Category: Music Page 15 of 20

Connie plays 4 musical instruments and her daughter is a graduate of Belmont University in Nashville with a degree in Music Business and once worked for Taylor Swift. She may comment on concerts or reminisce on concerts of old.

He didn’t quite make it into Win, Place or Show. He finished fourth, but, considering that rumors abounded, early on, that he was going to be kicked off because his dad spilled the beans to the press (his mom works for the Orlando newspaper) that he was in the Top 24, (when all contestants sign agreements not to disclose such things), and considering the fact that 5 weeks ago the viewers voted him off but the judges saved him, Michael Lynche did pretty well….better than his brother, who finished high in the pack one previous year, I’m told. Big Mike almost made it into the Top Three, the ones whose home towns are visited by the “American Idol” cameras, and he was definitely a far better singer than Casey James, who was kept, instead.

Five weeks ago Big Mike Lynche was saved from elimination on “American Idol” by the one-time use of the Judges’ save. Was it any wonder, then, that he was the one eliminated on Wednesday, May 12, 2010 by the audience? Yes and no.

I’ve predicted for some time that American Idol’s Top Three were likely to be Crystal, Lee and Casey, but I also felt that Mighty Casey Had Struck Out after Sinatra night. It was not his singing prowess that kept him in the competition past that fateful night (Aaron Kelly was eliminated, instead). It was his “total package” good looks, guitar playing prowess, and the teen-aged girls voting from home.

This night Ryan Seacrest announced that a season high of 37 million votes was cast. Fantasia sang (wearing what appeared to be tights that you could go scuba diving in.) There was a Ford Fiesta commercial involving the remaining four contestants. (The pushing of the Prius-like start button on the car was repeated at least three times in the short commercial.) The contestants were all asked about their desires, at this point, and Big Mike said that he wanted to get home to his puppy, while Crystal said she would like to go home to Ohio to play with Frankie May, her bass player. Lee said, “I want that to be me,” of winning and Casey said, “Hearin’ a bunch of people saying my name would be nice.” (If so, Lee had a chorus of “I love you, Lee” girls in the crowd, so he realized Casey’s dream.)

Daughtry performed their song “September” and mused on his success, despite not winning the crown the year he appeared on “Idol” (Kat won). He said, of performing with his own band, “Daughtry,” “It doesn’t get old. It’s an amazing feeling every night.” Of the song “September” that his band performed he said it had to do with his childhood. “I grew up in a small town of 100 people. It’s about the simplicity of my childhood and how it made me who I am.” Randy commented, “I see that Chris is livin’ the dream. It feels good for us (the judges). I love it.” Chris Daughtry’s advice to the remaining contestants? “Stay hungry and stick with what’s true to you.”

After Daughtry, Bon Jovi took the stage and performed a song “Superman Tonight.” (Who’s gonna’ love you when you turn out the light. I wish that I could be your Superman tonight.”) The song sounded like a hit, to me, and I was particularly glad, since I have tickets to see Bon Jovi at Soldier Field in Chicago on July 30^th. When asked about their longevity and success, Jon Bon Jovi said, “Hard work and good luck. We’ve crossed the generations now, at this point.” (Anyone who has seen the old posters of Jon Bon Jovi with the big hair of the ‘80s can testify to that.)

And then there were 3: Crystal, Lee and Casey. Michael Lynche said, “It’s been unbelievable. I just sit here right now and I think, I wasn’t even supposed to be here (referencing his “save” by the judges 5 weeks ago). “I came to ‘American Idol’ to take my family’s life to another level.”

Then it was time for Big Mike to sing his last song (which he performed brilliantly) and for the selected film clips, in which Simon said, “The best performance we’ve had on these live shows so far,” and Kara urged him, “Do not stop. Keep going. Write great songs. Record great songs. Go out and keep gigging, ‘because you’ve got it in you.”

Next week, the show will visit the hometowns of Crystal, Lee and Casey, which, if memory serves, are a town so small (80 people) in Ohio that it had no town sign until Crystal made it this far on “American Idol.” (Now, the sign says, “Home of Crystal Bowersox”); Mt. Prospect, a Chicago suburb; and Cool, TX.

“American Idol,” May 11th: Duets Are Dynamite!

By Connie Wilson

On May 12, 2010

In Music, Pop Culture, Television

Simon Cowell commented on Tuesday, May 11^th’s “American Idol” that the duets were “one million times better than the solo performances.” Simon, who is British, knew very few of the movies, which was unfortunate, as the songs this night were from the movies and apparently Simon is either not that great a movie fan or has seen only British films. The other amusing part of tonight’s singing competition was Ellen DeGeneres’ response to the song “Have You Ever Really, Really Loved A Woman?” (from Don Juan DeMarco), which elicited guffaws from Simon and laughs from all others.

Considering how far along in the competition “American Idol” is, the performances, by and large, were really lackluster. Some of the blame for that can be laid at the feet of fairly lame song selections…or, in Lee DeWyze’s case, really difficult ones.

Lee started the evening off on Songs from the Movies night singing Seal’s Kiss from a Rose, which is a tough song to sing well under any circumstances.

Randy said, “For me, you did nothing with that song. It was just okay. It didn’t work for me.” Randy suggested that a better song choice might have been something like Bon Jovi’s “Blaze of Glory.” Ellen said, “You’re so good. I loved it,” but she, too, seemed underwhelmed. Kara, after talking about some out-of-tune issues, said, “You are still great.” Simon agreed with Randy, called the song “verging on karaoke” and said, “If you’re choosing the T-shirts, you’ve gotta’ take the one that says ‘Contestant.’”

That last remark was a reference to the night’s mentor, Jamie Foxx, who had brought black tee shirts, some of which said “Artist” and some of which said “Contestant.”

Following Lee came Big Michael Lynche of St. Petersburg, Florida. Prior to his performance, Jamie Foxx said, “Once he lets go, I think that’s when he’s really gonna’ shine.” Earlier, Jamie had said, “Music is everything. It really is the soundtrack of our lives.” Big Mike’s remarks from the judges were: Randy – “Once again, I didn’t love this. You’re a rhythm and blues kind of guy, but it was just all right. It started out kind of wrong.” Ellen said, of Mike’s performance, “You are consistently good but a little bit predictable.” Kara said, “I want to have goosebumps. I didn’t feel that from you.” Simon became very confused about the movie from which the song was taken (Free Willy) and finally commented, “At least you gave it 100% and I kind of felt that you meant it.”

After Mike’s performance, Crystal and Lee sang together. All the judges loved the duets. Randy said, “A great song by two great singers. That’s how you do it!” Ellen said, “You’re like the new Captain and Tennille. God, that was great!” Kara called it, “One of my favorite moments of the season.” Simon said, “Not a good song: a fantastic song.”

Casey James performed next and selected the theme song from The Graduate, “Mrs. Robinson.” It was an odd choice. Randy called it “curious.” Ellen made a humorous comment about the small guitar Casey accompanied himself with saying that she wished they had given him “ a big boy guitar.” Simon said, “That song was not the substance I expected from you. It was a little bit lazy. I think you could have made more of an impact. I think there have been some very strange song choice tonight and that was one of them.” (Hear! Hear!)

Since none of the first three had done that well, Crystal Bowersox’s rendition of “I’m All Right” was a better performance than any sung by the men. Randy said, “You are definitely an artist. Nice job.” Ellen said that she had “taken that song and made it better,” something she called “crystallizing it.” Kara echoed Randy’s comments about Crystal’s being an “artist.” Simon said, “You, Crystal, are back in the game after that performance.”

The final performance of the night was the duet by Big Mike and Casey and the song’s title (“Have You Ever Really, Really Loved A Woman?”) brought the funny remark, from Ellen, “As a matter of fact, yes, I have loved a woman.” Randy said, “Loved the guitar playing. You guys sounded really good.” Kara said, “The duets were better than the solo performances.” Simon agreed and was the one articulating the idea that the duets were “one million times better than the solo performances.”

Jamie Foxx urged all the contestants to change from “caterpillar to butterfly” as they face the elimination of one contestant tomorrow night. Big Mike and Casey are the most vulnerable, as they have been all along. Stay tuned for further developments tomorrow night.

Taylor Swift Plays Moline, Illinois on “Fearless,2010” Tour on May 8, 2010

By Connie Wilson

On May 9, 2010

In Music, Pop Culture, Reviews

Taylor Swift played the Civic Center in Moline, Illinois, on Saturday, May 8^th, at 7:00 p.m. bringing one of crossover country’s hottest acts to the U.S. Cellular Center (formerly the Mark of the Quad Cities.) Swift is so hot, that the state of Illinois even proclaimed it “Taylor Swift Day.” Grammies, American Country Awards, you name it: she’s Forbes magazine’s 69^th most influential celebrity endorser of 2009 and earned $18 million last year, not only with her songs, but with endorsement deals with such giants as Sony and Toyota.

Opening acts were “Gloriana” and Kellie Pickler from “American Idol.” (On her album notes, Taylor calls the slightly beefed-up version of Pickler “you’re the sister I never had” (Ms. Swift has a brother, Austin, who is going off to Notre Dame in the fall.)

Ms. Pickler was dressed down in a pair of tight black spandex pants that displayed her Jennifer Lopez-like derriere assets and a blue top, which she had worn in her concerts in Minneapolis and Des Moines. Those concerts preceded the one in Moline, which sold out in 8 minutes.

The buses left flooded Nashville (Swift donated half a million dollars to flood relief there, just as she donated $100,000 to Cedar Rapids, Iowa, after their 2008 record-breaking flood) and drove 12 hours to Des Moines to perform on May 6^th. The 126 roadies and musicians finished reloading the impressive act, left Des Moines at 3 a.m., arrived in Minneapolis at 7 a.m., and began setting up all over again. After Minneapolis, Moline was the final stop on Swift’s “Fearless 2010” tour before a return to Nashville.

Taylor emerged dressed as a majorette to sing “You Belong With Me,” her face projected on a giant screen behind her. She followed up with “Our Song” and “Tell Me Why,” with the word “Why” projected on the screen behind her multiple times. “Teardrops on My Guitar” and “Fearless” were next with “Forever and Always” following.

Then came “Hey, Stephen,” which had, as its setting a giant schoolroom set, where Taylor complained about how Stephen didn’t know she was alive in high school, but would talk to her—about his girlfriend. “Fifteen” followed and “Tim McGraw,” an early Swift hit, came next.

“White Horse” with its lyrics (“I’m not a princess; this ain’t a fairy tale”) allowed the dancers and Taylor to dress in period costumes with a castle-like background. “Love Story (Romeo and Juliet) was, again, grist for the castle backdrop, but, at a certain point, the elaborate period costume Swift wore was removed, onstage, to reveal a simple white gown beneath.

“The Way I Loved You” brought yet more costume changes: glittery silver dresses, glittery purple dresses, glittery red dresses, guitarists with hair like Adam Lambert’s. “You’re Not Sorry/What Goes Around” followed “The Way I Loved You” and then “Picture to Burn.”

A humorous video was shown on a flat screen TV off to the side during one costume change, and it featured 3 male actors trying to impress upon the audience that they weren’t really Steven and/or Drew. Tim McGraw even appeared in the funny video, saying that Taylor’s early song about him had “plucked him from obscurity.” That got a big laugh. Screams were ongoing throughout the concert from the young set present. Taylor also sang “The Best Day” from a stage at the opposite end of the arena, reworking the song so that it honored her mother, Andrea, on Mother’s Day. (Mom did not know that the lyric “I have an excellent father” would be changed to honor Mom this night).

After “Picture to Burn” (see burning stage special effects) the encore set featured “Today Was A Fairytale” and “Should’ve Said No,” which featured Taylor walking through an artificial waterfall (water is caught in an absorbent mat) that has actual words appearing within the water.

Taylor ends up drenched and, usually, greets her fans backstage wet, with special heating devices employed to keep her from chilling, but, this night, she was flying back to Nashville on her private jet, so no backstage passes for the youngsters in the crowd. But plenty of guitar picks featuring Taylor’s lovely face, thrown to the crowd by the guitarists.
A 2-hour show from great seats (courtesy of the daughter on the tour bus).

Aaron Kelly Sent Home; Casey James Escapes “A.I.” Elimination

By Connie Wilson

On May 6, 2010

In Music, Reviews, Television

At the top of the “American Idol” elimination show of May 4, 2010, Harry Connick, Jr., said, “Music has to be truthful, to me, and that’s what this show is about.” Connick was the mentor this week, and he did a great job. He also sang “And I Love Her” on this night’s show, nattily attired in a black-on-black ensemble, after mugging for the cameras and saying, “It’s not about them, it’s about me.” At one point, still horsing around, Connick said, “Try to keep it on me.” A funny guy. He also worked in a joke, saying, “It’s been a great honor to be a part of ‘American Idol’ and to work with the judges, with the exception of Ellen.”

Another amusing piece of film showed Connick chatting with young Aaron Kelly and asking him how he liked singing with a three-piece combo, including a clarinet, backing him. Aaron, of course, liked it and Connick said, “Well, don’t get used to it. I can afford it. Why? Because I’m extremely famous.”

Lady Gaga did one of her characteristic outrageous performances, with many half-dressed writhing male dancers in a sort of “Eve in the Garden of Eden” motif and then the top and bottom groups were announced, with Aaron Kelly and Mike Lynche the lowest vote-getters.

In light of the horrific performance turned in by Casey James on Tuesday night, it was surprising to see 17-year-old Aaron Kelly—a very likeable young performer who had done well on Tuesday night—be the one sent home this night. It was also surprising that Big Mike Lynche, who, arguably, performed better than anyone on Tuesday night (The judges were more sold on Lee DeWyze, but I would say it was very close.) was in the bottom two.

Having said that, I’ve been predicting that the good-looking Casey “had it all” as the package that “American Idol” likes to promote. Big Mike is…well…too big. Aaron was too young. Lee and Crystal remain the front-runners, and, apparently, my earlier predictions that Casey had the best chance of finishing in the Top Three was not that far off the mark.
But, for the record, based on his performance on Tuesday night, I still think that Mighty Casey struck out.

Siobhan Magnus, the “Quirky” One, Exits on “American Idol” on April 28, 2010

By Connie Wilson

On April 28, 2010

In Music, Pop Culture, Television

The elimination show of Wednesday, April 28, 2010, eliminated the only other female contestant still in the competition. This seems particularly odd, since, at the beginning of this year’s season of “American Idol,” the girls definitely seemed to be stronger than the boys. Siobhan Magnus was the voters’ victim this week, and the other two in the bottom three were Mike Lynche and, surprisingly, Casey James.

Siobhan has been one of the consistently most unusual contestants. Her singing style, her dress, her seeming indifference to Simon’s constant criticism of her final high notes—Siobhan just did not seem to care. She marched to a different drummer, and even her father said, in a quick video clip, that she was a very “different” girl. Simon said to her, early on, “You’re a funny little thing, aren’t you?” He was right, and it may have been this edginess that doomed Siobhan amongst mainstream America. After all, if you had to vote between a 17-year-old cutie who had just sung a hymn of praise to his Mom or for Siobhan, who hit a high note that made Simon say it “sounded as though someone were giving birth up there,” which would you pick?

I expressed concern for Big Mike and Siobhan in my Tuesday night comments, indicating that it was anybody’s guess who might go home on Wednesday. Unfortunately for the extremely talented tattooed lady, it was Siobhan of the big voice who bit the dust. Thirty-three million votes were cast, and Siobhan did not get enough of them.

The biggest surprise, to me, was that Casey James placed in the bottom three. He did his best job of the competition on Tuesday, and he seems to have the rock star persona and good looks that young girls would vote for. I was much more worried that Mike Lynche (who was already the lowest vote-getter on another night) would be sent home this time, with no judges’ “save” to rescue him.

The remaining contestants are Crystal Bowersox, Lee DeWyze, Casey James, Aaron Kelly and Mike Lynche, and that is the order I see them leaving in, more or less. It was gratifying that America did not penalize Crystal for her mediocre song choice, and Ellen DeGeneres, when asked, predicted that voters would forgive her the only “OK” choice she sang during country and western night.

Other performers on the show this night were Sons of Sylvia, who tour with Carrie Underwood and were introduced by her. The Sons of Sylvia (“Love Left to Lose”) were a group of dark-haired, think-faced, small, ferret-like young men, some with teased hair. Carrie Underwood has been touring with them since leaving “Idol” 5 years ago.

Also performing twice were Rascal Flatts, who performed solo once and then sang a song with Shakira, which seemed an odd pairing. The song Shakira sang and played harmonica on was her new one, “Gypsy.” She wore a long dress with a gold bodice and a long red skirt. Behind her, two shapely dancer/singers danced barefoot in form-fitting black dresses. Her advice for the “American Idol” contestants? “Keep your eyes on the stars, but remember to keep your feet on the ground.” (A presidential quote, she said).

Another performer this night with a big hit was Lady Antebellum singing their big hit ‘Need You Now.” They scored big on April 18 at the Country Music Awards

Notable quotes: From Siobhan, before she delivered a spot-on rendition of Aretha Franklin’s “You Better Think:” “My baby sisters are my whole world.”(Odd, that. Siobhan’s of an age where you would think she would be thinking boyfriend or career or any of a number of other subjects as being “her whole world.”) Randy said to her, as she exited the competition, “I think you have an amazing career in front of you. Do it!” Siobhan even hugged her nemesis, Simon, at the urging of Ryan Seacrest.

Some interesting bits in the show that didn’t involve singing were a behind-the-scenes tour of the recording studio where the new (and final) “Shrek” movie is being shot and the in-person appearances of two voices from that film series, Antonio Banderas and Cameron Diaz. (Ryan Seacrest has a small part in the latest film.)

Also, the obligatory commercial took the 6 remaining contestants into the woods and cast 5 of the 6 as vampires, with Big Mike Lynche their intended victim, who fends them off with a pizza that has “extra garlic.” The best vampire of the bunch was Siobhan, and now she’s gone.

Somehow, with that voice and her quirkiness, I think we’ll be hearing more from Siobhan Magnus in the years to come.

Next week, Aaron, Big Mike and Casey will be holding their breath, and I’m sure that neither Lee DeWyze nor Crystal Bowersox is feeling all that “safe.” The guest host next week for the songs of Sinatra is Harry Connick, Jr. With the remaining contestants, the best “fit” for Sinatra might be Lee DeWyze, but all will give his songs a shot.
Stay tuned for the final weeks of American Idol, with only 5 remaining contestants.

April 27, 2010 “American Idol” Reveals A Close Contest

By Connie Wilson

On April 28, 2010

In Music, Pop Culture, Television

“American Idol” night, Tuesday, April 27, 2010: The show opens with Ryan Seacrest labeling the 6 remaining contestants as (variously) “a paint salesman,” “a glass blower,” “a high school student,” “a mother,” “a father,” and “a construction worker.” I wondered, as he branded Big Mike and Crystal as the father and mother, respectively, “Didn’t these people have jobs before this?” I’m pretty sure that Big Mike was referenced as being “a trainer” and one would think that Crystal also worked to support her son.

Seacrest next shared the amount raised by “Idol Gives Back” in its last show: “more than $45 million.” Some of you may remember that I decried the use of video footage of a dying pregnant woman (malaria) to elicit those donations. I guess the Powers-that-Be know their marketing ploys. Still bothers me, but whatever.

The mentor this night was Shania Twain and she was identified as, “She’s the one who made country pop” and “the biggest cross-over artist in history.” The additional nugget of information shared was that Shania’s song “Come On Over” was “the biggest seller by a woman in history.” One of the Idol contestants was seen saying, “Shania’s the Queen of country music. She’s an icon.”

Shania Twain (whose birth name was Eilleen Regina Edwards, and who only changed her name to Shania in 1993-1994 after the Ojibwa word for “on my way”) also helped judge Idol auditions in Chicago, so she had met both Lee DeWyze and Crystal Bowersox at that time.

The problem with tonight’s program was that everyone did a great job. The least well-received song was probably Crystal Bowersox’s, but Crystal has consistently been one of the two best performers. There was also a criticism (by Simon) of Big Mike Lynche’s rendering of the song he selected as “too feminine,” but I noticed what Ellen DeGeneres commented on. I’d left the room to get something from the refrigerator. When Michael Lynche sang “It Only Hurts When I’m Breathing,” at first I thought I was listening to Luther Vandross, which is a huge compliment.

First performer of the night was Lee DeWyze and he sang “You’re Still the One.” It was the perfect song for Lee, as Simon noted during his remarks (“Absolutely the perfect song out of Shania’s catalogue.”) and Lee did well with it. Ellen also commented, “Every song you take, you make it your own. You couldn’t look cuter.” Randy called the song, “One of my favorite songs of all time. Midway through, you found a way to make it your own.” Ellen said, “Every song you take, you make it your own.” So, Lee did quite well and looked as good as I’ve seen him look at any time, wearing a suit jacket and eschewing the “woodsman-fell-that-tree” look he sometimes adopts. His decision to sing quietly at the beginning with only piano back up was lauded by both Shania Twain and, the judges and the audience. For one, he didn’t seem to be hiding behind his guitar.

Second up was Michael Lynche and he, too, did a great job. Randy said, “You’re one of those guys who could sign the phone book and everybody would melt, but don’t take it for granted.” I was struck (as I mentioned above) at how much he sounded like Luther Vandross, if you were not looking at the screen while he sang. Randy said, “I think you’ve really found your zone. You are really in the zone of who you are. Very good,” Ellen said, “I felt like Luther Vandross was singing that song. I thought it was beautiful.” Kara felt that Mike had “connected” with the lyrics and called it a “great job.” Simon was the only naysayer, commenting that it felt “a little bit girly for you,” and calling it “wet” and, “As though you were in a musical.” I understand Simon’s “girly” comment, but it is a comment that has applied throughout Big Mike’s time in the competition. I mean: come on…”Eleanor Rigby”? Mike has primarily focused on singing sensitive songs that do display a softer, more feminine side. He can get away with this because…well, because he’s Big Mike. I really liked his performance this night, but I fear that, ultimately, Big Mike may lose out in this competition because he is not physically what the show seems to want to package. However, having said that, let’s not forget Reuben Stoddard. Only time (and America’s votes) will tell. It is a fact that, were it not for the judges’ save, Big Mike would have been gone a couple weeks back, so keep that in mind when trying to figure out who America is not voting for.

Next up was Casey James, who sang “Don’t”, which he described as “a singing song.” All were unanimous in their praise of his efforts to give the audience something different. Randy called it, “For me, this was one of the best Casey James performances ever.” Ellen said, “You sang that like that’s really where you belong. Your best to date.” Kara said, “Good artists show it all. They show it all. Vulnerable. Raw. If you keep doing this, you’ll be at the front of this competition.” Simon said, “I think this is probably your best performance to date.” No way is the cute Casey going home. He should make it to at least the final three, especially if he continues to display this new sensitive Casey.

Crystal Bowersox followed Casey and sang a very country sounding song (“No One Needs to Know”) that had Randy comment, “I love you, and I’m happy someone is doing more of a country version of a song.” Ellen said, “There’s nothin’ you can’t do. It wasn’t my favorite performance.” (Translation: bad song choice.) Kara said, “It’s impossible for you not to be good. Bigger isn’t always better.” This caused some sly cracks by Simon to the effect, “Oh, I could get in so much trouble.” What Simon did say was, “I thought it was limp. It’s like when you’re in a coffee shop where they pay someone to sing to you and you don’t particularly want them to sing to you. I didn’t feel any connection to the song.” And, with apologies to Shania sitting behind him in the audience, he said, “A forgettable song.” Unfortunately, all were right. I’m reminded of the season when, week after week, Melinda Dolittle delivered, but, ultimately, she did not win. Is Crystal the best-looking contestant? No. Is Crystal the most talented contestant? Arguably, yes. Was Melinda Dolittle the most talented and the most consistent during her year of competition? Again, arguably yes, but she did not win. I’m hoping that America remembers all the great weeks that Crystal has given us and doesn’t penalize her for one mediocre song choice.

Aaron Kelly came out and sang ‘You Got A Way.” Shania advised,” Aaron to “end where you know you feel safe and good.” She said, “It’s almost as though he is preoccupied,” which may well be attributable to Aaron’s extreme youth. Shania said, “I wanted him (Aaron) to know that he’s here already. We already love him. Now just give us what you love.” Aaron is fond of “big finishes” and no time did he give a bigger one than tonight. Randy said, “You’re our country artist and dude, I think you really did a great job.” Ellen commented on Aaron’s emotional depth for a sixteen-year-old and was quickly corrected by Aaron, who said he was now 17. She ended, “Good job.” Kara said, “I completely agree with those words.” Simon said, “I think the last 2 or 3 weeks you’ve really struggled. You were a totally different artist tonight. You didn’t get it at all. For the first time in weeks, you were believable. I think you did really well tonight.”

The final performer of the night, Siobhan Magnus, sang “Any Man of Mine.” This song was Shania’s first top 10 song and her first Number One Hit Single. As always, Siobhan was attired in a mysterious garment from another galaxy. It consisted of a very short skirt with a flouncy thing going on at the hip, bared arms to reveal black tattoos on her left shoulder, and weird white boots. Randy commented, “I loved it” and the outfit was part of his “I loved it.” (Of course, we’ve all seen how Randy dresses.) Ellen said, “Way to pull the Shania Twain into the station. Way to end the show.” Kara said, “Guess who’s back!” Simon said, “It was fun. It was good. I really like that song,” but, once again, commented on her really high powerful notes at the end, saying it sounded like someone was “giving birth.”

So, who is going home out of this group on Wednesday?

I’ve said for weeks that the best 2 were Lee and Crystal, and I think that Casey has the “overall package” of looks and talent that the show wants to promote as their next “American Idol.” I fear for Aaron because he’s so young, and for Mike because his song choices are (always) so “girly” and for Siobhan because she’s so weird. (And I mean that in a good way.)
Your guess is as good as mine. I’m still betting on the top 3 mentioned above to hang around the longest.

Tim Urban Finally Eliminated on April 21, 2010 “American Idol” Program

By Connie Wilson

On April 22, 2010

In Music, Pop Culture, Television

April 21, Wednesday, was Elimination Day on “American Idol,” but it was also “Idol Gives Back” evening.

First, the elimination: Tim Urban (Terrible. Unanimous.) was finally recognized for the weak talent he has been since Day One. Tim the Terrible is gone. Sing no sad songs. Justice has been done (a little late, but better late than never).

Now, a critique of the “America Gives Back” show itself, with the comment that I have written in an earlier article that “A.I.” needs to do more of this sort of show, since times are tough all over. While saying that it is good to try to get people to give to charity, I’m not sure that showing video footage of a pregnant woman as she is dying is the way to go about it. That may be T.M.I.

Nowhere are times tougher than in Africa, apparently, since much of the show focused on that continent, making me never want to go there as long as I live. (Don’t send me hate mail telling me how beautiful South Africa’s Johannesburg is. I’m scarred for life by the visions of dying babies. First Haiti’s earthquake; now this on a SINGING show.)

The program opened, impressively, with President Barack Obama and Michelle saying, “Hello, Everybody! ‘American Idol’ has always been about changing lives on the stage and around the world.” The president went on to mention the $140 million the show has raised in previous “Idol Gives Back” years and ended with the couple saying, “We want to thank ‘American Idol’ for the example they’re setting and encourage everyone to make a contribution. And, to the year’s finalists, as Randy says, ‘You’re all my dawgs—-and, Simon, be nice!” Very impressive opening. It was the middle and the end of the show that left me cold and depressed.

Nineteen entertainers graced the stage at two locations, one of them the Pasadena Civic Auditorium, where Queen Latifah helped Ryan Seacrest M.C. The top 12 came out, attired all in white, and sang “Keepin’ the Dream Alive.” Lee, Crystal and Tim sang nice harmony on the tune. It was like Old Home Week seeing the likes of Lacey, Didi and Andrew again (even though Andrew left just last week).

Jennifer Garner then made a visit to Breathitt County, West Virginia, where 45% of the people live in poverty. This is where the show began to sink into the slough of despond. Sully Sullenberger, the heroic captain who saved 155 lives by safely landing his plane in the Hudson River, made a plea to save more lives around the world. Russell Brands and Jonah Hill tried for some levity in a skit that was based on the idea that they were supposed to have celebrity “friends” answering the phone lines, and nobody was there. (Later, look-alikes and a few real stars, like Slash of Guns ‘N Roses, were there). The Black-Eyed Peas sang “I Wanta Rock Your Body.”

This was the point where the show began to become a real downer. “Every 30 seconds a child dies from malaria.” Video footage of a pregnant woman dying on November 26, 2009, dead from malaria because there was no mosquito netting to protect the young pregnant woman and her unborn child.

Then, humor returned—or tried to— with George Lopez doing a bit where he “critiqued” the judges. This bit was funny, entertaining and one of the few times in the night that I didn’t want to reach for a tranquilizer. (I especially liked it when Ryan Seacrest called Lopez Erik Estrada as he left.)

Jeff Beck played guitar while Joss Stone, backed by the Jubilation Choir, sang “You Put A Spell On Me.” (The spell being put on me was one of deep gloom; it deepened with every passing moment from that point on.) All kinds of stars put in an appearance, from David Duchovny to Justin Bieber to Josh Groban to Jim Carrey. Carrie Underwood announced that 36 cents of every ticket she sells on her upcoming tour will go to “Idol Gives Back.”

Then came the cringe-worthy SNL potential skit part. Ban-Ki Moon, the Secretary General of the United Nations, spoke. I was afraid, for just a nano-second that he might be going to preside over a mass marriage of strangers, one to another. I wonder if I’m the only one watching who had no idea who the Secretary General of the U.N. was, at this point in time.

Alicia Keys performed, as did Carrie Underwood and Wanda Sykes and Annie Lennox. David Cook was seen briefly.

The whole evening became too much for me from that point on. I was made happy only by the announcement that, of the three who were in the bottom three this week (Aaron Kelly, Tim Urban and Casey James), Tim Urban was the one going home. I felt horrible, like I do when Caribbean Island dwellers living in poverty beg and you are the rich ugly American on the beach.

I’m also fearful for Aaron Kelly, Michael Lynche and Siobhan Magnus, as I fear that this trio will be heading for the exits next. Stay tuned for further developments.

Meanwhile, tell me a good joke. Get me a drink. Pass me a tranquilizer. Give me a massage. Anything to relieve the gloom and doom I felt after this “Idol Gives Back” show!

“Big Mike” Avoids Elimination with Judges’ “Save” on “American Idol” on April 7, 2010

By Connie Wilson

On April 7, 2010

In Music, Pop Culture, Television

Wednesday, April 7^th, 2010 on “American Idol” and the judges use(d) their one (and only one) save of the season to rescue Michael (“Big Mike”) Lynche from elimination. The bottom three vote getters were announced as being Mike Lynche, Aaron Kelly and Andrew Garcia. The only one of that trio who was a surprise (to me, anyway) was Big Mike, who had sung “Eleanor Rigby” the previous night.

After performances by one of Kara’s new sings (Jason somebody who reminded of a younger Jamie Foxx), who gave a performance with a lot of technical amplification that ended with Kara crowing, “Jason only had 4 days to get this together and you just killed it,” and Simon saying, “Absolutely great. Well done!” the show moved on to David Archuleta, who played the piano and sang “Imagine.”

I was struck during David’s performance that he was always criticized during the “David(s)” season for singing with his eyes closed and, this time, he sang with his eyes closed, again. It apparently hasn’t hampered his career, which he said features writing and recording. David looked slightly older and his hair looked slightly less curly, as he riffed (“Brotherhood of man”) through “Imagine” and said, “I love Ellen.” He wore a black shirt, light pants and a white and black striped rep tie.

It was at this point that Ryan Seacrest gave Kiran the order to: “Dim the lights. Get to the results.” The bottom three, as noted above, were announced as being Andrew Garcia, Aaron Kelly and Michael Lynche.

After this, Rihanna came out in what looked like a black wet suit with beaded Joan Crawford shoulder pads going on stylistically (Patti LaBelle Space Age Suit Memories). The tight-fitting spandex garment left little to the imagination as Rihanna sang a new song from her forthcoming “Last Girl on Earth” tour, a number entitled “Rock Star 101” that had, as a lyric, “To be what you is you gotta’ be what you are,” (good to know that proper grammar is still alive in the land) and the repeated lyric, “Hey, Baby, I’m a rock star.” This reminded me of the post-divorce song of another current songstress (Pink?) who exulted in her status as a pop icon. Rihanna had a short multi-colored hairstyle and I wondered aloud if she was completely done with Chris Brown as she sang, “Big City, Bright Lights.”

One hundred and thirty-two million votes have been cast this season, and it came down to Big Mike having to sing for his salvation. His wife sobbing in the audience, he sang a falsetto song he had previously used in the competition, rather than “Eleanor Rigby,” which, according to Simon, was the reason he was in this position in the first place.

The judges were unanimous in “saving” the personal trainer, so next week 2 singers will be eliminated from the show at once.

Stay tuned!

“American Idol” of April 6, 2010: Andrew, Aaron, Siobhan: Will They Make Up the Bottom Three?

By Connie Wilson

On April 6, 2010

In Music, Pop Culture, Television

Tuesday, April 6^th’s “American Idol” competition featured the songs of Lennon and McCartney, with the judges saying, in advance of the singing, “Certain songs shouldn’t be changed. But, overall, I’d like to hear something that is not exactly like the original.”

Well, that was certainly the case with some of the front-running contestants, between the diggery doo player on Crystal Bowersox’s version of “Come Together” and the bagpipe player descending the stairs as Lee DeWyze finished the night, singing 9^th, and performing “Hey, Jude.” Ellen commented that she liked the confidence that Lee showed, “even when that guy (the bagpipe player) got separated from his parade.” Simon, laughing, said, “I don’t know what you lot are drinking in the house. You were doing great and then the bagpipe player walked down the stairs. It was like he showed up on the wrong show.”

I have to admit that Lee, one of my favorites, did not score points tonight for being on pitch (the word “bad” was particularly, well, bad) and the entire song sounded like it was about one note too high for him, pitch-wise. He seemed to be straining to hit the notes, to me, and Randy, who began the critique, said, “That guy was funny” (meaning the bagpipe player), before going on to say, “It was another hot one.” Ellen ultimately voiced her confidence in Lee, saying, “I thought it was a great job. I loved it.” Kara, at least, noted some pitch difficulties, saying, “Good, a few off-key notes, but I am still a fan.” Sadly, this night, Lee was not at his best, for me, but I still think his talent puts him through and that the ones who should be worrying are Aaron Kelly, Andrew Garcia, and…if the judges carry any weight…Siobhan Magnus.

I, personally, liked Siobhan’s rendition of “Across the Universe,” but Randy was right when he said, “It was a little sleepy for me.” Kara, too, said, “It was very restrained and polite. I am still a fan, but I am a little confused.” Simon asked Siobhan what she was connecting to when she sang the song, and Siobhan almost broke down in tears talking about her little sisters and not changing who she is. All agreed, in pre-performance comments, that Siobhan is “amazingly weird” and “unique.” Katie Stevens said, “Those notes she hits are ridiculous.” (echoing Kara’s usual comments). Randy commented, “Nobody screams artist more than you I love seein’ that from you. I love the artistry in you. Just follow it and go with it.” Ellen, too said, “Always honor who you are. You march to a different drummer. And you listened to us tell you to cool it on the high notes for a while.” Simon felt that Siobhan “came back from last week. You are unpredictable. Much, much, much better than last week.” Still, the remarks were less glowing for Siobhan than for most, she has been in the bottom 3 before, and only time will tell if America’s teen-aged voters liked her slow ballad.

The first singer of the night was Aaron Kelly. He sang “The Long and Winding Road,” which Ellen called “a long and winding song.” The most germane comment was Kara’s. She said, “When it comes together for you, it works. Every week feels like the same song from you.” I would agree with the second half of those remarks. Only Simon called it completely like it was: “Very old-fashioned. Very boring. You’ve got to become young and relevant.” Therefore, my unscientific prediction is that, once again, the “A’s” have it and Aaron or Andrew may be in trouble, with Siobhan…who deserves to stay…potentially at risk.

Second performer of the night, Katie Stevens, wore a pink dress and a ponytail and sang “Let It Be.” The word “blossoming” seemed to be in evidence tonight, with Kara using it for Katie in saying, “You’re blossoming on that stage. You’re confident. You never looked better and you never sounded better.” It is true that, for once, Katie was not off-key. Simon said, “Tonight, however, you got it right,” but an argument soon broke out between Simon and the rest of the panel as to whether this performance showed that Katie had a country-and-western vibe. Simon said, “It felt as though you were singing it about somebody, rather than being robotic,” and, after that, the argument about the best vocal direction for Katie broke out.

Third up was Andrew Garcia, who, at least, sang an up-tempo song (“Can’t Buy Me Love”). Randy felt his performance was “solid,” although he also called it “a little corny at times. It was OK. It was all right.” Ellen said, “First of all, you can buy love,” but, after the joke that line got, went on to say, “I thought it was the perfect song choice, and I loved it.” Kara said, “I wanted to love it,” which was a left-handed way of saying that she did not love it, but complimented Andrew on “the breakdown.” Simon said, “The problem for me was that you had the band in back of you. It was old-fashioned and, unfortunately, irrelevant. You and the band, together, got this wrong tonight. Sorry.” Andrew countered, “I’m glad I had fun doing it,” and I’m glad he did, too, because it might be the last song he sings on “American Idol.”

Fourth performer of the night was Michael Lynche, who sang “Eleanor Rigby.” The vote was 3 who liked it and 1 (Simon) who felt his performance was “the sort of thing you see and hear in musicals. I don’t think it made you contemporary at all. It was over-the-top. I’m confused now about what kind of artist you are.” The 3 others, however, were “lovin’ the fact that the points that did work were great. I love seeing the artist in you blossom (more blossoming comments)” from Randy, with Ellen commenting that the song was “ huge risk” and saying, “I thought that was incredible.” Kara said, “Those vocals were amazing. That was fire. Committed. You made that song commercial and relevant to this generation. Great job.” But, after that, Simon popped Kara’s cocoon bubble of praise with his put-downs. Still, Big Mike, who is from a Florida family of performers and had a brother who advanced fairly far in the competition in another season, should be safe.

Fifth performer was the always-reliable Crystal Bowersox, who sang, “Come together.” Randy called her singing, “Another solid performance” and added, “It definitely worked.” Ellen said, “I loved the diggery do (Aborigine instrument). The only thing I have to worry about each week is a new way to tell you how great you are. An amazing job. I loved it.” Kara said, “I think this is one of my favorite performances. You were more accessible tonight.” Simon said, “That’s a song that I could hear on the radio today.” After that, comments were about the playing of Ernie on the diggery do, when Randy said, with a laugh that he looked as though he were about ready to pass out.

The sixth performer this night was Tim Urban who sang “All My Lovin’.” Tim usually is panned by the critics, but voted on by his gallery of fans. Tonight, however he sang the song relatively straight and received praise from all the judges. Randy said, “You’re like in your own category. I think that was a much better performance than the last couple of weeks. A good Tim performance.” Simon would later take issue with this idea of a separate category for Tim Urban, calling it insulting to the other contestants. He said, “Taking everything into consideration, there were no gimmicks. The song suits your voice. You take the criticism like a man. This is a shortcut to fame and you’ve handled yourself really well.” Ellen said she felt that Tim’s version of “All My Lovin’” was “second best after the Jeff Buckley version of ‘Hallelujah.’” Kara said, “It’s best when you have a guitar in your hands. You’re to be commended for that.” So, for Tim, it was a good night, and he later said, “I wanted to pick a song that I knew fitted me. I definitely had fun with it.”

Seventh performer on Tuesday was Casey James, who sang John Lennon’s “Jealous Guy.” The song had a C&W vibe with just a cello accompaniment. Randy called it “a sensitive vibe. I was really impressed that you took that kind of risk. I love that you did this.” Ellen said, “We just need to see more of that side (the quiet side) of you.” Kara felt that Casey had shown his “vulnerability,” and praised him for “showing depth.” “Towards the end, you showed that you really know where to take your voice.” Simon, after calling Casey “Goldilocks,” said “the best performance of the night, so far,” and called his improvement from the week before, “absolutely ginormous.” “From the midway point, you put your stamp on it. I am very, very impressed with you tonight.” So, Casey, the cute, lean, guy with the rock star looks stays.

Eighth (out of 9) performing “Across the Universe” was Siobhan Magnus,” who did a good job, I thought, (unlike the judges’ assessment) and she was followed by Lee DeWyze, also one of my three favorites, who did not, in my opinion. It doesn’t really matter what I heard, because the performers at risk after Tuesday night are the “A’s” (Andrew and Aaron) the most, and, very possibly, Siobhan after the judges reamed her quiet rendition of a song. This seemed somewhat unfair, as all four of them have been telling her not to put the Big Showstopper Finish at the end of each week’s performance, so Siobhan sang a song, a la Streisand, and her reward? Potentially being among the lowest three, when she is arguably among the top three, talent-wise.

I’m still pulling for Crystal, Lee, Siobhan and Casey and any of the others can go home and I won’t care.

Ten Tips to Try to Save the Titanic that “American Idol” is Fast Becoming

By Connie Wilson

On April 1, 2010

In Music, Pop Culture, Television

I’ve already posted an article that describes how Didi Benami was eliminated on Wednesday night’s “American Idol” but now, following in the steps of other news sources, most notably the April 2 issue of “Entertainment Weekly,” I’m going to sound off on the ejection of Didi (et. al.) and what’s happening to drag “American Idol” down the tubes in this, the worst season it has ever experienced.

The show premiered in June of 2002. It has been a rating blockbuster every year since. However, this year, the ratings have plummeted, dropping from 25.8 and 25.5 million to 22.9 and 20.5 million (www.entertainmentweekly.com, p. 38, “Why Can’t the New Idols Sing” by Michael Slezak). At first, I thought the low number of hits on Associated Content for “American Idol” articles could be blamed on competition from the winter Olympics. Then, the winter Olympics ended and the truth emerged.

There were many mistakes made this year, from letting Paula go as a judge, (when audiences apparently loved her particular brand of ditz), to letting it be known that this is Simon’s Swan Song Season. I’m not sure that “American Idol” audiences have ever really taken to Kara. She seemed like “the fifth wheel” last year, and that feeling continues. On top of which, as one critic put it, her constant game of “touchy feely” with Simon becomes distracting to the judging of the contestants and doesn’t seem very mature or professional to be showcased, week after week, on a major television show.

For whatever reason, this year’s crop of “American Idol” contestants is just not that good. There are perhaps 2 to 4 contestants left singing at the end of March with major star potential (Crystal Bowersox, Siobhan Magnus, Lee DeWyze and Casey James), but there are more still singing that are just plain pitiful.

Point Number One:

The refrain heard over and over again (said to the contestants by the judges) is, “You picked the wrong song.” I would like to offer this comment: why don’t the Powers That Be help the contestants pick the song(s) a bit more? If you were planning a party…say a wedding…the DJ would have the songs picked and would mix them up: some slow, some fast. There seems to be no one telling the current crop of lesser talents that it is probably not a good idea to have 10 very gloomy acoustic songs in a row. Why not help the singers out a bit? Require that ½ of the contestants sing something upbeat one week (while the other half can sing slow things) and then switch it around the next week? There seems to be no rhyme or reason for the gloomy, slow ballads that we are subjected to, week after week, song after song. If the show drags, it is because the song selections are admittedly not that great, but they could be, with a little help from the brass at the top. Who’s in that control booth, anyway, and why don’t they step in and give the poor kids some guidance here?

Point Number 2

So many of the songs being sung have been done to death over the years. It is rumored that Katie Stevens wants to sing “Over the Rainbow.” The pitch-challenged contestant, a perennial cellar dweller in the bottom three for the past several weeks, would only be about the umpteenth person to do this song. It was suggested in the “E.W.” article that perhaps a song could be “banned” from the competition once it has been sung by another artist in another year. I mean, come on: Kimberley Locke, Katharine McPhee, Jason Castro sang “Over the Rainbow” in seasons 2, 5 and 7. Do we really want to hear the pitch-challenged Katie sing it this year, too? As Michael Slezak put it, “Ask yourself if you really want to hear Rendition Number 147 of ‘Feeling Good.’” Other “Idol” contestants have already covered twenty-four of the sixty songs performed during the season 9 semi-finals on live shows. That’s a lot of hearing the same song(s) over and over and over.

Point Number Three:

Simon is always hugely critical of “cheesy” treatments of songs on the show, so what’s with the cheesy “group” numbers? Tonight’s (3/31) was “Kung Fu Fighting” and it wasn’t pretty. Why not eliminate the group singing, as the contestants often seem to be struggling with the choreography and nobody likes a bunch of amateurs bumping into one another doing lip-synched poorly chosen songs. As Slezak referred to them in his article in “E.W.”, the “never enjoyable for the audience or the contestants group numbers. So which sadist insists on keeping this cheeseball tradition alive?”

Point Number Four:

This year, the judges seem particularly indifferent. Randy takes forever to mumble an opinion and, tonight, Kara made a particularly catty remark about Simon right to his face (“I know who Simon’s in love with: himself.”) At times, the arrangement of the 4 has changed, with Ellen starting out near Simon and then removing herself to the far right, near Randy. Makes you wonder. Ellen always tries to say something pleasant, but telling one contestant that it’s nice she didn’t fall down is, for sure, the lamest of compliments after a particularly horrific vocal performance (Paige Miles’). My favorite night to illustrate this was March 30^th, when Simon actually said, to Tim Urban, the least-gifted of all the contestants vocally: “I don’t think it makes any difference what we say…You’re not gonna’ win. You’re gonna’ smile. The audience is gonna’ vote for you. Nobody cares. You’re gonna’ be here next week. So, well done.” That’s about as indifferent and desperate a statement of the show’s situation as we’ve heard. And the show’s Number One Judge and one of the originators of the program articulated it.

Point Number Five:

This year’s Mentors. What is the deal this year with the inability to find any really talented and noteworthy mentors? Has everyone heard that the show is going down the tubes, so the Celine Dions and the veterans like Barry Manilow and Rod Stewart have said, “Don’t call me; I’ll call you”? Tonight’s musical mentor was Usher. Last week, the show was reduced to using Miley Cyrus, all of 17, to mentor the likes of a really talented singer of 28 (Crystal Bowersox). I remember the year that a hologram of Elvis sang with Celine Dion, which was a spectacular special effect. Why nothing of that caliber this year? And, as another writer suggested, why not get a REAL mentor who is a producer of today’s music and would come in and work with the contestants for the entire week, rather than just someone who drops by, hugs each of them, and then sits in the audience beaming and/or plugging his or her new release.

Point Number Six:

Idol Gives Back. What happened to the idea of “American Idol” being a force for good in a troubled world? We’re more troubled now than the years when the show used its clout to try to relieve suffering around the world, and yet the show has done less of this philanthropic humanitarian sort of thing than ever before. It’s a shadow of its former self in every sense of the word. Oh, yes, there were some token moments, but nothing like the year the show dedicated itself to really making a difference in a world of disasters, natural and other. And this year, the word is suffering perhaps more than ever and the show is doing less than ever to address noble causes.

Point Number Seven:

I’ve written about this before, so please don’t think it’s a new theme for me. I think my first article was called “Some Ideas for Songs That Don’t Suck on ‘American Idol.’” The well has gone dry for theme nights like Country & Western or Rhythm & Blues. There was Beatles night this year, and that was okay, but perhaps the show needs to dig into the catalogues of some other artists of that caliber, in order to avoid the boring offerings we’ve been presented with this year. It seems as though, most nights, there is one ballad after another, usually from someone clutching a guitar, many of them off-key. It’s about as exciting as watching paint dry. When it comes down to reggae versions of “Under My Thumb” by Tim Urban and Judge Kara Dio Guardi says, “I’ve got to applaud you for doing something so incredibly different with the song,” there are those, like Michael Slezak and me who say, “No, you don’t have to applaud mediocrity.” I think my comment after that night, in the subtitle was, “Reggae, Tim…Really?”

Point Number Eight:

The contestants who either didn’t make it on when they should have (Angela Martin, Jermaine Purefoy) or made it, but were kicked off when others who are far, far less talented remain are epidemic this year. Lilly Scott, Kristen Epperly, Todrick Hall are, unfortunately, in the majority this year of contestants gone too soon who could sing rings around Tim Urban on his best day. Contestant Crystal Bowersox was even quoted as saying of Epperly and Scott, “I really did not expect them to go home at all.” Supposedly 18,000 fans of Alex Lambert have been collecting petition signatures to put him back on the show. I suspect that Angela Martin was not allowed to advance because of her brush with the law, and I have an issue with putting contestants on the air in the first place, (like the young man who held up a bank with a b. b gun and served time for it), and then making them disappear because it would be a bad thing to have a felon as an “idol” to American youth. Why let the poor guy even think he was going to get a fair shake? Not to mention the fact (although I will) that the people who put this show on need to get their standards for “amateur versus professional” straight. I heard that the curly-haired young man (Chris Golightly) who was cut (thereby allowing Tim Urban to be called back) was cut because he did not reveal a previous recording contract. There was also a talented Irish contestant in Chicago who was not allowed through because of a fear of visa problems, yet, in other years, we had the tattooed lady of Ireland, as some of you may remember, and she had had a previous recording contract. The rules seem to be very flexible, as indicated by the fact that Michael Lynche is still on the show and in the top ten, even though his mother, who worked for the Orlando “Sentinel” somehow let it slip that he was going to be a finalist in the top twelve, and then his father confirmed it. Both were big “no nos”, but the “rules” that are in place seem to be only selectively enforced. To this viewer at home, recording contracts aside, I fail to see how you are an “amateur” if you have been performing on Broadway in “The Color Purple” (Todrick Hall) or, as with Adam Lambert last year, in a number of other Broadway shows. Mind you: I’m not saying keep the Adam Lamberts OFF. Far from it. I truly miss the caliber of an Adam Lambert or a David Cook or a David Archuleta. I’m just saying that the standards are very strange, not well explained, and very selectively enforced. The rules don’t seem to apply to all contestants. It reminds me of the novel Animal Farm where all animals are equal, but “some animals are more equal than other animals.” All contestants are equal, but some contestants seem to be more equal than other contestants. That just seems unfair.

Point Number Nine:

Too much style over substance. The worst offender, this year, was Tyler Grady, the Lizard King wannabe, who, thankfully, was gone early. His posing as Jim Morrison was hopelessly jejeune, but, to be fair, he was given a lot of mixed signals from judges like Kara DioGuardia early on. You can’t encourage a guy to become a clone of seventies singers like Morrison and tell him how “cool” he is and then turn around the next week and severely criticize him for doing what you just praised in him the week before. The film of Tyler showing up to sing in a bathrobe and cowboy boots shows what happens when you tell an amateur that he is so “cool” and he starts to believe his own press, when it’s premature.

Point Number Ten:

Don’t make the losers sing again. I’ve always found this hideously cruel. Where is the humanity in saying, “You’re gone. We don’t want you. You’re a loser. Now go out there and smile and sing well.” Come on, Folks. Let’s show a little compassion here. Just go with the clips and performances from happier days and let the poor reject slip out a side door and drown his or her sorrows. This year’s Lambert boy was in tears. Katelyn Epperly didn’t hold up that well, either. Only Todrick Hall, the Broadway veteran, seemed to have the attitude, “I know I’m good, and it’s too bad you couch potatoes out there can’t empathize with my obvious talent. Screw you!” And Todrick left us with a great performance, while most have not.

This year, I feel like the entire “American Idol” season is being decided by teeny-boppers who are twelve and wouldn’t know whether the boy they swoon over and vote for, is flat or sharp and could care less about anything more than the extremely superficial issue of his “cuteness.

But, then, given the fact that the professional singers who performed this night (3/31), P. Diddy Sean Combs and Usher gave us “style over substance” performances, what did I expect?