanity and, with it, greater emotional weight. Whether it’s the needless cruelty that man inflicts on man or his mother’s drinking problem or his own dalliance with drugs back in the day, Sedaris has suffered and it shows in his writing. His humor is a shield and he wields it with bravado.

This night, Sedaris vamped his way through the acronym A.S.S.H.O.L.E. (don’t ask) and what it stands for in a boundary-pushing way that has garnered him 3 Grammy nominations for Best Spoken Word and Best Comedy Album(s). With 7 million books in print in 25 languages, the 2001 Thurber Prize for American Humor and Time magazine’s anointing him Humorist of the Year, it’s pretty clear, as the San Francisco Chronicle put it, “Sedaris belongs on any list of people writing in English at the moment who are revising our ideas about what’s funny.”

On Thursday night in Davenport, Iowa, the funny bits that amused me were about jury duty, possibly because of my own experiences on several coroners’ juries in Illinois. He describes his late mother, Sharon, saying to him, “How can you not want to sit in judgment of your fellow man?” and “Whoever thought a gun could be so tedious?” Reminiscing about a defendant in the trial he drew who had been knifed three times, the line that resonates is “If you’re the type that everybody stabs, maybe you need to make some fundamental changes.” As a member of a jury himself, Sedaris couldn’t quit fixating on the fact that the defendant was wearing “a cross the size you’d reach for if you wanted to crucify a hamster.” The image is vintage Sedaris.

We were treated to Sedaris’ ramblings about depictions of a soulful Jesus on the cross and how easy that is. He pines for an obese, repulsive, balding, Jesus with “fur-covered man titties”…a vision he ultimately referred to as “comb-over Jesus.”

Sedaris’ irreverent observations had the nearly full house amused and laughing throughout. He was kind enough to not only plug his own books which, this night, were his newest (When You Are Engulfed in Flames), but also his best ones of years past, such as 1997’s Naked, 2000’s Me Talk Pretty One Day, and 2004’s Dress Your Family in Corduroy, but also to plug Our Dumb World from The Onion and a book he is currently reading while on the road for 34 days, Everything Ravaged; Everything Burned. Sedaris says he actually enjoys meeting his fans. He doesn’t get a day off until after Day 33 on the road, tours which he typically does on a certain schedule that takes him away from his home in France, where he lives near Normandy with partner Hugh Hamrick. This day, he praises the Davenport YMCA for its kindness and hospitality in letting him swim laps in its pool, (which he must have done less than four hours before show time, because he had not yet checked in at 3:30 p.m. and the show was at 8 p.m.)

A bit of research into how Sedaris got his start (above and beyond his autobiographical tales in the books) reveals that, while living in Chicago, Ira Glass heard him reading aloud from his diaries at a Chicago club. (*Note to self: find out what Chicago club and go read excerpts from Both Sides Now!)

Sedaris was invited by Glass to read Santaland Diaries on the radio. The humorous essays described his experiences working as an elf at Macy’s at Christmas-time and debuted on NPR on December 23, 1992 on “The Morning Edition.” From that start, he has never looked back. Sedaris himself has said, “I owe everything to Ira…My life just changed completely, like someone waved a magic wand.”

Sedaris typically writes about his family members, one of whom is Amy Sedaris, formerly of Saturday Night Live. Amy and David have worked together writing plays as the Talent Family. This night, however, when an audience member practically cooed, “How cool is Amy, your sister,” David seemed less-than-thrilled with the over-the-top enthusiasm for his sister that the audience member was projecting. He acknowledged the comment without joining the love fest. He also said he was not writing about his brother, currently, because his brother loves being written about and owes him money. He told us that he is writing a book with animals, similar to fables (one was read aloud) and that he was collecting stories about rudeness from his audience.

I wrote Mr. Sedaris a fan letter (only the second of my life) after completing When You Are Engulfed in Flames and he wrote back from France. I don’t think he will consider it a violation of this private (and unexpected) correspondence if I share with you that, on a tour of the Hastings Bookstore chain in the Southwest he was placed in the Christian fiction section for his reading. Anyone who knows of Sedaris’ past brushes with drugs (now, he doesn’t even smoke regular cigarettes) or his open homosexuality has to smile at the thought of him delivering his material in the Christian fiction section of any bookstore, just as the audience this night laughed outright at his tale of wheeling an entire cart full of condoms (to give to his readers as gifts) through the aisles of a CostCo store accompanied by his 59-year-old brother-in-law.

After the evening’s performance, which was a great success, at least 100 of us waited in line patiently for 3 hours to shake David Sedaris’ hand…but only after we were offered hand de-sanitizer (probably not a bad idea in these times of H1N1 flu pandemics). [Let New Yorkers attempt to wait so patiently and so politely for so long!) The evening’s artist seemed in no hurry to brush off any of the hundred or so fans who waited it out until nearly 1:00 A.M.

I heard him ask the young couple ahead of me if they were married. They told him of their plans to marry next October. I turned to my line-mate and said, “Well, I had been married for nearly 42 years before I made my husband wait 3 hours outside in the lobby tonight. But that’s ancient history now.” They laughed. [Maybe some Ira Glass/David Sedaris person will recognize my wit and talent and launch me on a reading career of my own humorous essays (I’m very good at it, after years spent reading to 7th graders who couldn’t read well for themselves; I always loved performing “The Night the Bed Fell on Father.”) Ah, if life were only so simple, she said to herself with a sigh. Maybe budding humorists like me should sing a chorus of “Put Me In, Coach. I’m Ready to Play. Today.” Or not. One never knows. I did almost perform a limbo along about Hour Two, in an attempt to shimmy under the metal restraining line to give my long-suffering husband the funny Onion book I had bought.

Earlier, the woman from Cedar Falls who gave up and left early tried to give it to him for me. She came back and told me there was no man with a red umbrella sitting in the lobby, which gave me pause. The cab situation in downtown Davenport is not like that in Chicago, and I was across the river from home. (Later, when placated with reading material given him after my daring limbo dance—which, at my age, could be described my as death-defying limbo dance—he lightened up a little, but I kept seeing one man’s angry face, a swarthy fellow, appearing at the door and mouthing the words to his wife in line, “Hurry up!” (How, exactly, was the poor woman supposed to do this, I wondered? Was she to trample us in a mad rush to the front, like Mad Cows set loose in a pasture? At least my husband merely left the building. And me. But he did return.)

When I finally made it to the front of the line to get the author’s autograph on 3 books and to tell him my “rude” story, I was not sure if Mr. Sedaris remembered my letter that prompted his personal response, or if he realized I was the woman who had left him the books at his hotel (difficult to tell whether that was a bad move or a good move, since the novel has, as its protagonist, a time-traveling rock star, for which I will be eternally remorseful, and a cover of a naked couple that generally catches your eye for all the wrong reasons.) He asked my name. Was I a complete mystery, then? There are multiple pictures of me in the books, so he must have already round-filed them. David (if I may use his first name) was friendly, but not effusively so. He offered me hand sanitizer as I went totally blank on my own name, while struggling to open the small bottle of gel. I’ve never used hand sanitizer. Just as I poured a huge glob of this stuff into my open palm (think KY Jelly, with which I am much more familiar), he extended his hand for me to shake. My timing, as usual, stinks.

I began my rude story of being sold out by a Pulitzer Prize-winning author who not only lied to me in print (an e-mail of August 25), but also lied to my face, ruining an expensive (over $3,000) trip to the Hawaii Writers’ Conference and destroying my faith in “getting it in writing,” since I had gotten “it” in writing and the man still flat-out lied to my face. For some reason (Nerves? Stress?) I was suddenly overcome with the emotion of retelling the sad episode that still has not resolved itself, financially or emotionally. As I finished my story, I almost choked up at telling it so soon after it had occurred. I felt like a complete dork as I said, “So I don’t like that author any more.” David Sedaris, in his distinctive voice, looking sympathetic, responded, “Well, then, I don’t like him any more, either.”

Now you see where the “nice” comment comes from. Here’s another with which the audience on Thursday night agreed, as articulated by the Chicago Tribune: “Sedaris’ droll assessment of the mundane and the eccentrics who inhabit the world’s crevices make him one of the greatest humorists writing today.”

Amen to that!

World Premiere of “Chicago Overcoat” on October 10th at Chicago Film Festival

resizedfrankThe World Premiere of a mobster film shot in Chicago by recent graduates of Chicago’s Columbia College premiered on Saturday, October 10, at the Chicago Film Festival.

The film features Frank Vincent, well known both for his work on television’s “The Sopranos” (31 episodes as Phil Leotardo) and for his work in the film “Goodfellas.” The 70-year-old Vincent plays Lou Marazano, a hit man for the Mob who, as the movie opens, has not actually gone on a “hit” since 1986. He is a dinosaur in the world of crime, but he takes one last job to bankroll himself and his daughter and grandson so that they can have a brighter future. Former “Sopranos” cast member Kathrine Narducci (Charmaine Bucco) plays Lorraine Lionello, Lou’s twenty-year romantic interest who always provides him with the alibis he needs.

The 6 young filmmakers behind the concept and the script met while students at Chicago’s Columbia college and began making short films together their freshman year. In fact, the group headed by Director Brian Caunter (age 26) and with a script whose first four drafts were written by John Mosher and Brian Caunter (later assisted by Andrew Dowd and Josh Staman) formed Beverly Ridge Productions. Their first production was a short film based on Ray Bradbury’s story “The Small Assassin,” but “Chicago Overcoat,” premiered on October 10th, is their first full-length feature film. In fact, the sextet even dedicated the film to their Columbia lighting teacher, Chris Burrett, who died recently at age 60. “It was Mr. Burrett who had to give us permission to take all the lighting equipment out to shoot sometimes, so it was nice to be able to salute him this way after the way he helped us,” explained Director Caunter.

MikeStarrThe money to make the film was raised largely by Cinematographer Kevin Moss’ mother JoAnne Moss, who runs a real estate and investing firm in Chicago. With the $2 million budget, the group secured starring talent like Vincent, Mike Starr— (who played 45 episodes as Kenny Sandusky from 2000 to 2002 on television’s “Ed” and also was Detective Russ Millard in 2006’s “The Black Dahlia”)— and cameos by Armand Assante as a jailed Mob boss and Stacy Keach as a retired honest cop.

I went into the screening not expecting much. I was pleasantly surprised. The group has pulled a Clint Eastwood twist by exploiting the fact that their lead hit man is aging and considered a has-been by the younger generation. Yet Lou (Frank Vincent) is still quite cold-blooded when he has to be, and he feels he has it in him to make one last big score so that he can retire to Vegas and finance his daughter’s attempts to start over with her small son, far away from her ex-husband, a small-time hood and drug addict.

One of the most impressive things about the film is the cinematography by Kevin Moss, who uses Chicago’s breathtaking skyline to create a film noir feeling, shooting in locations that, as he said in the after-film Q&A “have never been put on film before.” Female co-star Katharine Narducci summed it up well when she said, “It is shot so beautifully. It is poetic. Absolutely stunning.”

The performances also held up. Vincent was well cast and the Director said, during the after-film Q&A, “We had Frank in mind when we were writing it. We had no other actors in mind. We always wanted Frank.”

Originally cast in the role of the tough cop Ralph Malone who tracks Lou (Frank Vincent) was Joe Mantegna, a Cicero native. Unfortunately, Mantegna had to drop out weeks before shooting was to begin, when he took a recurring role on CBS’s “Criminal Minds.” Enter Danny Goldring, a Chicago native who played the last clown killed in the opening bank heist sequence of “The Dark Knight.”

AllFourGoldring reminds of an even more mature version of Robert Redford, all craggy skin and gruff demeanor. He turns in a solid performance as the cop who won’t quit tracking the corrupt police pension scandal that ultimately reaches into the highest places. When murders suddenly start occurring again within the ranks of crime bosses who could implicate those in power and flowers are sent to the victims’ homes immediately after their deaths, (an M.O. not seen for 20 years or more), Ralph Malone (Danny Goldring) is convinced that “the flower killer” is back on the job—or someone who is doing a very good job as a copycat killer. Because he, too, is a veteran of the force, he remembers the first wave of “flower killings.”

Frank Vincent, the New Jersey native who plays the old pro Mafia hit man drew on his years as a drummer for Del Shannon and Paul Anka in the 60’s, when he met many real Mafiosi, to play this part and his other gangster characterizations. As he told Ed M. Kozlarski in an October 8 “Chicago Reader” interview:  “They (Mafia) all have a way of looking at you, of intimidating you.  They’re all evil.  I can give a look or a stare that people read as evil.”

One of the best bits of dialogue occurs near the film’s climax, when Lou (Vincent) faces off against a mobster sent to kill him and seems to be in imminent danger of being fitted for the dreaded “Chicago Overcoat,” Prohibition era slang for a coffin. The armed and deadly opponent tells Lou, “I promise you an open casket. All you can give your family now is your dead body.” Lou (Frank Vincent) defiantly responds, “F*** that! I’m going to Vegas!” and opens fire with an antique Tommy gun that is just as effective now as it was in its prime, a metaphor for the three mob hits the aging gunman has just successfully executed.

As the Q&A ended, veteran character actor Mike Starr (the hefty bowling alley employee from television’s “Ed”, 2000-2002) said, “They (the young filmmakers) have such passion. They really have it together.  You’re gonna’ be amazed.  I told the other guys, ‘You’re not getting in to some amateur production.  This is as good as it gets.”

The only question now is whether, in this depressed economy, the film can find a savvy distributor to help it recoup its $2 million budget. Todd Slater of the Los Angeles-based Huntsman Entertainment is shopping it, but, as Associate Producer Chris Charles said, “We’ve had a lot of offers from smaller companies but we’ve been waiting patiently for the right buyer.  We want an offer we can’t refuse.”

Page 4 of 6

Powered by WordPress & Theme by Anders Norén