Month: February 2010 Page 1 of 2

“American Idol” Pares Field to Ten on Feb. 25, 2010

On February 26, 2010

In Music, Pop Culture, Reviews, Television

What’s to be said about the “American Idol” Thursday night program, where 2 boys and 2 girls were axed?

General observations: I was glad to see Tyler Grady go, but, in a way, he was right when he said that the “advice” to quit being a Jim Morrison poseur came “too late” to help him. Kara absolutely crowed about how “cool” he was during the early stages of the competition, and I think Tyler had enough of a big head before that. The film of him practicing in cowboy boots, white socks and a bathrobe pretty much says it all. I was not sorry to see him go. The “cuteness” and “humbleness” factor saved the other lowest vote getter, Alex Lambert. It is poor Alex who had only performed about 3 times in local coffee shops, before his Idol audition. Obviously, Tyler has been posturing as the Lizard King and others for a while. Simon said he acted as though he had gone to “Rock Star School” on the boys’ night. So, good-bye, Tyler, and don’t let the door hit you in the fake leather pants on the way out.

The other boy eliminated was Joe Munoz. He seemed like a genuinely nice guy, but that didn’t work for him. He needed some of the animal magnetism of Casey James or the cute fresh-faced attractiveness that kept Tim Urban in the competition, when he was definitely one of the weakest, vocally.

Now, as to the girls’ elimination. Big mistake there. Eliminating Ashley Rodriguez, one of the prettiest of the girls who had the “total package” and who can be found singing as Ashley Benami online, seemed unfair. I have to admit, after saying that, that her farewell song did not really move me. None of the girls really stood out much (although I liked Crystal Bowersox), except that Katy was way off key during her entire performance and seemed to be channeling her elderly grandmum. I do not understand how she was able to stay, while Ashley was voted off.

Last girl to go was the blonde rumored to be Tim Teabow’s (Florida quarterback) girlfriend, Janell Wheeler. There was a quick shot of Janell making a funny face, which just made her appear unattractive. Then a quick shot to Mom. Janell was never going to win this thing, so I can live with her sudden death in the competition, but she seemed better, to me, than some others.

As I was driving all the way across the state of Illinois (width, not length), I was listening to Adam Lambert’s album and to Melinda DoLittle’s album. I was immediately nostalgic for last year’s great talent, especially after both Allison Irahito and Chris Allen performed. This year’s crop looks very pale and dull, by comparison. I looked forward every week to seeing what outrageous thing Adam would do THIS week. And Allison, the gutsy Hispanic rocker chick, was equally intriguing. I even pine for the days of the Dueling Davids: David Cook and David Archuleta.

Even the “hits” on AC are down this year, which may be due to the Olympics in Vancouver, or it may just be that this year’s crop isn’t cutting it

There is no one in the entire crowd, with the possible exception of Crystal Bowersox (for the girls) and Lee DeWyze (of the boys) who I really even care to hear sing again. I’m not that “ga ga’ over Casey Jones. Big Daddy Mike Lynche isn’t doing anything much for me. I did enjoy watching Todrick Hall own the stage, but I had no idea what he was singing (and, as the judges said, neither did they).

I was happy to see 2 things I had said echoed by Simon Cowell: 1) Angela Martin should never have been cut and (2) this year, the girls are stronger, which he was quoted as having said in the New York Post. After mentioning that, however, I am very disappointed in almost all of the girls, so far. I do think that Katelyn Epperly will step up, as Crystal Bowersox already has, but I really pine for the Dueling Davids and/or Adam Lambert/Allison Irahito days. And when Simon leaves? What then?

Boys’ Night on “American Idol:” A “Meh” Experience

By Connie Wilson

On February 25, 2010

In Music, Pop Culture, Television

What to say about “American Idol” boys’ night? Another “meh” set of performances.

Let’s categorize them as we did with the girls: The Good, The Bad, and the Okay.

THE GOOD

My favorites: Lee DeWyze, 23, of Chicago sang Snow Patrol’s “Chasing Cars’ and he has a unique quality in his voice. He accompanied himself on guitar and has a raspy edge that is very unique. Comments were made by the judges that were “so-so” but Simon seemed to get it: “I thought this was the best performance you’ve given so far. This guy is a naturally good singer.” I think Lee did well.

Casey James: The blonde 24-year-old sang “Here’s Heaven” and, despite all the goofing-around, which included Randy grabbing Kara’s arms and having her wave them to and fro and Kara’s comment, “I don’t recognize you with your shirt on,” (he removed it at her suggestion during auditions) I thought he gave a good performance. Ellen said, “I could feel Kara undressing you with her eyes. You were great.” Even Simon got into the act, commenting that they were both “cursed with good looks.” Simon called Casey’s performance “Honest. Sincere. Likeable,” and added, “This was the best performance I’ve heard from you, so you did great.” I agree.

Joe Munoz, 20, of Huntington Park, California: He sang the Jason Mraz song “You and I Both Hear It.” Ellen said, “You’re so comfortable. Great stage presence. “ Randy commented, “You’ve got a great voice. I think you did a great job with it, Dawg. You worked it out.” Kara called him “up front and center. The best so far in terms of the singing.” Simon was the only dissenter calling him “okay, safe, a bit forgettable, a bit limp.” I think the 3 to 1 who thought he did a good job were right.

Michael Lynche, 26 sang “This Love” by “Maroon 5” accompanying himself on guitar. He did not get much support from Simon, who said, “You’re sort of like the support act before the main act, kind of like a vague, jazzy performance.” Ellen disagreed, saying, “I think people are gonna’ love him.” Michael has been given so much extra airtime because of the birth of his daughter while he was auditioning that people feel like they know him. Big Daddy will still be here for a while.
THE OKAY

Todrick Hall did appear to be what Simon accused him of: “I think you came over as a dancer trying to sing.” Yes, he did. The next part of Simon’s critique I disagree with, “What you did was completely verging on stupid.” What he did was dance around a lot, since he has danced and sung on Broadway with Fantasia in “The Color Purple.” He moved around a lot and, as Ellen said, “The chorus was a little rough,” I had no idea what he was singing, to begin with. Randy said, “I didn’t know what song it was. I still want to see you sing. You’ve got mad chops vocally.” I think that Todrick needs to NOT change the song as much as he did (he said he heard it this way in his head) but I liked his acrobatic touches. Not everyone can both sing and dance well. Needs to sing something we all know and love.

Jermaine Sellers, 27, from Joliet, Illinois, sang “Get Here” while wearing his trademark hat. I actually liked his light voice, with the lilting quality, although it took him a long time to slide up to the right pitch on the last note. Ellen declared herself “A huge fan” and said, “I love your look. More a performance than feeling it, though. A couple of times you went off or out as though you were trying too hard.” Randy wants him to sing something more contemporary like Neo or Maxwell and added, “You’re trying to do too much vocally, Dawg,” referencing some of Jermaine’s runs. He wanted them to be meaningful runs. Simon was brutal: “It’s the kind of song that, if you were playing piano in a piano bar, people in their 50s would request it. I think you’ve totally blown your opportunity with that (song choice).” {*Note: he is not in the “BAD” category, for me, but it was just okay.)

Aaron Kelly, 16, from Sonestown, Pennsylvania, a high school student: Simon was kind to Aaron, saying, “Bearing in mind that that was your first live appearance, that was very good.” All of the rest told him, “Dude, believe in yourself.” Randy added, “16. What a voice! Wow!” Ellen said, “I think you’re gonna be here a long time. You’re just gonna’ get better and better.”

John Park, 21, of Northbrook, Illinois sang “God Bless The Child” and that was universally panned as a song choice. Simon immediately kicked his chair back and began to look bored, before John had even sung 3 notes. After the performance, he said, “You have got to have an incredible voice to take that one on and you don’t. It was flat, zero emotion. A pointless performance,” which he compared to a copycat knock-off of Michael Buble. I didn’t like the choice of songs, either, but I’ll share my theory about that at the end of this list. Randy said, “It made you feel old,” and Ellen agreed that “A different song would show us who you are. I like you a lot.” John has real talent and can come back.

Andrew Garcia, 24, of Moreno Valley, California sang “Fall Out Boy’s “Sugar, We’re Goin’ Down.” Simon said he was disappointed…that the song was “too serious, too indulgent.” Kara thought it was “a really strange rendition, but a risk, and added, “You’re great.” Everyone kept referencing his earlier rendition of Paula Abdul’s “Straight Up.” Ellen said, “I’m one of the fans, but this was too closed, too indulgent. I think you’re gonna’ stick around. We like you.” Agreed.

Alex Lambert, of North Richland Hills, Texas, was the 19-year-old who sang “It’s A Wonderful World” by James Morrison. Simon was so mean to him that I think he will get sympathy votes. Simon said, “I don’t know who was the happiest for that performance to end, you or us. It was the most uncomfortable performance of the night.” Ellen hit the nail on the head when she talked about a banana and how Alex “just needs to ripen” (like a banana). He had only sung publicly 3 times, previously, in coffee shops. He’s a very cute young man. I think he will make it through and people will forgive him his first-night jitters and his relative inexperience, when compared to a performer from Broadway like Todrick Hall.

THE BAD

Tyler Grady, for me, was by far the worst. He sang “American Woman,” but he is a poseur, a Jim Morrison wannabee. It’s getting old. That pretty much sums up the judges comments, as they said he needed to find some new schtick, rather than continuing to mimic rock singers from the past that he has admired. Simon put it this way, “You come over as someone who has gone to ‘Pretend to be a rock star school.” Agreed. Kara referenced his obsession with the seventies (although Jim Morrison was the sixties,) and randy criticized his “style over substance.” Ellen said, ‘You’re copying. Work on the singing. Be an original.” Good advice.

Tim Urban, 20, of Duncanville, Texas, DID get cut previously. I knew I remembered he had been cut after group week, but then he was back. (Reason was said to be that Chris Golightly did not reveal a previous record contract and got cut, so there was an opening.) Tim sang “Apologize” by One Republic, and he is very cute. He looks like the Lost Jonas Brother, but his voice was weak. Simon said, “There was nothing to take from that. I just don’t think your voice is good enough.” Kara said, “The music overpowered you and swallowed it up. Here you were just buried under the arrangement.” Randy told Tim it was “just the wrong song. Honestly, I personally think you are better than this.” (So do I). Ellen said, “If the sound was down, just looking at you, because you’re adorable.” Ellen has hit on what may keep Tim Urban around: he IS adorable. (Remember Sanjaya?) Nevertheless, Simon said that he felt the judges had made the right choice when they cut him the first time, and I can’t argue with that after hearing him tonight. Now, if he only sang as good as he looks…..

On the previous night, when the girls sang, all the songs were dreary. There were no “up-tempo” performances, really. The only one this night was the “American Woman” attempt, but we’re getting tired of seeing Tyler Morrison…err Grady. Honestly, he’s NOT that adorable or sexy, despite the long mane of hair and the possible pleather pants. Why don’t the producers insist that so many songs be “up tempo” and so many be slower? I’m sure this could be arranged. It is just common sense. All bands, when putting together their play lists, make room for a slow song every once in a while, but if the entire concert is slow, dirgy music, it gets pretty boring. I think what is bringing this year’s performances down are the song choices, which, so far, have been less-than-stimulating. Makes you long for Adam Lambert and company of last year. I want some fast and some slow, but no more Jim Morrison wanna-bees need apply.

Girls’ Night at American Idol (2/24): Dull, Dreary, Depressing

By Connie Wilson

On February 24, 2010

In Music, Television

Thinking back over Wednesday night’s “American Idol” girls-only show from Hollywood, my overall impression? Dull. Dreary. Mostly boring.

That doesn’t mean that there weren’t some strong voices on display, but the ones that were strong chose songs that the judges almost universally pronounced to be “the wrong song” and the entire energy of the show just felt washed-out, dried up, blown away.

THE GOOD

The singers who impressed me this night were Siobhan Magnus, who sang “Wicked Game” by Chris Isaak. She began the song in a nice, very low register and soared to the “I don’t wanna’ fall in love” refrain with a lilting voice that was great. Ellen DeGeneres probably echoed my thoughts the best when she said, “I loved it. I really liked it a lot.” Simon followed up saying, “You really are a funny little thing, aren’t you?” He asked her why she had chosen that particular song, and she responded that she found it “haunting” and “memorable” and “I have a softer side, too.” Simon called it “a very, very dark song,” while Randy encouraged her to “reach for bigger things, but the short snippet that showed her being whispered about as “ a dark horse” were interesting, because Siobhan said, quite disingenuously, “What’s a dark horse?” as though she had never heard the term.

Another singer who has consistently impressed me was the multi-talented Crystal Bowersox, age 24, from Elston, Ohio, who auditioned in Chicago. Crystal sang a song by Alanis Morissette, accompanying herself on guitar and harmonica. The best summation of her performance was, “You were good tonight, but you have greatness in you.” Ellen DeGeneres said: “We are lucky that you auditioned for ‘American Idol.’ You add something fresh to the show.” This on the heels of Crystal’s admission that she had not been a big fan of the show in prior years. Other comments: “Originality. I loved the honesty. I like what you do. I like that honesty. I’m a fan,” from Randy. Crystal, A.I. watchers will recall, is the mother of a young son and got his name tattooed on her back after winning. Her back-story is interesting, too. The only negative remarks were, as usual, from Simon, who, while saying, “I really, really like you. I think you’re refreshing,” urged her to try a song by someone like David Bowie, to present herself in a different light.

Another standout performance was that of Littleton, Colorado’s Lilly Scott, who said, “It means so much to be here right now. Everything I’ve done musically has led up to now.” Lilly has the gray hair and the look of a vampire bride, but she sang, quirkily, with her guitar “Fixin’ a Hole” by the Beatles. She wears eye shadow that makes her resemble a raccoon, but she has a very different quality. Ellen said, “I think that’s what we’re talkin’ about. You sounded great.” She praised Lilly’s “random song choice” but other less positive comments were: “I’m still not feeling much Star Power.” Both Simon and Randy commented on Lilly’s honesty and believability. Simon: “Best so far. Well done. You’re believable. You come from your heart.” “ I could feel you were comfortable in your performance,” said Kara and Randy chimed in with, “I love the honesty. I thought it was great.”

THE BAD

Worst of the night, for me, was final contestant Katie Stevens, singing Michael Buble’s “Feelin’ Good.” Katie was way sharp when she went up for the high notes. When she sang, “Birds feelin’ high”,that was the sharpest off-key note of all of the many. She was pitchy and off-key throughout the song, (Grandmother with Alzheimer’s or not, she seemed to be channeling Granny this night in her performance and her appearance). She looked “old.” Her hair was done in an old-fashioned way, her dress, her demeanor: antique. Ellen DeGeneres said, “I want to see you be 17. The song was a little old for you.” Simon agreed, saying, “I totally agree with Ellen. So much so that it started to become annoying. Very pageant-y.” Kara finally pointed out the elephant on the dining room table, saying, “You were all over the place” on the pitch, and Randy finished up the same critique I would have given her singing saying, “You were pushing so hard that all the notes were going sharp.” Another comment: “Wow! That was not on key.” (Kara) This is never good in the finals of an “American Idol” competition.

Others that were not good: Lacey Brown (Dull. Bad outfit.) Simon said, “It was quite depressing. After about 15 seconds I wondered how much longer we’d have to listen to this. It was just boring. Sorry.” The Dixie Chicks need fear nothing here.

Haeley Vaughn: I have not been a fan of Haeley’s since the would-be black C&W singer made it through to the Final 24 over the far superior (vocally) Angela Martin. I found her song, her voice, her rendition of the Beatles “I Wanna Hold Your Hand” to be just a little too chipper. I made the note, “Painful” at one point, and then Simon started in saying, “I’m being honest. For me, it was verging on terrible. A complete and utter mess. It wasn’t very good.” (Don’t hold back, Simon. Tell us how you really feel.) Ellen DeGeneres countered, “If it was a mess, it was a hot mess,” as she had previously praised Haeley, the person, saying, “Sixteen and so much presence. You just shine.”

Ashley Rodriguez, who was so promising initially, disappointed with a Leona Lewis song. Kara pointed out “Moments that weren’t great. I couldn’t really see you take a risk.” Simon called her performance “clumsy” and said he “didn’t like the arrangement.” He accurately said, “I think you are going backwards from the first time we met you Just someone who sings other people’s songs not that well” was how he characterized the Chelsea, Massachusetts college student’s performance (Ouch!). Ashley had said in previous clips, “This is the dream. It’s the opportunity of a lifetime.” The dream may have to be deferred to another year if Ashley doesn’t step up her game.

Paige Miles, 24, from Naples, Florida had the dubious honor of going first. It wasn’t a memorable performance and telling us that she was sewed into her black dress with the white sash and had been “waiting 5 hours to pee” was a little bit TMI for me. She sang “All Right Now” and, although she was told she “had the best voice out of all the girls” by Simon, and told “You’ve got a ridiculous voice, girl” by Kara, the consensus seemed to be “It’s about self-belief. You have to believe you’re a star.” Paige was not a star this night, but, in all fairness, she had to sing first (always a disadvantage, I feel).

THE OKAY:

Janell Wheeler, 24, of Orlando, the wine representative who is supposed to be quarterback Tim Teabow’s girlfriend tried a “Heart” song while wearing skin-tight black leggings of some sort. Randy felt that “the song choice didn’t work for you. I like your voice.” Ellen said, “I like that song. I thought you sang it well and I like you.” Simon brought some reality to the bleating of “What about love?” by saying, “You gave it 100% effort and delivered 65%. (Leave it to Simon to articulate the thoughts of the masses.) He did say there were “moments in the song when I did like your voice,” while telling her she had gone off-key at times. He advised Janell, a fairly attractive (but not stunning) blonde, to “try to do something that makes you original” and both Simon and Kara warned her that taking on an Ann Wilson song was “too big” for her voice.

Katelyn Epperly, age 19, from West Des Moines, Iowa is a personal favorite (as an Iowa native). I put her in the “okay” category tonight, because she adopted a black strapless dress with a chanteuse look, a thing in her hair (feather, I think), big earrings, and a much “dirtier girl” look. I liked her better when she first auditioned with her wild fly-away “Witches of Eastwick” hair, and so did Kara, who commented on her look. Simon said, “I actually like you. You’re quirky, interesting, brave. I like you a lot.” Kara said, “You know your voice very, very well, you switched it up in a way,” but Kara was the judge who (also) pined for Katelyn’s fresh-faced look. Katelyn defended the many facts of her personality to Kara’s desire that she be “a little bit more natural.” Randy said, “Here’s the thing I really, really like about you. You concentrate on tone, not runs. I think you can go places and do stuff.” Ellen found her performance “interesting,” but said, “I felt like it was pushed, but you have an amazing voice.” Has the potential to be in THE GOOD category next time out. I think she will stay around.

For me, Didi Benami was also “okay.” She sang in a terrible outfit…a multi-colored vest-like garment, but the judges did not find her memorable, as she wanted the audience to “Take Me the Way I Am.” Her performance was pronounced, “Dreary. Missing a spark. In the real world, I think that would be totally forgettable. You’re just so sleepy for me.” Ellen probably phrased it the most diplomatically, saying, “First impression: A little low key.” I definitely liked her better than the judges seemed to like her.

Michelle DelaMor described herself as “a corporate singer” prior to her selection by “American Idol.” She is tall, dark and sexy. She is 23, from Miami and works at a clothing store.” I’m so excited because I know my family will be there in the audience, and I just hope to make them proud.” She sang Alicia Keys’ “Fallin.” She wore a cute black top and gray pants, but was criticized for mainly doing a cover version of the song that was not unusual or original. (I, in fact, couldn’t remember her at all and had to go back on my TVO and watch her performance for a second time, which means that she wasn’t very memorable.) She has “the look” and is a beautiful girl. Ellen said, “That was fantastic. I feel like it was safe and it seemed so easy for you. I feel like you have more in you. I think that you were great, but I know that you can do better than that. I thought it was amazing.” Simon said, “It sounded close to the original. Not as good as the original. There wasn’t one moment in the performance that I went, ‘Wow!’ I think you’ve done enough to get through to the next round, and you look fantastic by the way.” Kara said, “There were moments that it wasn’t great.” She urged Michelle to be technically immaculate every time she stepped on the stage and she felt that Michelle lacked believability but could “get there.’ Randy said, “You actually did a pretty good job doing it. You’ve got a great voice and a great look. All that is hot and dope and cool. But take some risks. Show me something nobody has showed me yet.”

I think that Simon’s comment about things being “a mess” (countered by Ellen DeGeneres’ saying, “But a hot mess,” followed by Simon’s saying, “Seems to be the way it’s going tonight”) was accurate for the entire program. The girls—who seem stronger than the boys this year— (even Simon was quoted this way in the New York Post) didn’t deliver. It may have been nerves, as the talent is definitely there. My top 3 for the evening may soon be joined by the likes of Katelyn Epperly or Michelle DeLaMor, but, overall, the evening was disappointing, and, without Simon’s caustic honesty, the comments of the other judges would have been fairly insipid.

Top 24 Idol Contestants Announced on Feb. 17, 2010

By Connie Wilson

On February 18, 2010

In Music, Reviews, Television

My impression that the female singers, this year, are stronger than the male singers, was seconded by the Judges on Wednesday, February 17, 2010, as the Final 24 were selected to be this year’s “American Idol” contestants.

In predicting, in fact, I even found it difficult to come up with the names of 12 strong male singers and was laboring under a couple of misperceptions:

1) Stories abound on the Internet that “Big Mike” Lynche was disqualified because his father let it slip that he had made the top 24. It’s a rule that is controversial and selectively enforced, like kicking Kevin Smith off an airplane for being too fat. So far, Mike Lynche is still “in,” as far as I know, but the stories persist that his mother works for a newspaper in Orlando and his father confirmed his presence among the top 12 male singers. (His brother made it pretty far in a previous Idol competition.) Supposedly, Dad’s phone number is now disconnected. I’m wondering what gives?

2) Another misconception I had was that Tim Urban was gone after group week. Tim Urban made the final cut, and that was good news, to me.

Others among the men who made the Final 24 contestants were:

Tyler Grady – a Jim Morrison wannabe who said, “This is huge.”

Alex Lambert

Joe Munoz

Jermaine Sellers

John Park

Tim Urban

Alex Lambert

Andrew Young

Honestly, this year’s crop of men is far less memorable than the women. I do remember John Park, Jermaine Sellers and Andrew Young. It was hard not to remember Thaddeus Johnson. He spent most of this night sobbing on his mother’s shoulder. The judges generally lauded his onstage performances, but he was not the most physically appealing of the group. Tyler’s comments in leaving: “I killed it. I just thought it was my time.” When asked if his being cut was a big shock, he said, “Yes, it’s a big shock, because they acted like they loved me, but it was kind of fake.’ (Ouch!)

I found myself focusing more on this year’s female contestants, so much so that I only gave readers a “reminder” of which females were “best,” so far. My list was not too far off the mark (8 of 12). The ones I missed, were, quite frankly, almost unheard-of and not given any airtime as they auditioned. Those unheralded contestants, who made the list for the women were:

Paige Miles

Siobhan Magnus

Michelle Delamour (she was predicted to have made the cut on some Internet websites)

Those who made the cut who had been featured prominently and nearly all of who (m) I predicted were:

Lilly Scott

Janell Wheeler

Lacey Brown

Ashley Rodriguez

Crystal Bowersox

Haeley Vaughan

And Katie Stevens

I did remember Katie’s back-story about her grandmother with Alzheimer’s disease, and I did remember Tory Kelly, (who did not make it). I accurately predicted nearly all the contestants that we, the at-home audience, had been allowed to see.

The notable exception to my predicting would be the elimination of Angela Martin. Privately, I wonder if the 6 days in jail she did for “traffic violations” was an influence on the judges’ decision, but, again, it’s hard to comment on young women like Paige Miles, Siobhan Magnus and Michelle Delamour, whom none of us at home saw. [I was paying close attention, Folks].

So, admitting that the men, this year, are not as compelling, I’m feeling okay about predicting the following contestants: Janell Wheeler, Lacey Brown, Ashley Rodriguez (again, check her out on the posted Internet video), Crystal Bowersox, Lilly Scott, Haeley Vaughan, Didi Benami and Katelyn Epperly.

That’s 6 correct female picks—8 if you accept my hand-on-heart contention that I had picked both of the 2 announced on Tuesday night (Didi Benami and Katelyn Epperly). I missed 4 out of 12 for 2/3% accuracy.

The question can legitimately be asked whether Angela Martin should have been cut. Angela’s comments after her elimination, which involved an almost full-out counseling session with Judge Kara sitting with her in one chair, were “Music heals me. I can’t give it up.”

The judges obviously knew they were doing something that would be viewed as controversial when they cut Angela. Some savvy music executive might still pick Angela up as a client, and she could be one who has a career despite being eliminated (Jennifer Hudson, anyone?). While Thaddeus Johnson did not have the “look” that the judges are seeking, and was far too dependent on dear old mom for support at every turn, making him seem less than adult, Angela had been through a lot and deserved a shot. For me, she was far superior to Haeley Vaughan (black C&W singer), who made it through. I had speculated that Courtney Vance might make it through, but, in my notes after her first appearance, I commented, “Very small voice. Will not go far.” That last part proved accurate.

[*Note to self: must start paying more attention to the male contestants, even if they aren’t as good as the girls.]

Predictions for Top 24 in “American Idol” (2/17/10)

By Connie Wilson

On February 17, 2010

In Music, Pop Culture, Television

Tuesday, February 16, 2010, “American Idol” from the Kodak Theater in Hollywood and there are 71 contestants still standing. In the 2-hour Tuesday show, the 71 were to be pared down to 24 Finalists.

While we, at home, are, no doubt, being denied complete exposure to every single “comer” (i.e., all the good singers are not revealed early on; it took a while for “American Idol” to let us get a good look at Adam Lambert last season, for example), sometimes we get a quick glimpse of a contestant who will possibly be one of the Final 24, like Genesis Moore or Ashley Rodriguez.

One Orlando contestant (male) was booted from the show when his father couldn’t keep his mouth shut and blabbed it around town that his son had made it through to the Final 12. The contestant (Nicci Nix) who claimed to have flown 14 hours from Florence is no longer seen onscreen. Danielle Hay, who was really a very good singer, was booted for failing to reveal some troubles with the law. There was also a contestant in Chicago (male) whose visa or green card from Northern Ireland posed problems for the show, so he was out.

To try to make a prediction of the Final 24—12 male contestants and 12 female contestants—is, therefore, almost impossible at this point in the competition, but it’s fun to try. The Final 24—-or, I should say, the remaining 17, since we already know 7 of them after Tuesday night’s show— are going to be announced Wednesday, February 16^th’s show. I am going to make predictions right now, much as is done prior to the announcement of the Oscar nominees.

Please bear with me as I scour my notes and my not-always-that-great memory. Please forgive me my spelling errors of names, early on. Most of the last three weeks’ worth of auditions I watched without benefit of TVO, as we were moving around in Florida (see previous AC articles).

Let me go out on a limb and we can all saw it off tomorrow night when I am way off the mark. If you’d like to make your own predictions, see if you can do better. And let’s not forget: by the end of Tuesday night’s show, we knew the names of 2 of the female final twelve and 5 of the male final twelve.

Who will the remaining Finalists be, following on the heels of the 7 announced tonight?

By show’s end, the male contestants who had made it through were:

1) Michael Lynche, the 26-year-old personal trainer from Astoria, New York, whose wife just had a new baby girl (“Big Daddy”).

2) Casey James – I like to call Casey “Mr. Shirtless.” (If you’ve been following the auditions, you’ll know what I’m referring to.)

3) Aaron Kelly – Aaron’s continued presence surprised me, since he forgot his words at one point, but his back story (Aunt and Uncle had to raise him) and likeability made him a finalist.

4) Lee Dewyze – [Do you remember him?]

5) Todrick Hall – Todrick has danced and sung on Broadway with Fantasia in “The Color Purple.”

Female Contestants Named on Tuesday, Feb. 16:

1) Didi Benami – The Nashville songstress’ story is primarily how the death of her best friend is motivating her.

2) Katelyn Epperly – I’m pulling for the West Des Moines native with the “Witches of Eastwick” wild blonde hair. Her backstory is less compelling: Dad left Mom and she wants to prove that there is life after divorce.

So, those are the 7 contestants (out of 24) that have been announced as I write this. I’m going to predict some sure things for tomorrow night, and some strong possibles.

Female Contestants (in no particular order, but bold-faced are the stronger bets) to be announced on Wednesday, Feb. 17: (#3 through #12):

#3 – Angela Martin

#4 – Lilly Scott

#5 – Crystal Bowersax

#6 – Haeley Vaughan

#7 – Charity Vance

#8 – Ashley Rodriguez

#9- Janell Wheeler

#10- Genesis Moore

#10-Lacey Brown

#11-Christian Spear

For #12, some whose names were dropped (after which they disappeared) are; Tory Kelly, Kimberly Carver, Dawntoya Thomasen and a girl whose first name was Megan (did not get her last name). There are some fine male singers this year, but there seems to be more female talent this year.

Male Contestants: (#6 through #12):

#6 – John Park

#7 – Jermaine Purefory

#8 – Lloyd Thomas

#9 – Andrew Garcia

#10-Thaddeus Johnson

#11-Chris Golightly

#12-Dave Pittman

What? You say you don’t remember these names. Let me give you a quick refresher course on the Best Female Bets so you’re ahead of the game on Wednesday night.

#3) Angela Martin: Angela made it to the Top 40 in Season 8. She said, “I’ve seen a lot of dreams die. I can’t give up until I touch my dream.” Angela sang a Mary J. Blige song. The 28-year-old native of Chicago lost her father just before being cut in Season 7 and, in Season 8, missed out because she had a traffic court citation. She was described as “really talented” and the phrase “try and try again” was used. Get the picture? If you watched on Tuesday, Angela was wearing a fake leopard-skin one-shouldered dress and looked great. She ended up in Room 3, and Room 2 was the room where contestants went to die.

#4) Lilly Scott – Lilly was described as “a sandwich-maker from Denver.” She has distinctive gray-white hair and wore long peacock earrings. Kara said, “Everything about you is refreshing.” Would seem to be a shoo-in.

#5 – Crystal Bowersax – If Crystal, a 24-year-old from Chicago, doesn’t get in, there is no justice. From Chicago, she both played guitar and harmonica while singing, totally charming the judges. Crystal describes herself as a musician and a mother. Simon said of her, “You’re infectious. People will like you,” That, plus she is a very good bluesy chanteuse Sheryl Crow-like singer.

#6) Haely Vaughan– Haeley is the would-be black C&W singer. I honestly don’t think she’s that good, but Randy, in particular, really seems to like her.

#7) Charity Vance – Charity got the second gold ticket in Chicago singing “Summertime” and talking about her mother and father’s beauty shop. A pretty blonde, she had a small, soprano voice with a nicely lilting vibrato. Charity was a member of the female trio “Faith” during group week, along with Ashley Rodriguez, and all 3 of the members of this trio made it through.

#8) Janell Wheeler – Janell sang “House of the Rising Sun” and is rumored to be Tim Teebow’s girlfriend. Look for her to make it through to the top 24 for that reason, alone.

#9) Ashley Rodriguez – One of the trio called “Faith” during group week, Ashley has a video online under the name Ashley Makailah (“Gravity”, by Sara Bareilles), which is worth checking out. She is a true beauty who can really sing and Simon has said she has “it.” A lot of the videos of Ashley have been “pulled,” so she is one they’re keeping under wraps to spring on us.

#10) Genesis Moore – There is video of young Genesis at age 13 blowing the judges away in a talent competition singing “Summertime.” We hardly saw her at all during the auditions. This black chanteuse is one who can blow.

The last 2 spots may well go to any one of these names: Christian Spear, Tory Kelly, Kimberly Carver, Dawntoya Thomasen, Megan ?. I think the “best of the best” (i.e., the best of the female talent) is already listed above.

Since the girls are the strength area this year, I’ll remind you about the male contestants after they are announced on Fox tomorrow night, Wednesday, February 17^th, 2010.

Fort Lauderdale to Key West: And You Are There

By Connie Wilson

On February 8, 2010

In travel

Fort Lauderdale, Florida, southernmost tip of the United States. Never gets below 48. Yearly annual temperature of 77. Never gets above 98. Or so say the guide books.

So, what’s the temperature here? Uh…well….it was in the forties yesterday, but it has risen to the fifties and sixties. But, tomorrow, it may get up to 78 degrees…….!……And rain.

We have checked into Parrot Key, a very cool brand-new place that I scoped out online. I’m only sorry I didn’t book it online, as I would now have enough www.hotel.com bookings (after our trip across the Southwest on Route 66) to give us one free night’s rental.

This place has a 96% approval rating, and it’s easy to see why. For one thing, it’s new. We have a 3 bedroom, 3 and 1/2 bath house, with a private little sandy backyard area which will be great if it does get up to 79 degrees tomorrow. There are 4 pools, I’ve read, and I’ve actually seen 3 of them. There are palms and ferns surrounding us on all sides.

I have now read, aloud, 200 pages of “The Dome.” It take me approximately one minute to read one page, so the trip has yielded 200 pages of an over-1000 page novel by Stephen King, his newest. So far, Stephen, we’re both liking it, although we’re both concerned that the new Sheriff has sworn in Junior as a Deputy. But nevermind about that. Let me return to our trip here from Fort Lauderdale, through places with names like Key Largo (remember Bogie and Bacall in that one); Plantation Key; Windley Key; Upper Matecumbe Key; Lower Matecumbe Key.

Somewhere near Islamorada and a place called Wilson Bay we stopped to have lunch at a place that had boats and pelicans galore. We pulled into a rustic-looking ramshackle bay area where you could rent boats (for $500) with a name like “Woo Woo’s,” a place called Whale Harbor. The lobster/shrimp bisque was absolutely delicious. I also ordered the shrimp salad, thinking it would be like chicken salad. It was more lettuce in a bowl, with mandarin oranges and a shish-ka-bob inserted in the bowl with 6 shrimps. The bisque made up for my misunderstanding of the term “shrimp salad,” which, for me, indicated, as with tuna salad and chicken salad, that the shrimp would be diced and mixed with other similar ingredients.

I took the pictures of pelicans that you see here during lunch.

Then, we took off through Fiesta Key, Long Key, Duck Key, Grassy Key, Seven-Mile Bridge, Boot Key, Vaca Key, Big Pine Key, Little Torch Key, Middle Torch Key, Big Torch Key, Summerland Key, Upper Sugarloaf Key, Saddlebunch Keys, Big Coppitt Key, Stock Island, Boca Chica Key (my personal favorite) and, ultimately, Key West, the southernmost point in the United States, home to Mallory Square and the Duval Crawl and cheering when the sun goes down and, hopefully, warmer weather tomorrow than we have had, to date.

It sounds like tomorrow is “the day” to try to catch some rays. There may not be many to catch before the rains move in, but at least we’re not experiencing Snowmageddon back in Illinois/Iowa.

Sayonara, Daytona Beach! Onward to Ft. Lauderdale & Key West

By Connie Wilson

On February 8, 2010

In travel

Today is Super Bowl Sunday, the New Orleans Saints just won, and we checked out of Daytona Beach and are now in Fort Lauderdale, on our way to Key West. We were concerned that the Super Bowl might give us some traffic problems and/or hotel accommodation problems, but, aside from an accident in the lane going the OTHER way (a semi trailer truck on its side) that had traffic backed up for miles, things went pretty smoothly. I read “The Dome” aloud to the driver, and we arrived about 3:45 p.m.

I specifically asked for a mini-frig, as we have a lot of left-over food from our stays in time shares. The desk girl was asked, again, and I had asked hotels.com on the phone. No mini frig has materialized, and it is now 1:45 a.m. The Internet hook-up is better than the Grand Seas, but it is a standard hotel room and that is bad, since we are on almost diametrically opposed sleep cycles (as witnessed by the fact that one of us is sawing “zzzzzz’s” right now, and has been for hours. I can’t sleep early, and, although I will try to turn in momentarily after posting this article and some pictures, it’s just not as convenient as having a separate bedroom with a door.

I discovered that…despite the really cheesy towels (and only 3 of them for the both of us…THREE for 2 people? Are you kidding me? I need one for my hair and, given the size of these towels, 3 is going to be enough for one person. I called and, unlike the mini-frig, we did get 3 more towels.) the Internet connection is great. (As we walked to our room on the 2nd floor, the door to a room was open and some guy was working at the desk attired only in his skivvies. Surely a “whoops!” moment).

One of us went out to a bar and watched the first half of the Super Bowl while the other one of us took a nap. (Guess which one?) Then, the husband returned with a very nice shrimp dinner. Before the game started, I discovered that the hotel movie service had A LOT of movies I had missed. We watched “A Serious Man” before the SuperBowl and “An Education” after it, so I’m a happy camper there. (Both were great.)

The weather is really not warm. I am wearing a sweatshirt I bought at Universal Studios that says, “Thing One” and has a hood AND a fleece-lined zip up jacket, and I’m cold…And I’m IN the room. Tomorrow I wear the winter coat I brought as we head for Key West. Nevertheless, it isn’t snowing here, which is something.

Yesterday, in Daytona Beach, I had a manicure in a mall. I was getting ready to leave when tornado warnings forced me to stay inside till 4;45 p.m., so I had a pedicure, too. (The sacrifices I make!) Orlando got hit worse than the Daytona Beach area, and the tornados were more like circular wind things.

Perhaps I’ll write reviews of the two films mentioned above, but, before that, some pictures from Daytona Beach.

Ten Best Supporting Actress Nominees: Who Would They Be?

By Connie Wilson

On February 6, 2010

In Movies, Pop Culture, Reviews, Television

What if there were 10 nominees for Best Supporting Actress this year, as is the case for Best Film of the Year this year, rather than just five? Who would those 10 nominees be?

First, let’s consider the 5 that Academy members have already nominated:

1) Anna Kendrick for “Up in the Air.”

2) Vera Farmiga for “Up in the Air.”

3) Maggie Gyllenhaal for “Crazy Heart”

4) Mo’Nique for “Precious”

5) Penelope Cruz for “Nine”

Let’s consider, for a moment, the current official nominees and their chances. I have not seen Penelope Cruz in “Nine,” but I watched a Charlie Rose roundtable discussion of the film in which critics from both coasts described the movie as a mess. It seems obvious that the two fine actresses nominated for “Up in the Air” are likely to cancel each other out. Maggie Gyllenhaal’s movie, “Crazy Heart” has not been distributed nationwide until recently, so few have seen it. It is also not that “showy” a role, nor is she onscreen that long. Mo’Nique, who has Oprah pulling for her, is a virtual lock on this award, from the performances I’ve seen (4 out of 5). In a moment I’ll return to the actual nominees and tell you why I feel they are as deserving as the additional five I’ve been asked to pick.

The others that I would recommend to the Academy as good or better than the current crop of nominees would include these fine actresses, and my reasons for recommending their performances this year:

6) Samantha Morton in “The Messenger”- Samantha Morton (5/13/77) has been nominated for two Oscars previously, once for “In America” in 2002 for her role as Sarah, who has lost a child, and again for “Minority Report” with her role as Agatha, one of the future-telling floating mystics in the pool whom Tom Cruise consults. She has also had roles as Hazel in 2008’s “Synecdoche, New York,” a puzzling film by screenwriter Charlie Kaufman. In “The Messenger” Samantha plays Olivia Pitterson, the wife of a soldier killed in Iraq. Her co-star in the film, Ben Foster (as Staff Sergeant Will Montgomery) talked about how excited he was to be starring opposite an actress of Samantha Morton’s caliber when he appeared with the film at the Chicago Film Festival. At the time, said Foster, Morton had just given birth and was often busy nursing her newborn child when not onscreen. Samantha Morton is a serious, fearless actress who has earned an Oscar nomination, more than nominees #1 and #2, above.

7) Sigourney Weaver in “Avatar” – Weaver (8/8/49) has been nominated for 3 Oscars during a long career. (She turned 60 in August). In 1987 she came to fame as Ripley in “Aliens,” for which she was nominated as Best Actress. In 1999, she was nominated for her part in the film “Working Girl.” In 1989, her last nomination, she was nominated for playing Dian Fossey in “Gorillas in the Mist.” Weaver has also earned plaudits, including Saturn and BAFTA awards for her roles in “Alien Resurrection” in 1997, “The Ice Storm,” and “Galaxy Quest,” a 2000 spoof of her “Alien” roles that won her a Saturn award. Surely an actress who has been doing good work this long deserves a nomination more than an actress whose only previous leading roles were in the teen vampire movies “New Moon” and “Twilight”? This year’s role of Dr. Augustine in “Avatar,” the best-selling movie ever, would seem to be as worthy as Anna Kendrick’s or Vera Farmiga’s, and she has paid her dues much more than either of those decades-younger actresses.

8) Amy Adams in “Julie and Julia,” opposite Meryl Streep, was criticized in the role, for reasons that seemed bogus, to me. As Julie Powell, the young girl who decides to make every single recipe in the Julie Child cookbook, she did a good job…at least as good as Maggie Gyllenhaal’s role in “Crazy Heart.” In addition, Adams has been on a hot streak. She co-starred (again, with Streep) in “Doubt” as Sister James in 2008 and had a role in 2007’s “Charlie Wilson’s War” as Bonnie Bach. She also appeared as Giselle in 2007’s “Enchanted” and as Brenda Strong in 2002’s “Catch Me If You Can” with Leonardo DeCaprio.

9) Natalie Portman (6/9/81) played Grace Cahill in this year’s “Brothers.” She was the stay-at-home wife of 2 small daughters, left behind on the home front as her husband, Toby Maguire went to war. Jake Gyllenhaal plays toby’s brother in the film. For reasons that can be attributed to post traumatic stress disorder, Toby’s character becomes convinced that his brother (Jake Gyllenhaal) has had a relationship with his wife (Natalie Portman) while he was off fighting in the war. Ultimately, Toby has a classic Oscar-worthy meltdown. Natalie, who has previously played roles as varied as the lead in “V for Vendetta” (2005) and in 2 “Star Wars” episodes, must project strength for her children’s sake and the stand-by-your-man attitude of a good woman who truly loves her troubled husband. Natalie did a great job, and her previous role as Alice in “Closer”, Sam in “Garden State,” Sara in “Cold Mountain” and in the film “Anywhere But Here” are just a few of the wonderful performances she has provided audiences with, prior to this year’s overlooked film, “Brothers.”

10) The 10^th spot as a nominee for “Best Supporting Actress” should go to one of two female supporting performances from the film “Precious.” The unknown actress Paula Patton, portraying Ms. Rain, the teacher who helps Precious discover her potential, is one possibility, but far more intriguing would be Mariah Carey, who eschewed all make-up and fancy wardrobe for her role as the social worker, Mrs. Weiss. At first, watching the film, you can hardly believe this is the same Mariah Carey whose plunging cleavage recently graced the Golden Globes. Carey’s debut film, “Glitter,” was an unmitigated disaster. Director Lee Daniels made sure that Mariah (and, for that matter, rocker Lenny Kravitz in a small role as a male nurse) really inhabited roles that are the antithesis of their normal rock star images. Carey was recognized for the good job she did as the disgusted social worker who can hardly believe the self-serving, narcissistic rantings of Mo’Nique as Precious’ mother. Not only did Carey win a Palm Springs Award for Breakthrough Performance Award for her part, but she also won a Capri (Hollywood) role for Best Supporting Actress. In addition, she was nominated (as part of the ensemble) for awards by the Washington, D.C. Area Film Critics Association, the Screen Actors’ Guild (cast nomination), the Broadcast Film Critics’ Association Best Acting Ensemble award, the Boston Society for Best Ensemble Award and was nominate for a Black Reel award.

If I ruled the Oscars and there were 10 nominees in the Best Supporting Actress category (rather than simply 5), these would have been my nominees. (And, no, I haven’t totally forgotten about Betty White’s turn as Ryan Reynolds’ grandmother in “The Proposal.”)

President Obama Addresses Prayer Breakfast on Feb. 4, 2010: “Something is broken” in America

By Connie Wilson

On February 5, 2010

In Editorial, Education, Politics, Pop Culture

President Barack Obama addressed the National Prayer Breakfast at the Hilton in Washington, D.C. today, February 4, 2010. His remarks on civility are worth repeating, although I am only sharing excerpts, with commentary. . The entire transcript appeared in the Washington Post under the title “Politics and Policy in Washington” in an online posting made at 10:55 a.m. on Thursday (Feb. 4, 2010).

After the normal “welcomes” and reference to how “prayer can bring sustenance to our lives” Obama said, “But there is a sense that something is different now; that something is broken; that those of us in Washington are not serving the people as well as we should. At times, it seems like we’re unable to listen to one another, to have at once a serious and civil debate. And this erosion of civility in the public square sows division and distrust among our citizens. It poisons the well of public opinion. It leaves each side little room to negotiate with the other. It makes politics an all-or-nothing sport, where one side is either always right or always wrong when, in reality, neither side has a monopoly on truth…Empowered by faith, consistently, prayerfully, we need to find our way back to civility.”

Obama went on, “Civility also requires relearning how to disagree without being disagreeable…We forget that we share at some deep level the same dreams—even when we don’t share the same plans on how to fulfill them.” The president urged a way “to make an impact in a way that’s civil and respectful of difference and focused on what matters most.

Obama quoted three great leaders in making his point(s) on civility:

1) Abraham Lincoln, who said, on the eve of the Civil War, “We are not enemies, but friends. Though passions may have strained, it must not break our bonds of affection.”

2) Martin Luther King: “Love is the only force capable of transforming an enemy into a friend.”

3) President John F. Kennedy: “Civility is not a sign of weakness.”

Obama said, “But progress doesn’t come when we demonize opponents. It’s not born in righteous spite.” He added, “It seems like the very idea (of civility) is a relic of some bygone era. The word itself seems quaint—civility.”

All of the above excerpts from our president’s February 4^th speech are so true and so sad. I have bold-faced the last line, because I think that President Obama may not realize how true it is: civility and politeness are, indeed, values no longer abroad in the land. Civility is a quaint word and a quaint concept in 2010.

It seems that only the older generation—those who grew up in the age of Truman and Eisenhower or before— have even a dim memory of how it used to be in society. Children were taught to be polite; rudeness towards one’s parents, peers or teachers was not tolerated. The longshoreman language we hear spouted by even first-grade students in schools was non-existent in those “happy days.”

In today’s schools at every level, teachers are lucky if they are merely called profane names. Educators are fortunate if they are only assaulted with idle threats and profane insults when things don’t go the students’ way. The teacher is no longer always right. Mom and Dad—if there is one— (and, often, the administration of the school) will very often side with Junior and undercut attempts at enforcing standards of civility and polite discourse. In some noteworthy cases, Junior may become violent, a threat to himself, his teachers, and his classmates. These outbursts, this impolite, dangerous behavior did not happen in the days of civility and polite discourse.

Not just schools and government, but all of our institutions are under attack; none of our institutions are totally trusted any longer. It doesn’t matter if you’re a fireman, a policeman, a teacher or a politician. Whatever form of authority you represent, even if it is simply the owner of a store, handling customer complaints is a nightmare in this age of out-of-control anger and uncivil behavior.

What was most telling, for me, about President Obama’s eloquent words, were the three quotes he selected to illustrate his very valid points about civility in 2010. Obama quoted John Fitzgerald Kennedy, the martyred president of Camelot lost; Martin Luther King, Jr., the murdered Civil Rights leader who preached nonviolence to his followers; and Abraham Lincoln, whose enemies chose to still that Illinois president’s voice of reason with a bullet to the brain

I found the words of President Obama’s speech true and moving.

However, I fear that he is pleading for something that is perhaps gone forever, like the dinosaur, or, if not gone, in very short supply. Quoting three murdered leaders only makes me fear more for our president and for our country, which so badly needs polite and civil discourse and both sides working together in civil harmony, rather than radical rants and unreasonable stone-walling.

Something is broken, Mr. President, not just in Washington, D.C., but also in the United States of America. Can chaos give way to order? Can the bell of rude behavior be unrung when it’s been pealing for decades?

Many things are definitely broken in America. I wonder if they can be fixed?

Ray LaHood’s Remarks To Congress Set off Toyota Tempest

By Connie Wilson

On February 4, 2010

In Humor and Weird Wilson-isms, Local, Of Local (Quad Cities') Interest, Politics

Today’s big gaffe by the Obama administration was made by Secretary of Transportation Ray LaHood—-coincidentally, my former neighbor in East Moline, Illinois, and a great guy (also, a Republican, most recently residing in Peoria, Illinois and representing that district in Illinois before his decision to retire.)

Ray was testifying before Congress about the sticking pedal on certain Toyota models, a number of which have been recalled by the company for fixing. The problem seemed to be that Ray was not speaking officially…or he didn’t think that he was, at the time he was testifying…but the man-in-the-street heard Ray LaHood, Secretary of Transportation, telling them to quit driving their Toyotas and drive immediately to the nearest Toyota dealership for a fix of the problem. (Oh, oh.)

In Ray’s defense, he corrected himself within 2 hours and admitted he had “misspoken,” but the harm was done. In Florida, where I am now, various channels had Floridians from all walks of life saying things like, “How will I get home from work?” (I’m not making this up, Folks. One of the interview subjects actually told the reporter this, with a very worried look.)

I am the proud owner of 2 Toyota Prius vehicles (I’ve written on this subject on AC before). I also owned a third, which is now in my son’s possession in Chicago. Of course, currently I’m not in Illinois, where my green Prius (the grasshopper) is sitting in the garage, waiting for me to make the final five payments to say that I own it. But I can assure you that I would not be panicking at the thought of driving that car home from work (if I had work to drive home from, that is.)

I read, elsewhere, that the co-founder of Apple says that his Prius will automatically escalate up to 97 mph when he uses his cruise control. [My answer to that would be, “Don’t use the cruise control.”]

Where has common sense gone in all the hoopla over the really unfortunate, although isolated, incidents involving (some) Toyota vehicles? The Lexus accident that precipitated the recall (of floor mats, initially) was truly horrifying, and it did take an inordinate amount of time for Toyota to own up to the fact that there was something going on with their vehicles, but things seem to be getting out of hand.

As I type this, I’m watching a satirical take-off on “American Idol’s” auditions on Jimmy Kimmel. I watched the young man talk about how his father was eaten by an alligator (leg shown sticking out of alligator’s mouth) and, on the way home from the funeral service, someone threw a bucket at his mother from a bridge overpass as she drove underneath in a convertible. She had to be buried with the bucket on her head. (Okay…questionable taste and graphic there, but it was Jimmy Kimmel, not me.)

Given the panic that a simple misstatement by our current Secretary of Transportation (Ray LaHood) caused on February 3^rd after his inadvertent remark before Congress, the Toyota Tempest caused by Ray’s remark today (not the need for a fix for a real problem, but the foot-in-mouth comment) is ripe for a “Saturday Night Live” skit. I can see it now:

First, a shot of LaHood telling people not to drive their Toyota vehicles, but to take them immediately to dealerships.

Next, a shot of hordes of screaming villagers jamming the entrances to Toyota dealerships, nationwide, demanding the chip or floor mat or whatever it is that is supposed to end this madness, and demanding it RIGHT NOW! Maybe some of them could be carrying torches. Or, failing that, discarded rubber floor mats.

Next, a scene depicting those wusses who are still at work as the hour grows late, sitting there staring timidly at their parked Toyota vehicles but too afraid to climb in and drive 3 blocks home.

I’m obviously watching too much television while on vacation in the Sunshine State, where a shark ate a surfer today. (New Smyrna Beach is “the shark bite capital of the United States.”) To quote David Letterman, “Hep me! Hep me! I been hip-no-tized!” watching this Toyota Tempest play out on television.

And, Ray: I mean no disrespect. You’re doing a great job. Just get us that railroad paralleling I-80 (Chicago to the Quad Cities to Des Moines) and all is forgiven. I’ll even ask “Saturday Night Live” to call off the skit.