Welcome to WeeklyWilson.com, where author/film critic Connie (Corcoran) Wilson avoids totally losing her marbles in semi-retirement by writing about film (see the Chicago Film Festival reviews and SXSW), politics and books----her own books and those of other people. You'll also find her diverging frequently to share humorous (or not-so-humorous) anecdotes and concerns. Try it! You'll like it!

Category: Music Page 13 of 20

Connie plays 4 musical instruments and her daughter is a graduate of Belmont University in Nashville with a degree in Music Business and once worked for Taylor Swift. She may comment on concerts or reminisce on concerts of old.

Finalists on “American Idol” on 3/1: +10 out of 13

Jessica Sanchez, one of "American Idol's Finalists announced on March 1st, 2012.

The Finalists were announced for “American Idol’s” eleventh season on March 1st, 2012, and, while my picks were pretty much right on the money for the female contestants, I missed a couple of the boys.

The girls…all of whom were mentioned as strong contenders in my prediction column of yesterday….were Elise Testone, Jessica Sanchez, Erika VanPelt, Hollie Cavanagh, Skylar Laine, and Shannon McGrane.

The male contestants I thought were going to go through and correctly picked were Joshua Ledet, Phillip Phillips, Deandre Brackensick and a mention on my part of the likelihood of Colton Dixon. I did not select Jermaine Jones, Heejun Han or Jeremy Rosado, thinking, instead that either Reed Grimm, Aaron Marcellus or Adam Brock were more likely to be Finalists.

Still, 10 out of 13 is not a bad average at close to 80%. (76%)

Now we’ll see which of the contestants can go the distance.

Top Twelve Female Semi-Finalists Perform on Feb. 29, 2012

 

Steven Tyler, Jennifer Lopez, Randy Jackson

Wednesday, Feb. 29, 2012, Fox, 8 pm (ET) The twelve female contestants on “American Idol” performed tonight. Smart money will be on these six to make it through:

Jessica Sanchez

From the first time she sang, it was apparent that this 16-year-old from San Diego was something special. Even with swollen vocal cords, she delivered a wonderful performance of “Love You, I Do” that caused Randy Jackson to say, “Crazy! Oh, my God! That girl can really sing. One of the best of the last two nights. Unbelievably talented.” Jennifer Lopez praised her saying, “So beyond your years, it’s crazy” and Steven Tyler mentioned her exceptional timing and pitch-perfect voice.

Elise Testone

Elise is twenty-eight and from Charleston, North Carolina. She began at the piano and then sang Adele’s “One and Only,” while attired in a black dress with an irregular hemline.  Steven Tyler said, “You blew it out of the water. Nice goin’.” Jennifer declared her to be “One so special and different. Maybe the best singer here. You are one to watch.” Randy Jackson agreed that Elise was, “Definitely a force to be reckoned with” and called her, “One of the best voices.”

Hollie Cavanagh

Hollie is a little slip of a blonde girl from McKinney, Texas. She sang “Reflection.” (“When will my reflection show who I am inside.”) Attired in a short, glittery dress, she really delivered and the only criticism, from Steven Tyler, with which I agree, was that she should have worn her hair down.  He called her, “One of my favorites from the start. Just beautiful.” Jennifer said, “If you came back, I thought you could win it.”  Randy said, “You’re one of our favorites. I love your vocals. You tried to slay one of the biggest dragons tonight (referencing Christina Aguilera’s version). The parts that worked were genius.”

Skylar Laine, 18, from Brandon, Mississippi; Shannon McGrane, 16, from Tampa, Florida; Jen Hirsh.

These three are less “sure things.” Skylar gave a spirited C&W rendition of “Stay with Me” by Faces and received good feedback as Randy called her a “rockin’ country girl” with comparisons to Reba McIntyre, Kelly Clarkson and Tina Turner. Steven Tyler said, “Keep that up, girl.” With the popularity of country music in the land, Skylar has a good chance.

Shannon McGrane sang “I Left Your World” and looked lovely in a white dress with a sparkly belt and sparkles on the left shoulder of the Grecian-style dress.  Jennifer praised her “passion,” Randy said, “Way to bring it.” Steven said, “You started Gospel-ly and then took it upstairs and it went beautiful.”

Jen Hirsh, who sang Adele’s “One and Only,” was praised by Jennifer Lopez as having done “a really good job” and Randy pronounced her, “One of the greatest singers in the competition this year,” but Steven Tyler noticed “a little trouble with the last little thing.”

I thought that Erika Van Pelt, who sang “What About Love?” and Brielle VonHugel (“Sittin’ on the Dock of the Bay”), the contestant with the overbearing stage mother, did  as well as Jen Hirsh. The two who should be going home were Baylie Brown, who sang Lone Star’s “Amaze” and Haley Johnsen. Baylie is a beautiful blonde and was wearing a coral dress. She seemed to be trying to get by on her considerable good looks. That did not work. The other contestant who massacred a song was Haley Johnsen, 23, of Beaverton, Oregon, who took on Annie Lenox’s “Sweet Dreams Are Made of This,” eliciting the accurate assessment from Randy Jackson, “It was a bit of a nightmare, instead of a dream. A little train-wrecky for me today.”

Thirteen Men Perform on “American Idol” on Feb. 28, 2012

Steven Tyler, Jennifer Lopez and Randy Jackson: "American Idol" Judges.

Feb. 28, 2012, Tuesday, Fox, 8 pm – The “American Idol” men performed tonight. Only half of the thirteen allowed to sing will be passed through. The thirteenth lucky “Wild Card” performer was Jermaine Jones who sang Luther VanDross’“Dance with My Father.”

Finalists?

The Six Best, for me (in no particular order) were: Reed Grimm, Adam Brock, Joshua Ledet, Aaron Marcellus, Phil Phillips and Deandre Brackensick. Some will have found Colton Dixon’s moody Paramour piece entrancing. For me, he was just all right.

Reed Grimm

It felt as though the performances started on a high note and went downhill.  Although I am uncomfortable watching Reed Grimm move, he sings well; his version of Maroon 5’s “Moves Like Jagger” was good. Reed’s movements are offputting. He tries to be sexy. He comes off looking as though he has to go to the bathroom. Incorporating the drums at the end of his song, however, earned him great reviews from the judges. (“Very nice choice” from Randy; “Great choice, jazzy and musical good job” from Jennifer and “I loved it, Man. Good for you,” from Steven Tyler.)

Adam Brock

Adam said, “There is a large black woman trapped inside my body.” He proved it by singing “Think!” by Aretha Franklin.  Steven Tyler called his version “Brilliant!” Jennifer Lopez said, “You definitely delivered at the end.” Randy referenced Adam’s “throwback vibe” saying, “Job well done!”

Deandre Brackensick

Deandre of the fly-away hair, who is only a senior in high school in San Jose, California, sang an “Earth, Wind and Fire” song and received rave reviews from Jennifer Lopez (“So perfect to me.”), Steven Tyler (“Good choice of songs.”) and Randy Jackson (“One of the most commercial voices we have this year. I’m pullin’ for you. Lovin’ you.”)

 

Aaron Marcellus

Wearing a hat and stalking the stage, Aaron sang a Jackson Five song, “Never Can Say Goodbye,” hitting an incredible high note at the end.

Joshua Ledet

This Louisiana boy sang “He Pulled Me Through,” a Jennifer Hudson song. Definitely one of the most vocally talented.

Phillip Phillips Last, but definitely not least, the Dave Matthews wannabe did a very different version of Phil Collins’ “In the Air Tonight.” He was told by the judges, “There is no doubt that you are one of the most special talents that we found on the road.”  Steven Tyler praised his performance as, “A really good job.” Randy said, “I love this guy. So unique for ‘American Idol.’”

Stay tuned to find out who America voted the six male “American Idol” finalists.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

24 Contestants Are Selected As Semi-Finalists for Eleventh Season of “American Idol” on 2/23/2012

"American Idol" judges Steven Tyler, Jennifer Lopez and Randy Jackson.

The final twenty-four semi-finalists were selected on “American Idol” on Thursday, Feb. 23, 2012, in Las Vegas. Let the games begin! The twelve male semi-finalists will rise to thirteen as a final boy is selected from one of four contenders. A poll taken on my.hsj.org, asking which of the four potential male contestants deserved to be placed back in the competition, favored Johnny Keyser, with 41.1%. David Leathers, Jr., received 29.1% of the votes, Germaine Jones 23.6% and Richie Law—the arrogant cowboy-hatted bossy contestant—got only 6.1% of the vote.

Twelve Female Semi-Finalists
The twelve girls left in the competition are: Jessica Sanchez, Jen Hirsch, Hayley Johnsen, Elise Testone, Chelsea Sorrell, Baylie Brown, Brielle Von Hugel, Erika Van Pelt, Hollie Cavanagh, Skylar Laine, Hollie Day and Shannon McGrane. It is no accident that I placed Jessica Sanchez’ name first in this list.
Twelve Male Semi-Finalists
The twelve male contestants selected, so far, are: Creighton Fraker, Joshua Ledet, Reed Grimm, Heejun Han, Colton Dixon, Phil Phillips, Deandre Braceknsick, Chase Likens, Aaron Marcellus, Jeremy Rosado, Adam Brock and Eben Frankewicz. Eben and Randy Leathers, Jr., were the last two to be notified and each looked like they were among the youngest, although Randy has a two-year advantage on the 15-year-old Eben. Randy was shown with his father, after he was cut, describing himself as “devastated” but saying Eben deserved a spot. I hope the poll mentioned above is wrong and either Randy or Germaine is placed back in the group. For that matter, I thought Neco Starr deserved to go on for the boys, and cutting 29-year-old Wendy Taylor was singled out by www.theclicker.today.msnbc as particularly brutal, since she will not be able to compete again. Wendy of Crosby, TX, sang in the group (with Mathene Treco and Lauren) “Will You Still Love Me Tomorrow” and was quite good.
The two-hour program on Wednesday night dragged on and on as the same “bait-and-switch” tactic for delivering the good news was employed over and over again, reducing many of the stressed-out contestants to tears. I don’t believe I’ve seen so many male contestants in tears before this season. (Steven Tyler even said, “I like to see a grown man cry” when Adam Brock broke down on Thursday night’s program.)However, it is also true that the Korean-American contestant Heejun Han from Pittsburgh cries when he’s happy and cries when he’s sad. So, go figure.
Momma’s Boys
I also don’t remember a season when 26-year-old contestants like Reed Grimm were on their cell phones to Mommy quite so much, or when a gentle giant like Germaine Jones is shown devotedly telling viewers that he calls his mother “My Beautiful” and she calls him “My Handsome.” My only conclusion: this year, they don’t have as many truly tragic backstories of sickness or handicaps overcome.
Of course, the producers could simply be waiting to display all that pathos for the coming programs. (I have never seen such blatant tear-jerking maneuvers as those used by “Dancing with the Stars;” the “dedication” of each night’s dance to this or that cause gets to be a bit much.) Somehow, you expect a 15-year-old, like the very young Eben Frankewicz, to lean heavily on his parental units, but for those pushing thirty, it seems immature. Of course, with contestant Reed Grimm, (who sounds good if you don’t have to look at his weird presentation(s) and slinky-like dancing, what is “normal,” really? I, personally, like Dave Matthews wanna-be Phil Phillips, 21, of Leweesburg, PA,  even though his voice may not be the best in the competition. That honor may go to Joshua Ledet from Louisiana, or even young Eben.  I would not expect Jeremy Rosado or Deandre Brackensick of the long, wavy locks and the high falsetto to go very far.
“American Idol” vs. “The Voice”
Meanwhile, a flap has broken out on Ellen DeGeneres’ show over Randy Jackson’s supposed comment that “The Voice” was a show on which rejected contestants from “American Idol” go to compete again. Adam Levine did not take kindly to Randy’s off-the-cuff remark, saying, “Shame on Randy Jackson for saying that, because he, out of anybody, should know that if you’re in this business you need second, third, fourth and fifth chances. So, we love and embrace that being part of ‘The Voice.’…It was an irresponsible thing to say that.”
Randy Jackson immediately responded with a semi-apology, trying to clarify what he had meant, saying, “It’s all love. Adam is a friend of mine. He and I and Ryan (Seacrest) have hung out a zillion times. There is no disrespect…I’m just saying the difference in our show is new people. We try to find those.”
Since its 2002 launch, “American Idol” has been a ratings winner and it still beat “The Voice,” which pulled in 16.3 million viewers, 13% less than “American Idol.” “The Voice” is doing well for NBC, however, scoring second only to Sunday night football and attracting an audience that is slightly younger, with an average age of 43, while the average age for “Idol” viewers is 47.

“American Idol” Group Night Aimed to Appeal to New, Older Demographic

"American Idol" 2012 judges Steven Tyler, Jennifer Lopez, and Randy Jackson.

AmIdol2012After many years of faithfully following “American Idol,” this year, for the first time, the group performances have been as polished as those from Hollywood. One-hundred hopefuls out of over 1,000 would-be singers formed groups in Las Vegas for the February 16, 2012, program, but, this time, the contestants sang on a big stage with costumes, props, choreography and bells and whistles that we usually don’t see until Hollywood. The goal: to whittle the troupe down to forty (forty-two fortunate souls were passed on).

Changing Audience

The young singers performed songs from the fifties and sixties. This may well be because the demographic watching the show has become older and more mainstream. Other programs, like “The Voice” and “The X-Factor,” have siphoned off the younger viewers, but “American Idol” is still doing fine with middle America.

Song Selections

Every group performed a professional rendition of a song that those who are older than twenty-one would know and remember. Examples: “Why Do Fools Fall in Love?,” “Rockin’ Robin,” “Jailhouse Rock,” “The Night Has a Thousand Eyes,” “I Guess It Doesn’t Matter Any More,” “Great Balls of Fire,” “Will You Still Love Me Tomorrow?”, “Breaking Up Is Hard to Do,” “I Only Have Eyes for You,” “Sealed with a Kiss” and the Elvis anthem “Blue Suede Shoes.”

Standout Performers

There were some standout performers: David Leathers, who looks like an elementary school student, was outstanding. Reed Gramm, 26, from Wisconsin, who kept phoning home to talk to his mother on the last show, continued to please the judges, who were heard to mutter that he was “like Casey (Abrams).” Reed seems to be a crooner in the Michael Buble mold, but he’s better heard than seen.
The villain of the show has already been cast. He’s Richie Law, the cowboy wearing the hat and acting arrogant. Richie teamed with Jermaine Jones, a fine singer with a great voice but a bad lisp when he speaks. Both have deep bass voices like last year’s winner, Scotty McReery.
The camera consistently followed the Asian contestant Heejun Han from Flushing, New York, who has a very sweet tone to his voice, but who locked horns with the cowboy early on. Also in Heejun’s group was Neco Starr, whose lead vocals on “I Only Have Eyes for You” were great and Phil Phillips, who seems to have modeled his style on Dave Matthews.

There are too many good voices this year to start taking odds, but I was particularly impressed with 16-year-old Jessica Sanchez of California, whose group sang “Guess It Doesn’t Matter Any More” and with Joshua Ledet of Lakeview, Louisiana. The weird hair guy whose sister (Skylar) got cut is really starting to creep me out, so the less said about him, the better.

Passing of Whitney Houston on Eve of Grammys a Tragic Tale

Whitney Houston, a tremendous talent, dies tragically at 48.

Whitney Houston possessed one of the most beautiful female voices of the past quarter century. She was the only female singer to have won a Grammy Award, an Emmy, an MTV Video award, an MTV movie award, a People’s choice award and a Billboard Music Award. She won six Grammies and earned twenty-six Grammy nominations, as well as twenty-two American music awards and thirty-eight nominations—a record.

But the Whitney Houston I saw onstage at the Moline (IL) Civic Center after her 1992 marriage to Bobby Brown seemed unprepared. She didn’t know what town she was in and didn’t seem to care.  She seemed lost in a fog. That fog may have swallowed her up on February 11, 2012, as she lay in the bathtub of her room at the Beverley Hilton Hotel, where singer Ray J around 3:30 p.m discovered her, underwater and unconscious.

The call for help went out at 3:43, but help came too late. Clive Davis, who had launched her career, was trying to help Houston get her career back on track, but the damage was done. She looked weary in the last footage I saw of her, a brief interview with Houston and Jennifer Hudson.

It was too late for Whitney to undo years of damage to her body and her voice, a downward spiral that most believe began with her 1992 marriage to Bobby Brown, with whom she had a daughter, Bobby Kristina, in 1993. Some say her death was no accident. A video of her onstage singing, “Yes, Jesus Loves Me” two days prior was her final performance. The 3 prescription drugs found in her hotel room are not to be taken simultaneously. Xanax, Valium and lorazepam are all powerful anti-anxiety drugs and taking any of them in combination with alcohol would be potentially life-threatening. Did Whitney take a prescription drug by accident, lose consciousness, and sink beneath the waters of her bath by accident, thus dying by drowning? One comment that came out after the tragedy was that there were orders that Houston was not to take an unsupervised bath. (It makes one wonder how something as private as a bath can be “supervised.”) Whitney’s last album, meant to revitalize her career, did not do particularly well, but it was much better-received than her touring, which is where singers really make their money.  At several of her latest shows, her voice showed seemed so ravaged by her hard living that patrons demanded their money back. This must have been a bitter pill for the woman who electrified the world with her version of “The Star-Spangled Banner” at the Superbowl in Tampa and whose “The Bodyguard” album sold millions of copies. Did Houston simply give up and give in, purposely taking the pills and slipping into oblivion? If so, she left no note, and she had talked to family members within a half-hour of her death.

Whitney charted seven consecutive Number One Billboard Hot 100 Hits: “Saving All My Love for You;” “How Will I Know?” “The Greatest Love of All,” “I Wanna’ Dance With Somebody (Who Loves Me)”, “Didn’t We Almost Have It All?”, “So Emotional,” and “Where Do Broken Hearts Go?” Those titles parallel the sad rise and fall of this beautiful and talented singer.  The female lead in “The Bodyguard” opposite Kevin Costner, she also acted in three other films, including” Waiting to Exhale” and “Sparkle” and was working with Jordan Sparks on a new project, where she would play her mother. (To be released in August).

The Grammys were retooled to include a tribute to Houston with Jennifer Hudson singing a haunting rendition of “I Will Always Love You.”

A Feb. 20th issue of the Inquirer with unflattering photos of Houston detailed some late-night partying that had gone on in the days leading up to this year’s Grammys. Another article claimed she was broke, dependent on advances from the record company and from friends. Although there will be a surge in the sale of “I Will Always Love You,” it is the very much alive Dolly Parton, the songwriter, who will benefit, not the estate of Whitney Houston. Houston told Diane Sawyer in 2002, “The biggest devil is me. I’m either my best friend or my worst enemy.”

Tim Stop(ulos) Releases “Songs of Separation,” His New Soulful CD

Tim Stopulos, Assumption High School (IA) & Wake Forest Musician, on tour with new album "Songs of Separation."

Tim Stop…used to be the Tim Stopulos Trio, then the Tim Stop Trio. Now, just Tim Stop (www.timstop.com) Whenever Tim plays in Chicago and I’m there, as well, I try to stop by, as when he played “Market” on Randolph Street. I wondered about band member Seville Lilly (the hat guy).  Justin Hooks and Michael Tahlier are still onboard. (Justin just for the album, it seems.)

 

Tim’s CD back when I first wrote about him was “The Long Drive Home.” Now, he’s released a new set of “Songs of Separation,” and the universal theme should hit home for anyone who has loved and lost. The 27-year-old Davenport Assumption High School graduate puts all the emotion out there on the tracks. Therapeutic.

 Most of Tim Stopulos’ new album “Songs of Separation” (released October 18th) focuses on the heartache and heartbreak that is  impossible to avoid when you’re young and in love. Or old and in love. Or young and falling out of love. Or old and falling out of love.Boy meets girl. Boy dates girl. Boy and girl have a long-term relationship. Boy and girl break up to go in different directions. It’s a story as old as Adam and Eve. 

The new CD out from Bettendorf’s Tim Stopulos (“Songs of Separation”) begins a favorite, a song entitled “Half A World Away.” Lyric:  “You’re safe at home, you’re safe and warm, And I’m longing for one day when I find my way.  I will find my place, even if it’s half a world away.” Melancholy. Minor key. One of my personal favorites on the album. Lyric: “Now I’m anxious as these thoughts inside my head begin to swirl about a history that’s only just beginning to unfurl. And I long for adaptation to an unfamiliar world.”  

Coming from Stopulos in a John Mayer pop ballad vein, the songs on this new CD  chronicle the age-old and familiar terrain of falling in and out of love. Influenced by such musicians as Dave Matthews, John Mayer, Ben Folds, Coldplay, Billy Joel, Radiohead (Thom Yorke) and Jeff Buckley, you can hear the Wake Forest graduate’s 22 years of piano lessons paying off in his composition and performance, and, more importantly to this writer, the lyrics are impressive, too. 

The rhythms pick up on “A Little Bit Better,” the second song, which has some interesting and expert guitar work. It’s one of the most upbeat songs, despite this lyric:  “It’s a different kind of alone when you’re locked and trapped inside your mind.” [Reminded me of a Sheryl Crow lyric: “I’m a stranger in my own life.”]  

Third song on the CD, “Rollin’“, has the line, “I know I should leave you, but my heart won’t let me go.” Next up, “Unconditional:” “Wherever you are, I love you. Whatever you do, I always will.  I hope some day you’ll find me. My love is…Wherever you are, just call my name.  I’ll race across this empty state.  I’d leave tonight to find you, ‘Cuz my live is unconditional. It’s unconditional.” (Wow! You’re a better man than me, Charlie Brown. I remember some break-ups that left me feeling pretty bitter; this guy’s much more forgiving.)

 

Next up was “Something’s Gotta’ Give,” (which, judging from the sound of young Tim’s weekend at the Iowa Hawkeye game, written up on his blog, may well be his health. Sounded like a long, crazy weekend!) 

“Professional,” a song with a slightly more cynical slant about a girl who “doesn’t change for anybody” was less devoted than “Unconditional.” I liked “Professional” a lot. [Maybe I’ve grown more cynical in my old age. You think?] 

 “Malaga,” the 7th song, is the only one that didn’t seem to focus on the break-up of a relationship. A bit more of a “carpe diem” philosophy, expressed musically.

 

“Whisper in the Wind” is a melancholy melody that references  the death of a young friend from cancer and wonders where she is (“Did she find God or does she wander in the wind to remind the world of a life that could’ve been but never was.”) After spending Halloween night at a local funeral home— [thankfully, not for a person cut down in their prime]—I could relate. (And, by the way, there’s no place creepier to spend Halloween night!) This song has a wistful air of melancholy, and is performed beautifully. 

“After You” opens with a ticking sound. Liked it. Lyrics:  “I recall she said that if I left I would go alone..she wouldn’t have the strength to follow me, and now I’m gone, so alone is what I chose to be.  But I didn’t choose this life, I told her, it chose me.” That one sounds very autobiographical for a musician on the road trying to make it in the music business. 

There is no mention of “Every Day” on my liner notes, but that is the last song on this impressive, original CD, “Songs of Separation.” Tim just played with Deas Vail at Legends of Notre Dame and he’s set to hit the following venues in the next few days or weeks: 

11/3 – Janesville, Wisconsin, Timeout @ 9:00 P.M.

11/4 – Lindey’s, East Troy, Wisconsin @ 9:00 P.M.

11/5 – Lindey’s, East Troy, Wisconsin @ 9:30 P.M.

11/9 – Crow Valley (Country Club), Davenport, IA

11/10 – Rockit, Chicago, IL 9:00 P.M.

11/23 – Jersey Grille, Davenport, IA

Time off for the holidays, then:

1/20 – The Livery, Benton Harbor, MI

1/27 – The Redstone Room, Davenport, Iowa

 

Stopulos wrote all the words and music on this expertly produced CD, with help from Michael Tahlier on electric guitar, Tim Seisser on bass, Khari Parker on drums, Matt Nelson on Rhodes/organs, Justin Hooks on percussion with Packy Lundholm on “Something’s Gotta’ Give.” The artwork is by Josh Nelson and photography by Matt Wince, with production by Tim and Bob DiFazio, Engineering/editing mixing by DeFazio, vocal production by El Thornton and Justin Hooks and mastering by Danny Leake at Urban Guerillas. 

Among other accolades thrown around about the handsome young singer are: “energetic, soulful, sophisticated songwriter, wonderful voice, mesmerizing stage presence” Hard to top those already-used descriptions. Let me just say: “Ditto.”

 

 Check out his songs on YouTube. Better yet, buy a copy at www.timstop.com or Cdbaby.com. But don’t worry about his broken heart. Something tells me there’s someone out there eager to help nurse it back to health.

“Coldplay”, Sept. 23, IHeartRadio, MGM Grand, Las Vegas

Here’s a link to the finale of the “Coldplay” set during the September 23 IHeartRadio show in Las Vegas.

http://www.youtube.com/watch?v=OJKL3ilk810

“IHeartRadio” Show at MGM Grand, Las Vegas, on September 23, 2011

Las Vegas, Nevada, September 23, 2011 “IHeartRadio” hit the MGM Grand tonight, bringing some of the hottest live acts currently touring together in an eclectic 2-day extravaganza billed as “the biggest live concert festival in radio history” in the September 18, 2011 Las Vegas Magazine & Show-Biz Weekly article entitled “Titans of the Airwaves” by Josh Bell. As Bell phrased it, “Clear Channel is pulling out all the stops to promote its new IHeartRadio service.”

First up singing to the audience of 12,000 were the Black Eyed Peas with Will.i.am and Fergie. Noting that they first formed in 1995, were signed in 1997 and put out their first record in 1998 the energetic group said it used to perform for $20 a gig. “Now we get paid a whole lot more zeros than that. We’ve had a great career…We’ll never stop making music,” said Will.i.am. The group invited the audience to join in signing along to the theme from “Dirty Dancing” and it was the most successful sing-along request of a 3-hour concert. Biggest impressions of the group: Fergie’s shorts were cut so high and short that she might as well have worn a thong and there was a lot of energetic jumping up and down.

That level of energy made it difficult for Kelly Clarkson to compete on an equal footing. The former “American Idol” winner and singer-songwriter sang many of her hits like “Since You’ve Been Gone” and “Walk Away” but her request for an audience participation moment resulted largely in a crowd that didn’t know the words, and she finally relented and announced, “We’re not doing any more sad ballads to bring you down.” Clarkson looked slimmer than in some previous performances and sported a flattering hairstyle.

Every so often, for no more than a total of 5 minutes, it seemed, Ryan Seacrest would put in an announcing appearance, although others, such as Joe Jonas and a local DJ (Elvis Duran) carried most of the MC-ing heavy water. Another change in the night’s programming saw John Mayer drop out due to illness.

After Clarkson’s stint, Bruno Mars, who played Little Elvis in “Honeymoon in Vegas” in 1992 when he was 7 performed, and it was as though he was channeling the high-pompadoured singers of yesteryear like Fabian, Frankie Avalon and Jackie Wilson. Mars’ big hit “Just the Way You Are” was well-received, but it was astonishing how retro his look was: dark suit, white shirt, thin black tie and a pompadour that made JFK Jr’s hairdo look flat. Mars performed a bit of fancy footwork and seemed to give off a vibe that he thought he was very cool, indeed. The middle-aged lady in front of me in the nose-bleed section began waving her cell phone and pumping her arm in the air; I wanted to tell her to cool her jets. We were a long way from catching young Bruno’s eye.  A song dedicated to Amy Winehouse (“I miss you. I love you.”) Seemed like blatant capitalizing on the recent death of the British songbird.

The next performer out of the box began by telling the crowd, “I think the IHeartRadio show is the most eclectic I’ve ever been in.” The introduction for Carrie Underwood, American Idol’s darling, was given by Joe Jonas, and Carrie was one of the strongest performers of the night. She danced around the stage, looked lovely, belted out her ballads, and all I could think of was how far she had come since the cow-milking segment featured on her early “American Idol” appearance. She is a polished performer now, much slimmer, and genuinely beautiful. It was now nearly 9:30 p.m. and the show had begun 2 hours earlier.

At this point, amongst the never-still throngs who were in constant motion, a stranger climbed over me and, as he passed in haste, something wet spilled on my leg. I could only hope it was beer. An announcement was made that Justin Timberlake plans to host something billed as an Old School Jam on October 1st. It will feature Earth, Wind & Fire, Charlie Wilson and Vanilla Ice. All I could think of was that I had been under the impression, apparently mistaken, that Robert Van Winkle, 44, had melted years ago, and, having just seen Earth, Wind & Fire at Northerly Isle Pavilion (also known as Charter One Pavilion) in Chicago this summer, the band was now featuring the children of the original performers, after nearly as many years as a performing group (i.e.. 42). However, early word regarding Timberlake’s attempts to cross over to action hero in his newest sci-fi film makes his return to the music world timely.

Next up was 52-year-old Perry Farrell, generally regarded as one of the godfathers of alternative rock. The Farewell Tour that Farrell organized for his band “Jane’s Addiction” in 1991 became Lollapalooza, now a 2-day destination tour centered in Grant Park in Chicago. Tonight, Farrell announced that his performance represented “the rock and roll version of IHeartRadio.” With Dave Navarro on guitar, the set was excruciatingly loud and employed a Persian/Arabic-themed stage backdrop with much use of confetti canons. When Farrell talks to address the crowd, he sounds like a cartoon character with his high-pitched voice. It is now 10 minutes of 10 p.m.

At this point, saving the day and the concert, Coldplay emerges, singing “Rule the World.” Chris Martin actually lay down onstage at the end of the song and asked, “Is there anybody out there?” He also told a story that went Snippet of Chris Martin of “ColdPlay.” (See longer video clip on Facebook at my Profile.)like this: “We played down the street in a little club at 3 in the morning when we were starting out, just this band from Britain, and there were just 2 ladies in the place and one of them was deaf, and even she walked out. We said that one day we’d come back and play the MGM Grand.  I hope you’re having a great time.  And that’s all I have to say.  Don’t lose all your money.” And then, almost as an after-thought, before throwing himself into energetic flailing about that seemed almost childlike in its random-ness, Martin added, “The back is the best place to see our band.” If you gave yourself over to the pulsing, exuberant experience, Coldplay was a fantastic way to go out. They exited to huge applause. Only problem was, Alicia Keys had to follow Coldplay.

Much like Kelly Clarkson, doomed to come on after the Black Eyed Peas, Alicia Keys performed admirably (and overly loudly, much like Perry Farrell), with a backdrop of white doves flying across the projection screen behind her piano. She often stood center stage, solo, to sing songs while attired in a sparkly top like every other female performer. (Sparkles are in this season). It was now 10:30 p.m. and Alicia announced her intention to play a new song, “A Place of My Own” on the Yamaha piano, saying, “It’s an incredible night, I have to say.”

Announcements were made that Lady Gaga would perform with the just-turned-60 Sting on Saturday night, along with Steven Tyler, Jennifer Lopez, Rascal Flatts, Nicki Minaj, Sublime with Rome, Usher, Kenny Chesney and Jay-Z. The ticket price in the nosebleed section I was in was listed as $165, but there were 9 empty seats in my row (Section C 209) and they were going for 2 to 3 times that on StubHub. Some of the seats down front were priced in the thousands online.

Coldplay and Carrie Underwood made my seat worth what I paid for it, but when the witching hour of 11:00 p.m. came and went, with only the possible appearance of Jay-Z (he was a late addition and may never have appeared, I was happy to bolt, waiting for what seemed like hours in the taxi line outside the MGM Grand.) Stay tuned for tomorrow night’s big show, which drew fans from both coasts and  all areas in between. Big draws tomorrow are Lady Gaga appearing with Sting and Steven Tyler.

Paul McCartney, “Live” at Wrigley Field, Sunday, July 31, 2011

Chicago, IL, July 31, 2011  Sunday, July 31, was my son’s birthday. When he was a teenager in the ‘70s, I took him to see Paul McCartney and “Wings” at Ames’ Hilton Coliseum. Tonight, I took my daughter (age 24) to see Paul McCartney, paired with his new sidemen, who include a fierce-looking drummer with earrings and a bald head  (Abe Laboriel), Paul “Wix” Wickens on keyboards, and Rusty Anderson and Brian Ray on guitar. Even with slight heels, McCartney was by far the smallest musician, physically, but the biggest talent onstage.

I first saw Paul McCartney “Live” at the San Francisco Cow Palace in 1965, and I was struck with how often he would toss his head. He and Ringo seemed to have all the moves, while George was an absolute stick-in-the-mud and John did little of the crowd-pleasing physical stuff. I next saw McCartney “Live” in concert in Ames, Iowa in the 70s, with my son in tow. It was son Scott’s 43rd birthday this day, and he pronounced Paul to be over-the-hill, so I took his much younger sister, who will remember this concert many years from now.
It was a sultry, hot night and Sir Paul sweated through his long-sleeved blue shirt and removed his blue jacket by the time he reached the 6th song (of 37, total).  His first song was “Hello, Goodbye” and later on, Paul would relate a story about how, when playing in the Soviet Union, a man came up to him and told him, “I have learned the English language from your records.  Hello. Goodbye.” After the first song, “All My Lovin’” followed, with Paul telling the eager crowd that he was “glad to be a part of the history of Wrigley Field.”

“Baby, You Can Drive My Car,” his fifth song, was a hit, with the people in the infield seats standing the entire time. Jacket removed, Paul swung in to “The Night Before” (“Treat me like you did the night before.”).  A priest in the crowd held up a sign that said, “I’m a priest. I’d like to do your wedding,” a reference to the recent announcement of Paul’s intention to marry his girlfriend Nancy Shevell.

Wrigley Field Concert on Sunday, July 31, 2011.

Moving from a normal guitar to a red psychedelic one, Paul played “Let Me Roll It” (Wings) and, in a tribute to Jimi Hendrix, “Foxy Lady.” He shared with the crowd a memorable night when Jimi Hendrix asked Eric Clapton, sitting in the crowd, to come up and tune his guitar. Paul switched back to a more normal-looking guitar, declaring it to be the one he had used on “Sergeant Pepper’s Lonely Hearts Club Band.”

“Paperback Writer:” ended with one of the guitarists showing the word “Thanx” to the enthusiastic crowd and Paul then moved to the piano to   play “The Long and Winding Road.” That was followed by “1985” (Wings); “Let ‘Em In”; “Maybe I’m Amazed”; “I’ve Just Seen a Face” (Beatles); “I Will” (Beatles); “Blackbird” (Beatles); “Here Today”; “Dance Tonight”; “Mrs. Vanderbilt” (Wings); “Eleanor Rigby” (Beatles); “Something” (Beatles); “Band on the Run” (Wings); “Ob-Ladi, Ob-La Da” (Beatles); and a rocking “Back in the U.S.S.R.”

It was some time in the middle of Paul’s touching rendition of “Blackbird” that a very loud man in the upper stands began shouting (“A______”) at a person standing in front of him, and that was to the detriment of all, but motivated by the older crowd who came to hear the 69-year-old Beatle play only to have their view blocked by members of the younger generation who stood up in front of them well before the final songs.

“I’ve Got a Feeling”; “A Day in the Life;” “Give Peace a Chance” and “Let It Be” followed (ironic that 4 girls—all young—began fighting in the stands near me soon after this).  Then came the pyrotechnic high point of the evening, “Live and Let Die” from the James Bond film, complete with fireworks and flash pots exploding behind the proscenium.  (This was Song #30)

Paul and the band left, but were soon lured back by enthusiastic applause to sing “Hey, Jude,” “Lady Madonna,” “Day Tripping,” and “Get Back.” When that 4-song encore didn’t shut the crowd up, Paul and company played a second encore of “Yesterday,” “Helter Skelter” (Remember when it was said that playing this backward you heard “Paul is dead?” Not to mention the fact that Charles Manson will forever be associated with the title); and, finally, “Golden Slumbers/Carry that Weight.”

 

The concert, scheduled to start at 8:00 p.m., lasted over 3 hours and Paul McCartney, like his contemporary Mick Jagger, has not lost a step in all of his 69 years. A truly memorable  concert.

 

 

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