Jason Reitman brought his newest film, “Saturday Night,” a re-enactment of the opening night (October 11, 1975) when “Saturday Night Live” went on the air “live” for the first time to the Nashville Film Festival on September 21, 2024. When “Saturday Night” played to a packed house at the Nashville Film Festival, Writer/Director Reitman brought casting director John Papsidera with him. That was a master stroke, because this re-enactment of the opening night of “Saturday Night Live,” boasts a star-studded cast. There are so many up-and-coming young talents (and established talents, like Willem Dafoe and J.K. Simmons) involved, that it is almost impossible to list them all. But it’s worth trying, so you can keep an eye out for the identities of the over 80 speaking parts, figure out who that individual was (in historical terms), and marvel at the job that casting them all must have represented.
THE CAST
The plot is told through the eyes of the creator of “Saturday Night Live,” Lorne Michaels. Michaels is played by Gabriel LaBelle, who was cast as young Steven Spielberg in “The Fabelmans” (2022). Jon Batiste plays Billy Preston; Kaia Gerber (daughter of Cindy Crawford) is Jacqueline Carlin; Finn Wolfhard (“Stranger Things”) portrays an unnamed NBC page; Lamorne Morris (recent Emmy winner for “Fargo”) is Garrett Morris; Tommy Dewey (“Casual”) is head writer Michael O’Donoghue; Nicolas Braun (“Succession”) handles two roles, as Jim Henson and Andy Kaufman; Matthew Rhys (“The Americans”) is George Carlin; Cooper Hoffman (“Licorice Pizza”) plays Dick Ebersol; Andrew Barth Feldman (“No Hard Feelings”) is Neil Levy; Taylor Gray (“Star Wars: Rebels”) is Al Franken; Rachel Sennott (“Bottoms”) is Lorne Michaels’ first wife, Rosie Shuster, and Dylan O’Brien (“The Maze Runner,” 2014) is Dan Aykroyd. I’m certain I’ve failed to properly mention all of the up-and-coming stars of tomorrow in the film about 1975’s up-and-coming stars of tomorrow, but you’ll want to see how close the actors come, appearance-wise, to the real stars of “SNL.”
(L to R) Casting Director John Papsidera, Connie Wilson, and Writer/Director Jason Reitman in Nashville at the Nashville Film Festival showing of “Saturday Night” on September 21, 2024.
There are over 80 speaking parts in the film. John Papsidera (a sometimes Nashville resident), who also worked on “Oppenheimer,” described that as a huge number. The most difficult cast member to decide upon turned out to be Dan Aykroyd,(said the duo in the Q&A after the screening). Finding the right actor to play Aykroyd took the longest and turned out to be the most difficult. With the others, they said, they “tried to find the essence of the person. The movie is about who they are.” The key was to find one main characteristic per character, so Chevy Chase was primarily portrayed as egotistical. Garrick Morris was trying to identify how he fit in amongst the cast. O’Donaghue displayed the ability to say the nastiest things but have them come from a place of humor. Gilda Radner was always taking care of others.
THE PERFECT DIRECTOR FOR THE FILM
Back in 2007, right after “Juno” had made waves for Reitman, garnering Best Director and Best Picture Oscar nominations, Jason was asked what he wanted to do next. He mentioned his desire to write for SNL (as well as continuing to direct.) Jason was given a one-night stand opportunity to participate in the behind-the-scenes goings on writing for one SNL episode. He shared that Ashton Kutcher was the host (and starred in the skit Reitman wrote, entitled “Death by Chocolate”) and Gnarls Barkley was the musical guest “which gives you an idea what decade it was,” laughed Reitman. The cast members were discouraged from interacting with their real-life counterparts during shooting—(assuming the original was still alive.)
SETS
Writer/Director Jason Reitman.
Reitman shared this, “We rebuilt the 8th and 9th floors of Rockefeller Center from the original floor plans. We lived on that set for 2 months.” Various catastrophes present themselves in the hour leading up to the first broadcast. As the press notes say: “The writers are stoned. The sound system is f*****. The actors are physically assaulting each other. The crew is in open revolt. They have 90 minutes to get their shit together or the network is pulling the plug.” It’s just a good thing that Lorne Michaels “believes in his vision and he doesn’t really bend.” Many wonder if the fabled creator of “SNL” will bend after this season and pass the torch to a new generation. After all, it’s been a good year for creative visionaries who believe in their visions to step back from power and hand off the baton to their subordinates.
THE SCORE
Jason Reitman and John Papsidera in Nashville on September 21, 2024.
Jason Reitman: “Jon Batiste is a genius unlike anyone I’ve ever met in my life. He has a photographic memory of sound. We decided we should try to do the sound track the way they did SNL: live. There is music in the movie that would never have been there if Jon hadn’t been giving it to me like that.” Batiste’s rendition of “Nothin’ from Nothin” that kicks off the first show is electric. Batiste’s interpretation of the Afro-haired musician Billy Preston (who actually wore wigs for his gigs) was spot-on. Steven Colbert had Batiste for a short time as his band leader; he seems destined for much more greatness. Another recommendation for those who love great documentaries would be the new one by Paris Barclay about Billy Preston’s life, entitled “That’s the Way God Planned It.” There’s an entire feature film in there, for sure.
SCRIPT
The writing shows Reitman’s award-winning touch (Gil Kenan is co-writer.) Reitman’s film “Juno” won a nomination for Best Screenplay based on Diablo Cody’s collaboration on the script in 2007. “Up in the Air” won the Golden Globe in 2010 for Best Screenplay (based on the Sheldon Turner book). The script was also Oscar-nominated for an Oscar (2009) while winning the BAFTA that year. The script for “Saturday Night” has more zingers and one-liners than any film released this year.
Here’s just one quick example: “Let me know when my expectations exceed your capabilities” (to the light crew, after lights nearly fall on the performers.) Another good one, aimed at a meddling middle-aged female censor (Catherine Curtin as Joan Carbunkle; no relation to Jane Curtin): “I’ve heard that love is blind, and now I know why.” A continuing joke involves the cast trying to sneak sexual references into their scripts by misleading Carbunkle, the censor, as to what the phrases actually mean.
AWARDS
Writer/Director Jason Reitman of “Saturday Night” in Nashville on 9/21/2024.
Jason Reitman (born in 1977) was on the set of “Animal House,” which his father directed, in 1978 He has been involved in making movies ever since, beginning with 6 short films submitted to Sundance” in 1998. Reitman actually won the BAFTA in 2009 for Best Screenplay and has continued turning out truly enjoyable films like “Tully” (2018) and “The Front Runner,”(also 2018) a story about the ill-fated Senatorial campaign of Gary Hart of Colorado which starred Hugh Jackman. If I see it is a Jason Reitman film, I’m in.
When I spoke with Reitman and mentioned meeting him previously in Chicago the year of “The Front Runner” he suggested (ruefully) that I might be one of the few at tonight’s screening who had seen the film. (While I’m not sure about that, I have been reviewing since 1970, and that is 7 years before Reitman was born.) When I mentioned “The Front Runner” (Hugh Jackman starred) Reitman said, “It turns out that people were less interested in Gary Hart’s Senate campaign than in Saturday Night Live.” It’s a shame, as “The Front Runner” and “Up In the Air,” “Tully,” “Thank You for Smoking” and “Jennifer’s Body” are among my favorite films by any director working today.
More recently, Reitman directed “Ghostbusters: Afterlife” (released on November 11, 2021) and “Ghostbusters: Frozen Empire (2024), which co-writer and collaborator Gil Kenan went on to direct solo. Reitman also produced (but did not write or direct) the DuPlass Brothers comedy “Jeff, Who Lives At Home” with Susan Sarandon, Jason Seigel, and Ed Helms starring, an early film (2011) with a lesbian subplot (also remembered from the Chicago International Film Festival in 2011).
STYLE
John Papsidera and Jason Reitman during the Nashville Q&A following the screening of “Saturday Night” on 9/21/2024 at the Nashville Film Festival.
There were discussions of trying to shoot the film in one long scene (as Hitchcock attempted with “Rope”). It didn’t work for Hitchcock in 1948, either. Instead “Rope” is made up of several 8 minute continuous shots. This was the length of film that fit onto one reel then. That ambitious idea had to be shelved in 2024 as well.
“Saturday Night” is shot using 16 millimeter film. The pace of the film is the pace of the production that night, as the cast struggles to make the project gel before 11:30 p.m. on Saturday night. That was a great idea to assist the pacing, which is frenetic. As we learn, Johnny Carson was NOT supportive of SNL (originally called just “Saturday Night”). It represented the network (NBC) manipulating him during contract negotiations. The great (and oft-nominated Willem Dafoe) portrays David Tebet, the Chief Suit who will decide if “Saturday Night” goes on the air live or if canned re-runs of Carson’s “Tonight” show, will bump it. Like “Apollo 13,” even though we know how that plays out, it adds pacing and tension to the plot’s story and the show’s dilemma. (*I don’t know if that is true or creative license; it was a great idea and helps build the sense of confrontation.) Referencing the frenetic and often chaotic pace of the show on that night (and any Saturday night), the comment was made, jokingly, that the Michael Ritchie style was like “Robert Altman on amphetamines.”
KUDOS
Jason Reitman and casting director John Papsidera.
This is such an ambitious project. Hats off to all involved. “Saturday Night” is documenting the passing of the torch from one comedic generation to another. With the current political situation in the United States, movies about passing the torch from one generation to another are a hot commodity. With Jean Smart (“Hacks”) set to hostess the opening program of the 50th year of “Saturday Night Live” on October 11th, this edge-of-your-seat attempt to show who the original “Saturday Night Live” not-ready-for-prime-time players were yields a great movie that makes you feel something. As Reitman said, “It requires so much control to pull off the chaos.” He also pointed out “the distinction between simply telling a story and feeling something.” Paying tribute to his profession, he marveled, “It (filmmaking) draws on the talents of people in so many different disciplines.”
The film is “the prism that captures the light of an emerging generation.” The 50th season of “SNL” is upon us; the release date of October 11th is an homage to the television show’s debut date. Let the comedy begin
Does “Saturday Night” work?
Yes, it does. “Saturday Night” is hugely entertaining and never flags. Check it out at the theater on October 11, 2024,
We moseyed over to the 
e pictures tell the story:
Kamala Harris Accepts Democratic Presidential Nomination; DJT Phones In on Fox
By Connie Wilson
On August 23, 2024
In Books, Editorial, Essays on Politics: Best Political Essays & Ideology, News, Of Local (Quad Cities') Interest, Politics, Television
I had planned to write a piece commenting on Kamala Harris’ acceptance speech on the final night of the DNC in Chicago, Then, (following the dry cycle of my laundry), I moved to the bedroom to change the now clean sheets and put them back on the king-sized bed. In the bedroom, Fox News was carrying the DNC.
While I changed the sheets, I listened to Donald J. Trump phone in and rebut Kamala Harris’ speech. I will insert the complete 37-minute content of Kamala’s acceptance speech (in case you missed it), but I have to assume that most of you were watching it, so suit yourself. Unlike Trump, who rambled his way through a basically unlistenable litany of untruths at the RNC, Harris hit most of the issues and delivered her speech with sincerity and enthusiasm. She looked and sounded presidential (because she IS presidential.)
Then I watched 8 voters in Allentown, Pennsylvania say that her speech had sold her to them (auto workers all) and they would be voting for her (they had been unsure in a previous meeting). One woman retained the right to decide later. One Black male (in real estate) said he’d vote for Trump. Listen to Trump’s remarks about how the auto workers are all supporting him in the phone call above. [*Apparently not the 8 that just spoke to a reporter in Allentown, PA.]
Trump’s illusion that he is “strong” (Macho Macho Man) was consistent with why Black males were supporting DJT over Biden before July 21st. It also explains why Black males find it difficult to get behind the idea of a female president, even if she is half Black (and half Asian).
CHANGE
People want change for the better. This was emphasized by John King, Chief National Correspondent for CNN, who has been traveling the country gauging the temperature of the nation. Coming into the convention, Trump had 55% of voters selecting him on the economy versus 43% for Harris and 53% on the immigration issue versus 44% for Harris. Harris led only on the abortion issue (55% to 40%.) [This was from the New York Times Siena Poll. ] In the next 75 days Harris and Walz must change these perceptions.
CONVENTION BUMP
There are 75 days during which Kamala has to convince voters that she, the current vice president, represents change for the better. That will not be simple, since Harris has been in office as Vice President for 4 years and the GOP will attack her on that basis. (as DJT already did in the phone call above).
The Siena poll showed that 56% of voters disapproved of Biden. Only 41% approved of Biden in Arizona, Georgia, Nevada and the other swing states. Now, the Republicans are going to try to give Kamala “Biden Baggage.” It started tonight with DJT phoning in to Fox & Friends. (*Did Fox & Friends, who claim to be so “fair and balanced” offer Kamala Harris the opportunity to phone in and rebut DJT’s RNC acceptance speech? No.)
John King, who has been doing political reporting for 40 years, says that Kamala did well. I agree. He pointed out, however, that in 1988: Bush won over Dukakis, but Dukakis had left the convention enjoying a convention bump that put him 17 points ahead in the polls. Despite the post-convention bump, Dukakis lost “bigly” to George Herbert Bush. This was partially because people wanted change and partially because of the Willie Horton dirty tricks that depicted Horton as practically Dukakis’ running mate. (*For those of you who don’t remember Willie Horton, he was a convicted murderer and rapist, who was released on a weekend furlough from a Massachusetts prison in a trial program and committed a rape and murder while temporarily free. Dukakis was the Governor of Massachusetts. The Bush campaign used Horton’s case to tar and feather Dukakis in a textbook example of what is known as “dog whistle politics,” which is what Harris and Walz are about to encounter, if I were to take an un-wild guess.)
John King was born in 1963, which means he is 61. I haven’t followed politics for as long as John King, but I am close to 20 years older. I go back to every President since Truman. I’ve also written 3 books on politics (the campaign of 2008) and was named the Content Producer of the Year for Politics by Yahoo in the wake of my coverage of the 2008 election of Barack Obama. (See my books on that topic, “Obama’s Odyssey: The 2008 Race for the White House.”)
Taken during a McCain rally at the Cedar Rapids Municipal Airport during the 2008 presidential campaign. Cover of Volume II of “Obama’s Odyssey: The 2008 Race for the White House.” (Available on Amazon in paperback and e-book).
LIKEABILITY
I agree with the white-haired CNN commentator with the 40 years following campaigns, and I agreed with Geraldo (whom I watched on News Nation) who stressed that “likeability” was key to electing anyone. It was likeability that doomed Hillary Clinton and, to a certain extent, John Kerry, who always seemed a little bit too patrician. We’ve all heard the remarks about how “W” seemed like a guy you would enjoy sitting down and having a beer with (*I don’t drink beer, so that’s a no for me.)
TAX INCREASES
Bogus. Tax increases on the rich, yes. On the middle class, not so much. Trump’s point on companies taking their business to another country (increasingly Mexico, not China) is fair, but THAT HAS BEEN HAPPENING FOR DECADES. Companies moving to cheaper countries is not a Kamala Harris thing; to say it is is unfair. It is far likelier that DJT will raise taxes on the middle class to give tax breaks to people like himself.
BORDER
Trump said, of the bi-partisan border bill, “It was a horrible bill. It was a joke.” It was a bi-partisan bill that was said by those who worked on it long and hard to be quite good. Trump told his allies not to vote for the bill, because it was to be his border issue. If you really don’t know what was in the bill, click on the link above and it will tell you. Don’t just trumpet things that either candidate says; research it. (Anthony Fatone: that is for you, Dear Heart. And thanks for saying I’m “smart as a whip” because that should tell you that, if I’m saying you need to do more “reading up” on these things, maybe I’m right.)
MARXIST ACCUSATIONS
First of all, as our old friend Wikipedia tells us, “There is no single, definitive Marxist theory.[1]
It is likely that the “Marxist” accusations are a legacy from Kamala’s economics professor father, who taught at both Stanford and the University of Wisconsin in Madison. He has advised his country (Jamaica) on economic issues and some aspects were derived from Marxist writings of various sorts, but her father has remained completely out of Kamala’s career, refusing to be involved in her 2020 campaign and making a rather brusque rebuttal to a lighthearted comment that Kamala herself made (about smoking pot) on a radio show. She said something about smoking pot to the effect of, “Are you kidding? Half of my relatives are Jamaican.” Dad did not like it much, issued a rather public reprimand (Kamala did not respond) and has not had much involvement in his daughter’s career (or her life before that) since the couple split when she was in elementary school.
Jamal Simmons, political commentator on CNN, compared DJT to Midnight Elvis, calling in to talk shows, rambling around in Mar-A-Lago. Jamal mentioned Trump’s recent appearance in Howell, Michigan. White supremacists held a march there recently and voiced support for Trump, Hitler, Nazis and the Ku Klux Klan. So, Trump’s strategy is to cater to THAT demographic. Roger Stone, a big Trump supporter, has a yearslong relationship with Proud Boys leaders, Enrique Tarrio in particular, and would regularly use members of the group as his personal security detail at political events.
Roger Stone.
I seriously doubt that DJT has much of an idea what Marxism is (and, quite frankly, it is difficult to pin it down as there are many offshoots.) There is actually a book on Amazon entitled “Marxism in Plain and Simple English.” It’s 62 pages. If Donald J. Trump really thinks that Kamala Harris is a Marxist simply because of her estranged father (a professor of economics), that is really reaching. I think The Donald needs a copy of that book. (*After all, Steve Bannon, his brain trust, is currently in jail until 2 days before the election, so the Wizard of Odd is having to rely on people like The Mad Hatter, Roger Stone, for intellectual guidance.) Another thing that his insult brings to mind are recent put-downs that DJT has made about Kamala Harris’ intelligence; she is quite obviously the child of two very bright people (while Trump’s own intelligence is often questioned, despite the supposed expertise and education that led to multiple bankruptcies.)
Here’s a snippet from “How to Compare Marxism to Capitalism.” It is quite clear that Kamala Harris is no Marxist. To wit: “Marxism, oftentimes interchangeable with communism, emerged from the writings of Karl Marx and Fredrick Engels in the 19th century, and is based on the theory that class conflict will eventually result in the establishment of a society where the public owns the means of production. The two theories are historic enemies, and their differences are most acute when examining their attitudes toward individualism, private property and profits.”
At no time has Kamala Harris sounded like she is not supportive of capitalism simply because she has argued for everyone in our society having a fair shake and an equal chance at making a life where they each of us has the freedom to make choices for themselves (as, for instance, in reproductive rights.) Trying to paint Harris as a Marxist or Communist is a page right out of the “dirty tricks” playbook of the GOP going back to 1988.
REPRODUCTIVE RIGHTS
Governor Michelle Lujan Grisham (D. New Mexico), commenting after Harris’ speech, said she “showed us tonight what leadership looks like.” It is up to every woman of voting age in America to ask themselves whether they want the freedom to decide about their own health care and to decide if they do (or do not) want to have a child. Women need to mobilize like our grandmothers to gain us the right to vote. Only, this time, it is the right to live free (and not die) under an autocratic ruler who simply wants power for himself and his cronies.
IN CONCLUSION
As D.L. Hughley said at the convention, “The only way that Trump can keep Kamala out of the White House is if he buys it and refuses to rent to Black people.”