Welcome to WeeklyWilson.com, where author/film critic Connie (Corcoran) Wilson avoids totally losing her marbles in semi-retirement by writing about film (see the Chicago Film Festival reviews and SXSW), politics and books----her own books and those of other people. You'll also find her diverging frequently to share humorous (or not-so-humorous) anecdotes and concerns. Try it! You'll like it!
Category: Of Local (Quad Cities’) InterestPage 4 of 50
The category is self-explanatory, but it would include new or old businesses, political elections, trends, restaurants in town, entertainment in town, etc.
According to the October 27th issue of “This Week” magazine:
“A giant albino rat and a foot-long otter triggered panic on a flight from Bangkok to Taipei when they escaped from a passenger’s carry-on bag and roamed the cabin. The rat bit one of the flight attendants on the VietJet flight as they tried to catch the animals. A search of the plane uncovered a box holding 28 live turtles, a snake, a marmot, two otters, and two other unidentified rodents.”
An albino rat was found on a VietJet airline flight from Bangkok to Taipei.
“The Bikeriders” screened as the closing film of the 59th Chicago International Film Festival on October 22 at the Music Box Theater with a presentation of the Artistic Career Achievement Award to Writer/Director Jeff Nichols. The film was inspired by the 1967 iconic photographs and tape recordings of photographer Danny Lyon. Writer/Director Nichols gave great praise and credit to Lyon, saying, “He really was supportive, but without being prescriptive.”
“The Bikeriders” recounts the evolution of a Midwestern motorcycle club, called the Vandals in the film. (The Outlaws, originally). The photos drove the film. The interior of one bar was actually reconstructed from Danny Lyon’s photo.
The cast is top-notch, featuring Austin Butler, Oscar-nominated for “Elvis” as Benny and Jodie Comer (“Killing Eve,” “The Last Duel”) as Kathy. Tom Hardy(“Mad Max: Fury Road,” “The Revenant”) is Johnny, the leader of the motorcycle club, which originally existed for the members to race their choppers.
Jeff Nichols at the screening of “The Bikeriders” on October 22, 2023 in Chicago. (Photo by Connie Wilson).
As Nichols (“Take Shelter,” 2011; “Mud,” 2012; “Loving,” 2016) told Jack Giroux 5 years ago, “And what I’m talking about making a movie about is its transition from this golden age of where it was less criminal and it was more just a place for outsiders to gather, but then how that kind of morphed and turned into somewhat more of a criminal organization.” He described the film as “A complete portrait of a subculture; maybe none of these guys needed to feel like outsiders, but they did.”
The cast is stellar, also featuring Michael Shannon—a close friend of Director Nichols who has made five films with him—as Zipco. The breakout star of the “West Side Story” remake Mike Faist appeared as the photographer Danny Lyon. Of Faist, Nichols said, “We were lucky to have him. I think he’s gonna’ have a great career.” Norman Reedus, from “The Walking Dead,” portrays Funny Sonny, and Boyd Holbrook (“Logan”) is Cal.
Nichols shared that the projectionist at the Music Box Theater in Chicago where the film screened was Danny Lyon’s daughter Rebecca. He also told the audience that he had only learned last week that the characters Benny and Kathy, in real life, had a son who was present for this screening.
Jodie Comer’s character of Kathy is the central character telling the story of the rise and fall of the motorcycle group from 1965 to 1973. Saying “I used to be respectable” she details how the club went from a place where motorcycle enthusiasts could get together and talk about their choppers to something more sinister.
Comer has been mentioned for a potential Oscar nod; the struggle between Kathy and Johnny for Benny’s allegiance is a central conflict in the film. Describing some of the crazy things that Austin Butler’s character of Benny does, she says, “It can’t be love. It must just be stupidity.” Describing her time riding with Benny, she says of the Vandals, “The whole point of these guys is they can’t follow the rules, but as soon as they formed, they started making up rules.”
Jeff Nichols in Chicago at the closing night of the 59th Chicago International Film Festival on October 22, 2023. (Photo by Connie Wilson).
Jeff Nichols has a way of exploring the inner rage of a character, as with Michael Shannon’s star turn in “Take Shelter.” (Shannon told me in 2017, when I asked him on the Red Carpet for “The Shape of Water,” that “Take Shelter” was his favorite role.) In the case of Austin Butler’s character, Benny, we are told “That kid’s f**ing crazy.”
He is also extremely handsome (Nichols says even more so, in person) and comes across as iconic in the book. Nichols said, “I didn’t know Austin Butler even existed when I wrote this. ‘Elvis’ hadn’t come out yet. There is calculus beyond me just thinking he’s pretty.” (laughter from the crowd). Nichols secured Norman Reedus (“The Walking Dead”) after meeting him while serving on a jury at Cannes and is friends with Tom Hardy’s manager, Jack Whigham, who is the younger brother of actor Shea Whigham (“Take Shelter,” “Waco,” “Boardwalk Empire”).
At the beginning of the evening, commenting on his nervousness, he remarked, “I know this is Mike’s town,” referencing his close friendship with Chicago native Michael Shannon (to audience approval.)
Michael Shannon on October 13, 2023 at the 59th Chicago International Film Festival.
Shannon, who heard Nichols talk about making a movie from “The Bikeriders” for years, once said, “You’ve been talking about that damn idea for so long. You’re never gonna make that s***.”
Nichols acknowledged that he had, indeed, been trying to make this film for a long time and described it as his “most ambitious” project. Five years ago he told interviewer Jack Giroux (Oct. 19, 2018), “There are just a lot of things that intimidate me about it, but I truly hope one day I’ll get my s*** together and do it.”
Well, he has, and “The Bikeriders” is very good. References to 1953’s Marlon Brando picture “The Wild One” to 1969’s “Easy Rider” to television’s “Sons of Anarchy” aside, this is an-depth look at the characters in a Midwestern motorcycle club. It is a 116-minute study of the outsiders who started the club.
Although Chicago is prominently featured, the actual shoot took place in Cincinnati, Ohio, in October of 2022, completing filming in December of 2022. It premiered at the 50th Telluride Film Festival on August 23rd.
It’s a totally compelling character study from Jeff Nichols, who has given us such great films as “Take Shelter,” “Mud,” “Loving,” and “Midnight Special.” A great addition to the motorcycle films that have gone before, fictionalized somewhat, but founded on real-life research, which makes it even more relevant and enjoyable.
May/December is a riff on the infamous Mary Kay Letourneau scandal of 1997, but that is where the similarities end. None of the information contained within this film can be taken as “true” in regards to the real couple who inspired the film. Todd Haynes directed and Natalie Portman and Julianne Moore star.
“May December” is a weird film. The tone is serio-comic, with vacillation between the two. “I’m Not There”—Haynes’ 2007 film with different actors playing Bob Dylan—was also weird. Last year, he made “The Velvet Underground,” a good straight-forward documentary. May/December is not a straight-forward anything and most definitely not a documentary.
One of the producers on this film was Will Ferrell. What does that tell you? The tone at times reminded me of Ferrell’s ice-skating movie “Blades of Glory,” except that “Blades of Glory” was actually amusing. This one, for me, was just campy, schmaltzy, and cringe-worthy.
The opening barbecue scene, where Gracie remarks “we’re going to need more hot dogs” comes off as funny only in a semi-sick way. The accompanying melodramatic music was part of the ill-advised plan to play half of this movie for laughs and half of it as serious. I hoped the film might provide insights into why something like this true life 1997 Mary Kay Letourneau incident might have occurred. The “framing device” for the film is that Natalie Portman as the character Elizabeth Berry has agreed to play Gracie (Julianne Moore) in a bio-pic; she is trying to “get inside” Gracie’s head and figure out what makes her tick.
NOT A DOCUMENTARY
The film is not a straightforward recitation (even with names changed to protect the guilty) of the infamous Mary Kay Letourneau case, involving a 34-year-old teacher who began a sexual affair with her middle school student. In real life, Mary Kay’s sixth grade student was just shy of thirteen when the two began having sex.
The story collaborators apparently thought this real-life soap opera drama would be “funny.” It didn’t seem “funny” at the time to the public. It certainly didn’t seem humorous to the families affected by that May/December coupling. It doesn’t seem funny when Gracie was Joe’s teacher. We exist in a time that has seen an increase in child pedophilia. Maybe it’s the fact that I come from a long line of teachers, but I did not find the underlying premise of the movie to be a fountain of comic moments.
Of course, the real-life couple staunchly maintained that they were merely star-crossed lovers for 20 years. It is only late in the plot that Joe begins to articulate some doubts about whether the couple love each other as much as they have claimed through those years. In one scene, Joe (Charles Melton) actually says, “I didn’t know what a big deal it was—having kids.” A strange statement from a young man whom Julianne Moore’s Gracie describes as having been “an old soul” long before she decided to hire him as her assistant at a pet shop and have her way with him in the storage room. (Not, by the way, based on the Letourneau reality.)
REAL LIFE
For those who don’t remember the Mary Kay Letourneau case, Mary Kay spent 1998 to 2004 in prison as a result of being convicted of felony second degree rape of a child. She was forever listed as a sex offender. The pair did not obey the judge’s order to have no further contact, conceived two children, and married in 2005, soon after Mary Kay was released from prison. (In real life, Mary Kay Letourneau had six children, four from her first marriage to Steve Letourneau and two with Vili Fualaau.) She and Vili remained married for 14 years, separating just one year before Mary Kay’s death at age 58 of stage four colon cancer on July 6, 2020.
Not surprisingly, Steve Letourneau, her first husband, moved to Alaska, remarried (and had morechildren) and refuses to even comment on Mary Kay. In this film, Steve Letourneau/Tom Atherton is well played by D.W. Moffett. The depiction of him is not favorable.
The letter that is read in the film by Natalie Portman (from Gracie to Joe) indicates that Gracie’s sex life in marriage number one left a lot to be desired. Once she tasted the forbidden fruit that Joe represented, she was loathe to go back to reality—or so the letter, read onscreen by Portman in a scene that made me cringe for her—seems to say.
The fact that the principals in this Romeo and Juliet doomed lovers set-up had a 22-year gap in age is not the reason for censure. There are marriages that feature couples with a large difference in age. Two very senior citizens on the Hollywood scene, major movie stars, have very recently had offspring with their much-younger paramours. Twenty-two years difference in age doesn’t even seem that large when measured against such realities.
So, the difference in age isn’t the issue. The issue is whether a minor (12 or 13) is really capable of making an informed decision when an authority figure in his or her life is suggesting a sexual relationship.Gracie/Mary Kay was put in a position of authority with her young charge and crossed the line, sexually.
Joe is constantly depicted as trying to please, placate, or serve Gracie. She is still in control. One line about Gracie, from a neighbor, is, “She always knows what she wants.” Gracie, as portrayed by Julianne Moore, has logical explanations for actions with her children, but those actions often seem very passive/aggressive. She seems very controlled and in command in the dinner parties and interactions depicted. But let some neighbors cancel their bakery order and Gracie descends into near-breakdown hysteria.
The real Mary Kay Letourneau was diagnosed with bipolar disease. She was told to take her medication and not see her young lover again. She obeyed neither of those orders from a judge, which is why she spent so long in prison. (She was sent back for disobeying the judge’s orders. Donald Trump: take note.”)
In this fictionalized case, the student is in 7th grade (not 6th) and is Korean, not Hawaiian. The pair does have children, who are about to graduate and go off to college. In real life, Mary Kay Letourneau and Vili Fualaau were married for 14 years, until they separated in 2019. They had only two children. In this film there are twins, a girl away at college, Mary at home, and what seems to be a large number of children, when her former offspring are factored in.
CAST
This film stars Julianne Moore, who won an Oscar in 2014 for playing a woman afflicted with Alzheimer’s disease, “Still Alice..” She has appeared in 107 films. She has made many, many wonderful films; the subject matter of many is often racy (“Boogie Nights” comes to mind.) I felt sorry that she had to appear in this one, which, for me, fell flat.
Similarly, Oscar-winner (“The Black Swan”) Natalie Portman appears as an actress named Elizabeth Berry, a celebrity with a TV show about animals called “Nora’s Ark”, who has been hired to portray Julianne’s character of Gracie in the upcoming bio-pic. She wants to get close to the real Gracie. Gracie and Joe allow her to come to their home. (And what a home it is, for a couple with a wife who only bakes for others and a husband who appears to perhaps be an X-ray technician. How do they afford this elegant home in Savannah, Georgia? How are they going to pay for at least four kids in college simultaneously?)
The young man who portrays Julianne’s young husband (22 years younger in the real Letourneaucase) is Charles Melton as Joe Yoo. He does what he can with this part, as do the two experienced actresses. Charles Melton is one of the few bright spots in the film, but he still provokes gales of laughter because the scripted things he is given to say are that bad.
MUSIC
From the moment we see a butterfly chrysalis onscreen (Joe is interested in helping re-populate theMonarch population) and the ponderous, schmaltzy music begins playing, you think, “What the f___?” Marcelo Zarvos wrote original music and adapted Michel LeGrand’s melodies from “The Go-Between.” The music is heavy-handed and melodramatic.
Later, in a café scene, we see one of Gracie’s children from her first marriage, Georgie (memorably played by CoryMichael Smith), singing. The lyrics “Oh, Baby, I love your ways” float over to us, before Georgie delivers the cringe-worthy line, “I’m a Phoenix rising from the ashes.” (Yikes! Who talks like that in real life?)
WORST SCENES
There are so many awkward, uncomfortable scenes that I hate to single out the back room of a pet shop, where the duo was supposedly caught in flagrante delecto, or the other questionable scenes, meant to be comic. Natalie Portman seemed to get more of the truly execrable scenes than Julianne, including one where she relives the storage room romance of the pet shop all by herself, writhing and moaning with wild bird noises in the background. And there’s the one where she faces the camera and has to deliver a bad monologue that was a letter Gracie wrote to Joe. There is also her inappropriate description of playing sex scenes, delivered to a high school class where Mary Atherton, Gracie’s daughter, is in the audience.
Nothing about the situation seemed “funny,” to me, especially since so many lives, including those of six children, were negatively impacted. There are actually two bad pet shop scenes, one involving a snake. Which is worse? You decide if you watch this on Netflix when it begins streaming on December 1st, or in a theater beginning November 17th.
BEST SCENES
One shot showed Joe looking through a wire fence at his graduating children. That one, with its symbolism, was interesting. But on the very day her children are graduating, we see Julianne Moore as Gracie, accompanied by two Russian wolfhounds, stalking the land while holding a rifle. (A WTF moment.) A fox is on one side of the field. Julianne and the fox exchange glances. Oh. My. God. (Just shoot me now, Julianne).
When Charles Melton asks his oldest son, Charlie Atherton-Yoo (Gabriel Chung), if he is sad that Charlie is soon going to be leaving for college, the young man says he is very happy to be leaving. [Can’t blame him there.]
The cinematography by Christopher Blauvelt (“Emma,” “Zodiac”) was good and the Savannah, Georgia area photographs beautifully. It is shot on 16-millimeter film. Haynes’ usual cinematographer is Ed Lachmann (“Far From Heaven,” 2002; “Carol,” 2015).
UNDERLYING POV
The opening scenes of the film seem to promote a picture of Gracie as loving and committed to her marriage to the much younger Joe. However, her abandoned son, Georgie (from her first marriage) tells Natalie Portman, “Lady, she’s messed up in the head.” He relates tales of early incest abuse by his mother’s older brothers, but we never know whether that is true or false.
Indeed, there is evidence that supports Gracie and Joe as loving parents, but the real Mary Kay Letourneau was diagnosed as bi-polar and essentially abandoned her husband four kids for a twelve-year-old. Not exactly comic fodder; who thought this would make for a good movie that is half comic and half serious?
GRACIE’S LESS MATERNAL MOMENTS
Mary Kay gifts her daughter who is going off to college with a scale. She implies to a younger sister Mary (Elizabeth Yu) that her arms are fat, as the daughter tries on dresses for graduation. Gracie also loses it over a canceled baking goods order. It seems that baking is what Gracie does well; Friends in the area order things from her out of good will. The comic/not that funny line is, “How many pineapple upside-down cakes can a family eat?”
It also brings up the valid question, “So, is the community generally supportive of Joe and Gracie, as with the ordering of baked goods, or does she receive more packages of canine feces than orders for baked goods?” It’s also valid to ask, “How do they afford this big house with the small pool and the ocean view and also sending multiple children off to college at the same time? Where is the money coming from?”
Early on, a neighbor tells Natalie Portman as Elizabeth to “be kind” in her portrayal of Gracie. The film doesn’t seem to have made up its mind about whether or not the mis-matched couple has really been accepted, since Elizabeth, upon arrival, brings a package she found outside the house containing dog feces, only to learn that it is a routine occurrence for such packages to be left there.
This didn’t seem all that humorous, or all that accepting or forgiving on the part of the community.
CONCLUSION
I felt embarrassed for two such fine actresses to be appearing in this movie. It has nothing to do with disapproval of the theme. One of Julianne Moore’s All Time Best roles was in “Boogie Nights,” a classic about the pornographic film industry.This film is not a classic and whoever had the idea to make it half-funny/half-serious should rethink that decision. The tone is all over the place. The only people who seemed to be enjoying it were mocking the many cringe-worthy scenes or statements.
The only way to think you haven’t wasted your time sitting through this is if you mock it. I didn’t want to mock it. I respect the actresses in the lead roles too much. I just wish they had had a better script or at least one that picked a consistent tone that came through clearly. Samy Burch and Alex Mechanik wrote the story and Samy Burch scripted. Shame on them
I was very disappointed by this movie. However, this line from the film applies, “Keep your expectations low and you’ll never be disappointed.”
Unfortunately for me, I had higher expectations for something that might give us a bit of an idea what the real life of Mary Kay Letourneau might have been like after crossing society’s boundaries in 1997. I just felt sorry that these two talented performers somehow ended up in this, after all their good work throughout the years. The film screened at the 59th Chicago International Film Festival on October 18, 2023.
The “best” part of the movie is the trailer. After that, it’s either laugh or cry.
“Minnie Pearl: Facing the Laughter”, directed by Barbara Hall, an 89-minute 7-year labor of love, screened at the Nashville Film Festival on Monday, October 2nd, 2023. Those singing the praises of Sarah Ophelia Colley Cannon were a Who’s Who of Country Music. Minnie Pearl as a character appeared on the Grand Ole Opry from 1940 to 1991. She was invited to become a member after her very first appearance on the show. She appeared on the television show “Hee Haw” from 1969 to 1991. Her early education at Belmont College and her years spent traveling a rural circuit in 7 rural areas and performing for as little as $50 a week, often with Roy Acuff, were described.
Who was Minnie Pearl? What was her “brand?”
Today’s youth—[much like those who have no idea who Shere Hite of “The Hite Report” was]—-don’t know Minnie Pearl. We learned this from an instructor at Belmont during the Q&A. However, her unique branding of the straw hat with the price tag still attached remains. Some in their tributes to what a nice person she was said they felt she would be better recognized than Carol Burnett or Mary Tyler Moore. They quantified that comment, saying she would be better identified in profile, with the omnipresent price tag still hanging from her hat. Comments that she didn’t want the same kind of fame as those better-known female pioneers should be taken with a grain of salt.
The Minnie Pearl of the Grand Ole Opry was described as “a transformative figure.” Barbi Benton (better known as Hugh Hefner’s long-timegirlfriend), who knew Sarah from appearing with her on “Hee Haw” said, “She was a woman who had absolutely no style.” That was meant in a flattering way. Minnie Pearl gave voice to country women who were ordinary looking and considered hillbillies. She was a pioneer for future female comedians, using racy, sexual innuendo and dressing her intelligence and beauty down with a hearty “How-dy!” greeting, while attired in the plain cotton sun dress and straw hat that became her tademarks.
Minnie Pearl as a “Real” Person
What came through most clearly is that Sarah/Minnie was a very nice person. She was inclusive when it was not the norm. She comforted other country performers when they were at their lowest. One, in particular, who choked up when offering his opinions on the woman was Dwight Yoakam. Garth Brooks also seemed to have forged deep bonds with Sarah/Minnie.
Among the more interesting testimonials was that of the recently deceased Paul Reubens (Pee Wee Herman), who pointed out that Sarah and he had alternate personas. The fame of her alternate persona Minnie Pearl sustained her for decades. The filmmakers said that the problem was not getting famous people to sing her praises, but trying to accommodate all of those who wished to participate. She was described as having “befriended everyone” and praised as someone who showed many other people how to be genuine, sweet and amazing. Paul Reubens, in particular, cited Minnie Pearl’s “realness, believability, and genuineness.”
Barbara Hall, Director of “Minnie Pearl: Facing the Laughter” at the Nashville Film Festival.
The real Sarah was said to exhibit elegance, grace, kindness and humility. Her longstanding marriage to a pilot, Henry Ripperton, was covered, with director Barbara Hall saying, “It’s so hard to tell a whole life in 90 minutes.” Ms. Hall added, “I felt she was really an open book about her life and there were really no deep, dark secrets.” She described her part in the production as being “an honor” and said she was “very grateful” to have been part of the project.
Interesting Things Learned Accidentally
Paul Reubens—better known as Pee Wee Herman—was a close friend of Minnie Pearl’s. Also, Paul Reubens has a sister in Nashville who is a prominent civil rights attorney.
Dwight Yoakam gave praise for as long as 2 hours. Many Kleenex helped him through his emotional testimony. Indeed, he paused so long at one point in his effusive memorial to Minnie Pearl that we thought he had fallen asleep.
Garth Brooks really, really liked Minnie Pearl. He said that, from her, he had learned how to treat his fans. Not sure if Garth is held in as high esteem in country music circles since the beer can female impersonator incident (look it up), but he was very eloquent in his praise of Minnie Pearl as a female pioneer.
Other luminaries offering praise: Amy Grant (who named her daughter Sarah after Minnie Pearl); Dolly Parton; k.d. lang;Kenny Rogers, Willie Nelson; Tanya Tucker; Reba McEntire; Brenda Lee; Ray Stevens; Roy Acuff; Barbi Benton and many, many more.
Sarah’s only education was at the finishing school in Nashville known then as Ward-Belmont School. Belmont had a strong drama program, and Sarah’s original goal was to be a dramatic actress. It is known today as Belmont College and is my daughter’s alma mater.One of Sarah’s early instructors at Belmont told her: “You’ll bruise the tips of your fingers on the tips of stars, but you won’t ever be a star.” [So much for the prescience of his or her crystal ball.]
Later Years
Sarah’s health declined as her career wound down, with a breast cancer diagnosis and strokes. She donated the money to found the Sarah Cannon Cancer Institute. The documentary makes the statement that she was one of the few, aside from Betty Ford, who allowed her name to be used to help others with their disease. I immediately thought of several others who have done the same: Olivia Newton-John, Danny Thomas and celebrities like Michael J. Fox, Mary Tyler Moore, Nick Jonas, and Halley Berry who have lent their name or star power to helping others suffering from the same disease. Not every celebrity started an actual hospital (although Olivia Newton-John did) but there are many instances of famous folk supporting research aimed at their disease.
The Verdict
Well-done archival footage that will help introduce younger generations to a pioneer female comic. Interesting and entertaining. I am old enough to remember Minnie Pearl and rural enough (Iowa) to feel her brand of humor was aimed at me, but I was more of a “Laugh In” girl. It is a well-done puff piece, in large part because so many celebrities sincerely liked the real person.
Minnie Pearl’s advice to other performers (“Love them and they’ll love you back.”) is much needed today.
I just watched the second GOP debate. I feel like I need a shower and a stiff drink. Maybe some ear plugs, too, since at least four of the seven candidates for the Republican nomination for president were usually talking at once.
We watched the debate on Fox “live,” as it was held from the Ronald Reagan Presidential Library in Simi Valley, California because I’m in Nashville for the film festival, which starts tomorrow, and the daughter’s set has mainly streaming services. We finally located it “live” on YouTube.
A British guy named Stuart Varney started this cluster-f*** off by totally mangling the name of his Hispanic co-host, Ilia Calderone of Noticias Univision. How Ms. Calderone got on this panel is a good question; she did bring some interesting questions to the candidates, including one on LGBQT people that saw Mike Pence move from a statement about protecting all Americans to one saying he would ban all transgender efforts in the United States. It’s quite a stretch from asking how you would protect LGBQT Americans, who, Ms. Calderone noted, are far more likely to be violently attacked, to vowing to attack them yourself using legal means. (Yikes!)
The three hosts were Ilia Calderone and Dana Perino and the British badly balding Stuart Varney. Not the “A” team.
Not only did Varney basically mutilate Ms. Calderone’s name in a fashion that we hadn’t heard since John Travolta mispronounced Idina Menzel’s name as Adele Dazeem at the 2014 Oscars, but Varney had absolutely no control over the combatants, although he kicked off the evening by saying, “Keep it civilized.” (Ha!)
I switched between a YouTube Live showing of the contestants and what we used to call Twitter (now “X”). Several “X” users had posted pictures of Vivek Ramaswamy’s mile-high hair next to pictures of Beavis or Butthead. (I can never tell them apart; not a regular fan.) One other “X” user had posted a picture of Vivek’s mile-high hair next to an Afro wearer, mentioning that Ramaswamy was really trying hard to get the Black vote tonight.
One analyst commented on Tim Scott’s dumb take on the UAW strike, saying something to the effect that they (the auto workers) should get fired like the air traffic controllers were fired under Reagan. Citing $86 billion in aid for union pensions, (which Scott claimed was “the1 st bill under Joe Biden,”) Scott criticized the auto workers desire for shorter work week but more pay and added, “Joe Biden shouldn’t be on the picket line. He should be on the Southern border.” Apparently Tim Scott has missed out on hearing about the phenomenal salaries that the Big Three CEO’s are pulling down, while, because of the financial crisis in 2008/2009, auto workers gave up many perks of their jobs at that time to help save the car companies and now would like a fair share of the record profits they are raking in. The GOP haranguing against unions is nothing new, however. I was surprised that they didn’t attempt to drag teachers’ unions through the mud with mis-statements, once again.
As the MSNBC analysts pointed out, to hear these candidates tonight, the very worst thing that Donald J. Trump has done is to not show up for the GOP debate. No mention of his planning and executing a coup. No mention of his recent suggestion that General Mark Milley be executed or his willingness to let his VP be hanged on January 6th. This ignoring the elephant in the room seems to be the norm of the new Republican party. Tonight Trump took heat from several of the candidates, including Ron DeSantis, who had meticulously avoided criticizing Trump by name until tonight, but only for his failure to appear to shout over the others. No harsh words for the man about his 91 criminal indictments or how he was recently found guilty of decades of fraud in his business practices, other than wondering why he couldn’t be here this night to join in the general chaos and talk over the other candidates, which he most certainly would have done. (My daughter wanted to know when civility and behaving in a polite fashion while debating went out of style, and my answer was, “When the GOP elevated a con-man like Donald Trump to the top spot in their party.” Which, by the way, he still occupies, even if his hold on the party is tenuous as the charges against him mount.
IMHO, it was very difficult to understand Ilia Calderon. And Stuart Varney just seemed out of his element. Dana Perino seemed to perform the best of the three moderators, but all were underwhelming.
There was a lot of criticism of the failure to control immigration at the border, with very little acknowledgement of how longstanding a problem this is. It is not just Joe Biden who has dropped the ball on immigration reform. The system is broken and Congress needs to act to fix it, but never let the truth get in the way of a good debate.
Both Mike Pence and others threw shade at Ramaswamy for doing business with China as an entrepreneur. If I heard correctly, Ramaswamyy had done business with the same organization that Hunter Biden is accused of doing business with. Pence, mentioning that Ramaswamy had withdrawn from the business deal with China in 2018, asked if that was the year Vivek began voting for president. Ramaswamy took a lot of incoming; he seemed in high spirits throughout. Ramaswamy and Chris Christie laughed at the chaos unleashed by the complete disregard for civility that these debates seem to have devolved into, with Christie literally lounging against the lectern with a big smile on his face when things were going down the tubes.
Most of the specific mentions of policies were one candidate attacking another, as when Haley attacked DeSantis or Scott attacked Haley over a gas tax. (I liked Nikki Haley’s remark of “Bring it” and how hard she worked to correct the misinformation about a gas tax in her state.)
Some mentioned that the Hispanic moderator brought up some facts that Fox viewers do not normally get to hear, like the fact that 90% of illegal drugs are sought by purchasers in the U.S. and are caught at the border (so much for the tough talk on how tough each would be on the drug cartels) or how LGBQT people are more likely to become victims of vicious attacks.
One of my favorite moments was when Chris Christie looked directly into the camera, saying that he knew DJT would be watching, and then said, of Donald J. Trump, “He’s divided people all over this country. He needs to be voted off the island and be voted out of this process.”
Neither Christie nor Burgum got much of a chance to contribute, tonight, even when the topic was something that Burgum of North Dakota claimed expertise in, energy security. This despite the fact that Nikki Haley said, “Energy security is national security.” Pence, who looked extremely tired this evening, noted that, during his stint as Vice President under the man who plotted to overthrow our national election, we (the U.S.) became a national exporter of energy for “the first time in 75 years.” Pence did not seem to give much credence to the fact that our dependence on fossil fuels has contributed to the wacky weather that we have all experienced this past year, (including the hottest day on the planet in July). The Biden administration’s attempts to move us off fossil fuels and onto other alternatives, plus the efforts to get the United States car manufacturers making electric vehicles (which China is way ahead of us on doing) is directly linked to the global warming that human mistreatment of the planet, including using coal and oil instead of wind or nuclear or solar power], has created.
I hope that someone more dedicated than me investigates whether Floridians did or did not get to vote on fracking before DeSantis’s actions on fracking and drilling. There was a heated debate between Nikki Haley and DeSantis on that very point; she seemed to be winning. DeSantis, in the manner of politicians from forever, fielded a question about the cost of college by pivoting to his own educational achievements and his military record (“I’ll be the first person since 1988 who has also served.”) It was absolutely not answering the question asked and smacked of a self-serving stroll down memory lane
I wish that Cassidy Hutchison’s insights into the January 6th riots had been viewed by as many people as viewed tonight’s so-called “debate” because they were far more relevant to selecting the right people to run our country in 2024.
The Chicago International Film Festival’s 59th iteration will screen at 8 locations in Chicago commencing October 11th. In a preview of the full range of offerings on September 18th at the AMC Newcity Theatres on North Clyburn Avenue.
Other venues where films will be screened this year include the historic Music Box Theater, the Chicago History Museum, the Gene Siskel Film Center, the Museum of Contemporary Art, the Reva and David Logan Center for the Arts at the University of Chicago, and some other pop-up venues on the South and West sides of the city.
In other years, nearly all films have been shown at a central location, the AMC Theater on Illinois. I learned that I could make it from my condo to the venue in about fifteen minutes, but the cost of parking has exceeded the cost of tickets in recent years. It appears that the large AMC Theater may have priced itself out of the market. I was also told that they are renovating the theater (and removing many seats), which had been all the buzz before the pandemic hit, i.e., will the AMC go belly-up as a result of their ambitious upgrading plans and the costs of same at a bad time, historically. I was told that the AMC New City Theater had previously existed under a different owner and was snapped up by AMC.
While it took me over an hour to drive from the Field Museum to the North Clyburn Avenue location for a 6:30 p.m. meeting (i.e., during Rush Hour), I was able to park for free on the street and there are restaurants within the New City complex that could make killing time between films much easier. There weren’t many good places near the large AMC complex, and the good ones like P.J. O’Rourkes often closed.
I went back to the beginning of my Weekly Wilson blog and found reviews from 2007 on. I think I actually reviewed cinema offerings earlier than that, but not on my own blog. Now, of course, I publish here and on The Movie Blog.
Director Mimi Plauche and Sir Henry Branagh at the Music Box Theater on Opening Night of his film “Belfast.”
This year, the panels picking what we will be able to see reviewed 7,500 films before boiling it down to 57 offerings. There were 5,500 short films that were viewed to narrow the offering to 99 shorts. The films came in from 123 countries and the Opening Night film will be “We Grown Now,” directed by Minhal Baig and starring Jurnee Smollett as Dolores, the mother of a young Black boy in the Cabrini-Green Housing Project who must decide whether to stay or move away.
Tickets this year run $35 for Opening/Closing Nights, and $23 for Special Presentations. A general screening, if you are a member of Cinema Chicago, is $18 and $22 if you are not a Cinema Chicago member.
It is my fervent hope that the parking this year will be cheaper, as it had really gotten out of hand last year.
Nashville Film Festival September 28th through October 4th, 2023.
The Nashville Film Festival commences September 28th, and I will be there, in person, covering it. It runs from September 28th until October 4th. The Nashville Film Festival presents more than 125 film screenings, a selection of post-film Q&As and in-depth discussions with attending filmmakers.
NashFilm hosts events and programs that highlight the many aspects of filmmaking, including: a Screenwriting Competition (September 28-October 4); a Music Supervisors Program; the Creators Conference (film and music industry panels; and live music performances and new artist showcases throughout the week.
The festival opens with the documentary “I Will Survive,” from 6 to 8 p.m. at the Belcourt Theatre in Nashville. It is the story of the career and resurgence of Gloria Gaynor and Gaynor, plus director Betsy Schechter will be present at the post-party afterwards at Anzie Blue.
On Friday, in addition to composer Mark Isham (“Crash”) in conference, the short “The Hit Man” (18 minutes) with Richard Kind and Peter Riegert and Nancy Allen screens at the Rothschild Black Box Theatre. Later that night, “Another Body,” about a coed who finds fake nude photos of herself online, will show at the same theater.
Saturday, 9/30, a Joan Baez documentary (“I Am A Noise”) is up, along with a documentary entitled “The Disappearance of Sheri Hite.” (Sheri Hite wrote a groundbreaking book on female sexuality and then largely disappeared from public view.)
Sunday, October 1st, I am looking forward to some documentary shorts, as well as David Straithorn in “Remember This.” David Strathairn portrays Jan Karski in this genre-defying true story of a reluctant World War II hero and Holocaust witness. After surviving the devastation of the Blitzkrieg, Karski swears allegiance to the Polish Underground and risks his life to carry the first eyewitness reports of war-torn Poland to the Western world, and ultimately, the Oval Office. Escaping a Gestapo prison, bearing witness to the despair of the Warsaw ghetto and confronted by the inhumanity of a death camp, Karski endures unspeakable mental anguish and physical torture to stand tall in the halls of power and speak the truth.
Monday, October 2nd, brings a Minnie Pearl documentary, “Facing the Laughter” and a documentary entitled “The Tuba Thieves,” about real-life thefts of that instrument in California.
Tuesday, October 3rd, is a day to do some streaming, with many options there.
Wednesday, October 4th is closing night at the Belcourt, featuring the film “Foe” with Saiorse Ronan, with a closing night party at Exit/In. Earlier, there is a documentary entitled “Silver Dollar Road,” also at the Belcourt, From Academy-Award Nominee Raoul Peck, Silver Dollar Road follows the story of the Reels family as told by the matriarch Mamie Reels Ellison and her niece Kim Renee Duhon, two fierce and clear-eyed women bending to safeguard valiantly their ancestors’ land and their brothers and uncles Melvin and Licurtis, who were wrongfully imprisoned for eight years – the longest sentence for civil contempt in North Carolina history.
After much vacillating, I committed to spending my entire Sunday, September 10th, in the streets of Chicago selling books at Printers’ Row.
I have done Printers’ Row with the Illinois Presswomen group for years, but last year, when I selected Sunday, it rained buckets. I took one look out the window and realized that we would not be journeying to Printers’ Row that day.
So, scratch Printers’ Row, 2022.
I had selected Sunday because it was $10 cheaper than Saturday, which was also true this year; it cost $130 to be present at the booth from 10 a.m. until 6 p.m. My Presswomen group does not allow you to purchase half of the 8 hour time, which is unfortunate. I am good for 4 hours. In other years, have split up the time from 10 to 2 and 2 to 6, with me taking the late time. The plan was to pay me for ½ of the $130 fee when I showed up to relieve the first author in the morning slot.
This worked out well until the year before the downpour, when people who had said they would show up and man the booth from 10 to 2 bailed at the last minute. It was too late for me to secure another partner. This left me holding the bag
Ellie the Elephant and Elena Ashley.
for the entire day, which is exactly what happened this year. If I am “out” $65, I have a good chance of breaking even. Not so at $130.
I got up at 9 a.m. and was at the booth by 10 a.m.
By 2 p.m. I was ready to quit, but I continued until 5:05 p.m.
Considering that I am only able to stay awake for about four hours, this 9-hour shift pretty much wiped me out. I am not up to full strength after 33 radiation sessions for cancer. The Tamoxifen I have most recently been taking has a known side effect of extreme exhaustion. I just had blood work done on August 30th to determine why I am only really “alert” for 4 hours.
My spot at the table was between a fun African American group selling books for $10 (like me) with a “one book for $5” offer and the words “gasp” frequently repeated, and a woman with a large stuffed elephant, who gave me a handout that said her name was Dr. Elena Ashley. I asked the author to my left if she had ever taught school about three times. I never really received a response that pinned that down, although Ms. Ashley has written “A Teaching Guide for Educators and Parents.” The characters in her books are apparently named Splunkkunio Splunkey, Detective and Peacemaker and Big Bully Holly Howler, in addition to Ellie the Elephant.
The stuffed elephant was quite large and Dr. Ashley kept speaking in a high voice to simulate “Ellie the Elephant.” As someone who used to travel with a costumed Cat in the Hat, I understand the desire to attract children with such ploys (although, in my own case, it caused very small children to run screaming from the library!), but listening to someone talk in a high falsetto voice for 6 straight hours can really be a trial. I may have been heard to mutter “Just shoot me now” after five hours of Ellie the Elephant.
I didn’t have as much table space as the elephant lady, because she had gotten there first. At various times she had her husband and a young African American child pulled up to the table on chairs. I felt like you do on a crowded airplane flight when you have nowhere to put your feet, because you have stuffed your purse under the seat in front of you and other stuff under the middle seat. In my own case, I had a large yellow bag with prop-up things for my books and table cloths and change boxes and my charged Square device. All had to be stuffed under the table, because of the 3 occupied chairs to my left and behind me.
Most of the people in my vicinity complained that the price of parking their car had escalated dramatically from $20 to $80. My spouse dropped me off and picked me back up; that went well, saving us $80. I also took my own lunch, which probably saved me a large amount, also. As usual, Art Brauer, our President, had done a great job setting up the booth and providing water and chips. (Thanks, Art.)
I never anticipate making any money at Printers’ Row. My goal is always to break even and to participate. I can’t make many of the Presswomen meetings, so this is something I can and should do.
I met a lovely woman from LeClaire, who had actually read all 3 of my “The Color of Evil” novels and talked about her plans to open a bookstore/tequila bar in LeClaire once she retires from her duties teaching at Pleasant Valley High School. I also met a political science professor, who said he was considering using my “Obama’s Odyssey: The 2008 Race for the White House” (Vols. I & II) as a text in his classes. Both of these were nice developments, but, if you want to measure my day in dollars earned, I made $65, having spent $130. However, as mentioned, if this had been a “normal” year, my investment would have been ½ of the time, or $65, and that means I broke even, like most years.
A lot of work to just “break even” but I’m told I need to “get out there” more.
I also picked up about 10 new names for the mailing list, which is now topping 6,000 names.
My son (Scott) and his wife (Jessica) and their girls (14-year-old twins Ava and Elise) just concluded another successful Family Fest at their home in Austin, Texas.
People normally fly in from St. Louis, Denver, the Quad Cities, Boston, Nashville and our numbers have been as high as 30, although this year there were some defections in the ranks and we topped out at 14.
Of that number, eleven slept at his house and three of us commuted back and forth from the Hills of Bear Creek (Mench aaca) 3.3 miles away.
On Sunday, most of the group floated for 3 and ½ hours down a river in inner tubes. I think it was the Calumne River, but don’t quote me on that.
Son Scott grilled many things: sausage, ribs, brisket. Jessica made many delicious side dishes and I contributed a Texas sheet cake and deviled eggs. On Labor Day we had a birthday cake for the 2-year-old, Winnie Eddy.
Craig, Connie, Stacey, Megan (blue suit kids).
The Ken Paxton impeachment trial is ongoing, creating a major political scandal in the Longhorn state. The “New York Times” was covering it on an hourly basis.
There was a shoot-out in nearby Buda today and the temperature here is predicted to top 100 degrees for the foreseeable future.
Most days and nights, we staked out the pool, playing water volleyball, bags, and other games. Only one board game was used, Baby boomers versus Millennials, which was way too easy.
A birthday cake was secured for Winnie Eddy, the youngest member of the group, who had recently turned two.
Wrigley, the dog, had a good time and neighbors Bill Kohl and Satch and Brandi Nanda and daughter Kira stopped by, along with the Beans from next door, who came with Jackson, Penny and Milly in tow. (Penny was very excited about the idea of a baby in the house.)
“No Labels’ attacks are the kind of division the country needs less of right now, and it’s a betrayal of every moderate and every problem solver in Congress,” Rep. Brad Schneider said. | Samuel Corum/Getty Images
A group of House Democrats with ties to No Labels is turning on the centrist group after it attacked one of their founding members.
No Labels texted people who live in the district of Rep. Brad Schneider (D-Ill.), criticizing the congressman for scoffing at their idea for a unity presidential ticket and claiming it could result in Donald Trump’s return to the presidency.
The information (above) is something I sought out after listening to the Sunday, August 27th, episode of “Meet the Press.” During the waning moments of the show (which I always tape) there was a spirited debate between one of the founders of the No Labels movement and an individual responsible for a Democratic largely reader-written blog that is currently being sued by Robert F. Kennedy, Jr., for reporting on some of his positions and appearances, “Daily Kos.” (Even RFK, Jr.’s family is upset that he is running, because of his tendency to embrace fringe theories.)
Since polls have found that somewhere around 65% to 75% of Americans do not want either of the leading candidates—Trump or Biden—to run, the No Labels group claimed to be attempting to field other candidates for President. Chief among those mentioned were Joe Manchin (D., W.Va.) and Governor Chris Sununu. The spokesman on “Meet the Press” said that they would be interviewing candidates in March/April and making an announcement after that.
What the No Labels group claims it is doing is offering candidates to the public that they actually want to vote for.
What they may, actually, be trying to do is to act as a ‘spoiler’ group, assuring that no candidate gets to 270 Electoral College votes. That would send the choice of the president to the House of Representatives, which is currently GOP dominated. There hasn’t been a successful third party challenge of the magnitude of Teddy Roosevelt’s Bull Moose party for decades, although the next-closest attempt occurred when Ross Perot attempted the feat in 1996.
Former GOP stragegist and Lincoln Project co-founder Rick Wilson argues that No Labels’ “centrist do-gooder” position is deeply misleading. “What could possibly go wrong?” he asks. “The thing that could go wrong is the election of Donald Trump.”
“Mother Jones” did a run-down of who is financially behind “No Labels” here: https://www.motherjones.com/politics/2023/06/no-labels-exposed-heres-a-list-of-donors-funding-its-effort-to-disrupt-the-2024-race/
I just watched the second GOP debate. I feel like I need a shower and a stiff drink. Maybe some ear plugs, too, since at least four of the seven candidates for the Republican nomination for president were usually talking at once.
As the MSNBC analysts pointed out, to hear these candidates tonight, the very worst thing that Donald J. Trump has done is to not show up for the GOP debate. No mention of his planning and executing a coup. No mention of his recent suggestion that General Mark Milley be executed or his willingness to let his VP be hanged on January 6th. This ignoring the elephant in the room seems to be the norm of the new Republican party. Tonight Trump took heat from several of the candidates, including Ron DeSantis, who had meticulously avoided criticizing Trump by name until tonight, but only for his failure to appear to shout over the others. No harsh words for the man about his 91 criminal indictments or how he was recently found guilty of decades of fraud in his business practices, other than wondering why he couldn’t be here this night to join in the general chaos and talk over the other candidates, which he most certainly would have done. (My daughter wanted to know when civility and behaving in a polite fashion while debating went out of style, and my answer was, “When the GOP elevated a con-man like Donald Trump to the top spot in their party.” Which, by the way, he still occupies, even if his hold on the party is tenuous as the charges against him mount.
While it took me over an hour to drive from the Field Museum to the North Clyburn Avenue location for a 6:30 p.m. meeting (i.e., during Rush Hour), I was able to park for free on the street and there are restaurants within the New City complex that could make killing time between films much easier. There weren’t many good places near the large AMC complex, and the good ones like P.J. O’Rourkes often closed.
The stuffed elephant was quite large and Dr. Ashley kept speaking in a high voice to simulate “Ellie the Elephant.” As someone who used to travel with a costumed Cat in the Hat, I understand the desire to attract children with such ploys (although, in my own case, it caused very small children to run screaming from the library!), but listening to someone talk in a high falsetto voice for 6 straight hours can really be a trial. I may have been heard to mutter “Just shoot me now” after five hours of Ellie the Elephant.
My son (Scott) and his wife (Jessica) and their girls (14-year-old twins Ava and Elise) just concluded another successful Family Fest at their home in Austin, Texas.
Wrigley, the dog, had a good time and neighbors Bill Kohl and Satch and Brandi Nanda and daughter Kira stopped by, along with the Beans from next door, who came with Jackson, Penny and Milly in tow. (Penny was very excited about the idea of a baby in the house.)
A good time was 
had by all.
