In this visually striking and haunting documentary, local inhabitants, including a wry theater director, patriotic miners, cynical students and a rebellious historian, confront both past and present.
My companion and I first saw “Thoroughbreds” and we were mightily entertained and impressed. I promised him that if the first 15 minutes didn’t “grab” us, we could leave.
A sweaty Russian miner explained why he doesn’t like jobs where he has to supervise others. His working conditions looked like a prison camp, because it WAS (IS?) a prison camp. Everything looked like the Swedish film about the snowplow murders that I recently saw and liked (which is now being made into an American version starring Liam Neeson.)
I glanced over after 15 minutes. My companion, an AFI (American Film Institute) graduate was sound asleep. We left.
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